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Los Angeles Theater Review: URBAN DEATH (Zombie Joe’s Underground in North Hollywood)
L. A. THEATER RISES FROM THE DEAD With an assemblage of the bravest actors in Los Angeles, Zombie Joe returns with an all-new Urban Death, the naturalistic horror show in the style of Le Théâtre du Grand-Guignol. In just under an hour, this ghoulishly delightful series of vignettes serves up unfathomable repulsions, profound evils, distressed…
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Los Angeles Theater Review: SONGS OF BILITIS (Rogue Artists Ensemble at the Bootleg)
FAKE BOOK COMES TO TRUE LIFE Published in Paris in 1894, The Songs of Bilitis is a book of poems and epitaphs describing the life and loves of an ancient lesbian heroine named Bilitis. With emotional flourish, author Pierre Louí¿s biographically describes her simple country upbringing, pinnacles of romantic love and sexual gratification, and eventual…
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Los Angeles Theater Review: MOMMUNE (Chalk Repertory Theatre)
WHAT DO YOU DO WITH A BAD MOM? Chalk Repertory Theatre continues presenting non-traditional, site-specific theatre with the world premiere of Dorothy Fortenberry’s newest work, Mommune. “Mommune” is the name of a childcare center, and the two-hour real-time melodrama about motherhood – featuring an all-woman ensemble – takes place at an actual day care center,…
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Chicago Theater Review: AN AMERICAN STORY FOR ACTOR AND ORCHESTRA (Royal George Theatre)
A DEATH IN THE UNION Hershey Felder has already regaled audiences at the Royal George Theatre with his uncanny and heartfelt recreations of George Gershwin, George M. Cohan, Frederic Chopin, Leonard Bernstein and Ludwig van Beethoven, honoring and invigorating the music as much as he concentrated their life stories. Now he delivers a solo tour…
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Theater Review: THE TROUBLE WITH WORDS (Coeurage Theatre Company at Lost Studio)
THE TROUBLE WITH THE TROUBLE WITH WORDS In 2011, I stumbled upon a refreshing new composer at the Hollywood Fringe Festival. The extraordinarily encouraging work in Gregory Nabours’ song cycle, The Trouble with Words, was thrilling. Comparable to the work of Duncan Sheik (Spring Awakening), the music, whether bouncy or haunting, incorporated innovative harmonies with…
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Los Angeles Opera Review: THE FLYING DUTCHMAN (LA Opera at Dorothy Chandler Pavilion)
SALVATION IN A STORM Who is the titular Flying Dutchman? Is he a mythological figure, a type of the wandering Jew bound to traverse the earth in travail until his day of salvation comes? Is he in some way the composer, an outsider and a genius yearning for acceptance and recognition? Or he is simply…
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Off-Off-Broadway Theater Review: EASTER (August Strindberg Repertory Theatre)
NO RESURRECTION HERE While the snow is thawing and the flowers are getting ready to shoot out of the soil, the August Strindberg Repertory Theatre, a newly-formed company that’s dedicated to bringing Strindberg to American audiences, presents an ambitious production of Easter which is sure to get you reflecting on, and perhaps preparing for, the…
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Chicago Dance Review: MADE IN SPAIN (Luna Negra Dance Theater)
WRITHING INTO REVELATION Alas, it’s over – and way too soon. Luna Negra Dance Theater’s 2013 spring program celebrated works by two contemporary Spanish choreographers: guest artist Fernando Hernando Magadan and Luna Negra company member Mónica Cervantes. Last night’s one-time-only performance at the Harris Theatre in Millennium Park, Made in Spain, confirms the troupe’s reputation for…
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San Francisco Opera Review: GREEN SNEAKERS (composed by Ricky Ian Gordon)
GRIEF TURNS TO POETRY AND MUSIC Composer and poet Ricky Ian Gordon’s partner, Jeffrey Michael Grossi, died of AIDS in 1996, at the age of 32. In response, Gordon created, among his many other works, Dream True (1998 – book and lyrics Tina Landau) and the song cycle Orpheus and Euridice (2005), which Long Beach…
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Theater Review: WOLVES (Celebration Theatre)
HOWLER Steve Yockey’s new play isn’t new, and it isn’t a play. The first contention first: Part of a new promotional concept of “rolling world premieres” designed specifically to hype theaters and the scripts they mount, Wolves already played in Atlanta, New Orleans, and Tempe last year. This isn’t a tour; it’s four different productions…
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Los Angeles Theater/Dance Review: KEN ROHT’S MISS JULIE(N) (MorYork Gallery in Highland Park)
GAY ABSTRACTION For years, Ken Roht has proved himself to be one of the most inventive theater practitioners in Los Angeles. His avant-garde works include the renowned 99 Cent Only shows, which contain extravagant costumes by Ann Closs-Farley and sets wholly manufactured with items acquired at the 99 Cent Only Store. The original, entertaining and…
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Chicago/Tour Dance Review: ALVIN AILEY AMERICAN DANCE THEATER (Auditorium Theatre)
A TRUE SPRING FLING Returning to new glory and restoring golden memories after many happy visits to Chicago, Alvin Ailey Dance Theater just unleashed an unprecedented two-week, three-program showcase, part of a 21-city tour by the evergreen troupe. Opening night at the beautiful Auditorium Theatre ignited three pieces as fresh as they are familiar and…
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Los Angeles/Tour Theater Review: MIKE TYSON: UNDISPUTED TRUTH (Pantages and National Tour)
SMILE, AND SMILE, AND BE A VILLAIN Since civilization stopped executing them outright, the notorious have always had the fallback of a second act as freakshow attractions. From 1883 well into the first decade of the Twentieth Century, Americans and Europeans paid to see Buffalo Bill’s Wild West show, featuring old Indian fighters and actual…
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Los Angeles Theater Review: WHEN YOU’RE IN LOVE, THE WHOLE WORLD IS JEWISH (Greenway Court)
WHAT WERE JEW THINKING? Baby boomers should recall the time when a great comedy album could be played with regularity. Some of my favorites were Bill Cosby Is a Very Funny Fellow…Right! (1963), which contained his iconic “Noah” sketches; George Carlin’s Class Clown (1972) with its infamous track entitled “Seven Words You Can Never Say…
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Los Angeles Theater Review: THE LAST DAYS OF JUDAS ISCARIOT (Victory Theatre in Burbank)
THE PLAY ABOUT A TRIAL ULTIMATELY BECOMES A TRIAL TO WATCH Stephen Adley Guirgis’ The Last Days of Judas Iscariot is a courtroom drama set in Purgatory where the guilty or not guilty verdict literally means heaven or hell for the one standing trial. The one being judged in this case is former apostle and…
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Bay Area Opera Review: THE SECRET GARDEN (Cal Performances and SF Opera at Zellerbach Hall)
A PERFECT CHILDREN’S STORY FOR OPERA, BEAUTIFULLY STAGED…BUT IS IT READY FOR CHILDREN? I confess to being passionately attached to the score for the successful stage musical, The Secret Garden by Lucy Simon and Marsha Norman (1991), but translating Frances Hodgson Burnett’s classic children’s novel – the story of Mary, a spoiled 19th-century 11-year-old sent…
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Off-Broadway Theater Review: HENRY IV, PART 1 (The Pearl Theatre Company)
THE PRINCE OF PEARL Through ribald jokes and fiery speeches, spit flies during The Pearl’s solid and satisfying production of Shakespeare’s Henry IV, Part 1. The second part in a tetralogy of history plays (encompassing Richard II, Henry IV Parts 1 and 2, and Henry V), Henry IV is a work of epic proportion, well…
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Film Review: EMPEROR (directed by Peter Webber)
WHEN HISTORY IS NOT ENOUGH A series of releases in the last few months – Zero Dark Thirty, Argo, Lincoln – have highlighted the ever-present conundrum of historical depiction in film, especially in regards to accuracy and storytelling. One film was threatened with Congressional investigations over its portrayal, and another took vast liberties with the…
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Off-Broadway Theater Review: THE WILD BRIDE (St. Ann’s Warehouse)
GO TO THE DEVIL With his lanky limbs draped over a rocking chair, the Devil has an undeniable magnetism. This storyteller exudes a Southern, gentlemanly charm – but dark motives lurk behind his twinkling eyes. “Sit with me, friends,” he lures the audience in. “Let’s wait for somethin’ to happen.” The “somethin’” that follows is…
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Off-Broadway Theater Review: BELLEVILLE (New York Theatre Workshop)
CALCULATING, BLUNT, DISTURBING AND INTENSE The name Amy Herzog seems to be on the tip of every theatergoer’s tongue lately. Hot on the heels of The Great God Pan, 4000 Miles and After the Revolution, New York Theatre Workshop brings us Herzog’s newest play Belleville – a disturbing domestic thriller. In a chic bohemian apartment…
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