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Theater Review: TITANIC (Candlelight Pavilion Dinner Theater in Claremont)
A MORE INTIMATE TITANIC MADE EPIC It’s telling that the 1997 musical Titanic won Tony Awards for each nomination — Best Musical, Peter Stone’s book, Maury Yeston’s score, Jonathan Tunick’s orchestrations, and Stewart Laing’s colossal, four-story, tilting set — yet it didn’t receive one nomination for acting. (I saw the original on Broadway and you definitely…
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Theater Review: THE B-SIDE: “NEGRO FOLKLORE FROM TEXAS STATE PRISONS” A RECORD ALBUM INTERPRETATION (Wooster Group at REDCAT)
B-SIDE MYSELF Breathes there a soul who hasn’t sung along with a favorite album? And, ah, if the songs we sing were rare and challenging and related to one’s life, we might have all approached The Wooster Group’s Kate Valk, as Eric Berryman did with his 1965 Elektra recording Negro Folklore from Texas State Prisons,…
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CD Review: ASCENT (Matthew Lipman, viola, Henry Kramer, piano, on Çedille Records)
AN ACT OF ASCENSION For years, violas and violists have been the butt of some truly funny jokes: Q: How do you keep your violin from getting stolen? A: Put it in a viola case. Q: What’s the difference between a dead skunk and a crushed viola in the road? A. Skid marks before the…
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Theater Review: HELLO, DOLLY! (National Tour)
BUCKLEY BUCKLES A BIT, BUT DOLLY DEFINITELY DELIVERS To start with, let’s agree to never say “Goodbye, Dolly.” Thornton Wilder’s genius for the common touch isn’t just a golden legacy in Our Town or The Skin of Our Teeth, both perfect comedies of life. There’s almost as much warm wisdom in The Matchmaker, Wilder’s craftily-plotted 1955 mating romp that…
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Theater Review: A GENTLEMAN’S GUIDE TO LOVE & MURDER (Porchlight Music Theatre; Ruth Page Center)
A DEATH OF FRESH AIR It’s a tour de force times ten as Monty Navarro, distant heir to the D’Ysquith fortune, slaughters his way to an earldom and marriage, for better or worse, with a doting cousin. A romp where vengeance gets served up hot and cold, A Gentleman’s Guide to Love & Murder is convulsing the Ruth…
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Chicago Theater Review: HOW TO CATCH CREATION (Goodman Theatre)
CONSIDER CREATION CAUGHT IN THIS SEMINAL WORLD PREMIERE It’s a tour-de-force to take home and reverently recall: A Goodman Theatre world premiere, How To Catch Creation lives up to a lovely title. In little more than two hours, Christina Anderson chronicles the intersected passions, both procreative and artistic, of three very different couples. They’re contrasted and combined…
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Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (South Coast Rep)
IT COULD HAVE BEEN MURDER Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street is a musical that never fails to impress, no matter how many times it’s been seen. It tells of Benjamin Barker, a Victorian-era barber who returns to London, having been imprisoned on false charges, to exact vengeance on those responsible for the tattering…
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Concert Review: BERNADETTE PETERS (Disney Hall)
SAINT BERNADETTE Now that she’s hung up her late-Victorian hat after taking over for Bette Midler in Hello, Dolly! on Broadway last year, the inimitable Bernadette Peters has embarked on another international tour, making a stop at Disney Hall last Tuesday to share her love of theater, singing selections from musicals as if for the…
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Theater Review: US/THEM (Chicago Shakespeare)
OUT OF THE BLOOD OF BABES It’s a probably thankless and certainly unsettling undertaking: Us/Them is an hour-long performance piece by two young members of the Belgian troupe BRONKS. It dares to depict the 2004 Beslan school siege and massacre from the point of view of two child victims: One survives the take-over by 35 Chechen separatists….
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Theater Review: AN INSPECTOR CALLS (The Wallis)
MAKE A CALL ON THIS INSPECTOR In Stephen Daldry’s architectually inspired revival of J.B. Priestley’s An Inspector Calls, an astute mixture of comedy of manners/tragedy of class/family crisis/ socialism versus capitalism/whodunit, the audience is asked, along with a trio of curious children, to get past that heavy red velvet curtain and enter a world of…
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Theater Review: HIR (Odyssey Theatre in Los Angeles)
CRUEL INTENTIONS Now at the Odyssey Theatre Ensemble, Hir had its world premiere at Playwrights Horizon in 2015, engendering a rave in the The New York Times and going on to play internationally to enthusiastic reviews everywhere. I searched for other reviews because while the stated tone and subject matter of the show are what…
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Theater Review: THE REALISTIC JONESES (Shattered Globe Theatre and Theater Wit)
IS IT TOO REALISTIC, OR NOT REALISTIC ENOUGH? Is it smoke and mirrors or a trick of the light? No matter — the fact that nothing urgent is at stake in the 100 minutes of Will Leno’s The Realistic Joneses is not beside the point: It is the point. Next-door neighbors in a cookie-cutter suburb, four married characters —…
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Theater Review: LAST CALL (Open Fist Theatre Company at Atwater Village Theatre)
RAGING AGAINST THE DYING LIGHT Elderly parents losing their independence is more significant demographically in America now than at any time in our history. Most still-living Greatest Generation parents of Baby Boomers are in their seventies to nineties or even early one-hundreds. After lifetimes of gritty independence, often forged during the Depression, they tend to…
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Dance Preview: HUBBARD STREET DANCE CHICAGO (Musco Center for the Arts)
HUBBA-HUBBA-HUBBARD As one of the world’s most important contemporary dance companies, Hubbard Street Dance Chicago encompasses a vast array of techniques and forms, as well as an understanding of abstract artistry and the emotional nuances of movement. With an exuberant, athletic, and innovative repertoire, Hubbard Street presents performances that inspire, yes, but also challenge how…
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CD Review: SOMETHING FOR THE BOYS (2018 Studio Recording on PS Classics)
SOMETHING SWELL FOR MUSICAL LOVERS A studio recording of Cole Porter’s 1943 boisterously farcical musical Something for the Boys has just been released, and producer and PS Classics co-founder Tommy Krasker has done it again. Since the early 1990s, he has helmed the making of studio cast albums of early Broadway musical scores that languished in near…
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Chicago Theater Review: EVIL DEAD THE MUSICAL (Black Button Eyes Productions)
BRINGING DEAD TO LIFE An import from our neighbor to the north that’s almost as inebriating as Canadian Club, Evil Dead The Musical is a blood-splattering, silly-ass, ham-acting confection based on a franchise of three gag-inducing 80s’ films. (How come the “good dead” never get a show? I guess it would be too dull.) A huge hit…
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CD Review: GOLDSTEIN (Original Off-Broadway Cast)
PANNING FOR GOLDSTEIN You have to glean the plot from the songs, because the synopsis for Charlie Schulman’s libretto for Goldstein, an Off-Broadway musical that closed in July, 2018, and now has an Original Cast Album on Broadway Records, is oddly extant from the booklet. Really? You mean I have to look up reviews for…
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Music Preview: BRANFORD MARSALIS QUARTET & YUKO MABUCHI TRIO (Segerstrom Concert Hall)
JAZZIN’ HOT IN COSTA MESA With propulsive muscled arrangements, intense high-powered playing, and ceaseless creativity, saxophonist/composer Branford Marsalis is one of his best and brightest musicians that America has ever produced, and his proficiency in both jazz and classical is mind-boggling. He joins his hard-swinging yet sensitive quartet to heat up the winter for one…
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Theater Review: DADA WOOF PAPA HOT (About Face Theatre at Theater Wit in Chicago)
FRIENDS WITH CHILDREN Gay parents — for centuries that seemed a contradiction in terms. How could promiscuity engender anything beyond itself? But, if, as Delmore Schwartz said, “With dreams begin responsibilities,” along with (modern) marriage comes children. A lot of stuff suddenly altered in 2015 when marriage equality passed. Theater is just now catching up…
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Film Review: CASINO ROYALE (directed by Martin Campbell)
CASINO ROYALE It’s no doubt been quite some time, but you now get to revisit the outstanding Bond movie from 2006, Casino Royale. Adapted from Ian Fleming’s first novel, written in 1953, the hero is different from Marvel Comic-type superheroes and other slot-game characters like Top Cat, where you can get a free spiny. Produced…
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