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Los Angeles Theater Review: VERONICA’S ROOM (Underground Theater)
A RESTRICTED BUT RIVETING ROOM Novelist Ira Levin may be best-known for Rosemary’s Baby and Stepford Wives, both made even more popular by their film adaptations, but as a playwright, Levin wrote the fifth longest-running play in Broadway history, Deathtrap (1978), made less popular by its film adaptation. Five years prior to Deathtrap, Veronica’s Room (originally subtitled…
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Chicago Theater Review: THE CITY & THE CITY (Lifeline Theatre)
A TALE OF TWO CITIES THAT BLENDS SCI FI AND MYSTERY China Miéville’s novels are dense works of science fiction, and sometimes deciphering them feels more like work than entertainment. That’s why it’s impressive that Lifeline Theatre’s world premiere adaptation of his Hugo Award-winning The City & The City is so accessible. Adaptor Christopher M….
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Chicago Opera Review: RIGOLETTO (Lyric Opera)
RIGO-LENTO After a season chock full of successes, Lyric’s momentum slows with a dull production of Verdi’s Rigoletto. Not even Evan Rogister’s expert conducting nor the orchestra’s triumphant execution of Verdi’s score could buoy opening night’s dragging performances. The show opens with a single spotlight illuminating a violent sexual encounter between the Duke of Mantua (a…
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Los Angeles Theater Review: CAVALIA’S ODYSSEO (The White Big Top in Burbank)
BEHOLD THE BREATHTAKING BEAUTY OF CAVALIA’S ODYSSEO In 2003, Normand Latourelle, one of the co-founders of Cirque du Soleil, was ready to up the entertainment ante when he introduced his equine extravaganza Cavalia to the world. The show was a smash right out of the gate and has been galloping around the globe ever since….
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Bay Area Theater Review: THE MOUNTAINTOP (TheatreWorks in Palo Alto)
INSPIRATIONAL, THOUGHTFUL, DARING What if Dr. Martin Luther King was a down-to-earth, simple, vulnerable human being like the rest of us? What if human existence could be viewed from another dimension, one that allowed the viewer to weigh the pluses and minuses of the greater good versus personal choice, or the math of one human…
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Chicago Theater Review: SEE WHAT I WANNA SEE (Steppenwolf)
A TISSUE OF SONGS An ambitious and sporadically powerful entry in Steppenwolf Theatre Company’s fourth annual “Garage Rep,” this 2005 musical by John LaChiusa is a Rashomon-like puzzle whose song pieces can’t quite be put together. But ardently produced in the Steppenwolf Garage this becomes a healthy, rather than pointless, challenge to the listener, despite…
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Chicago Theater Review: EVERTHING IS ILLUMINATED (Next Theatre)
SOME THINGS, BUT NOT EVERYTHING, IS ILLUMINATED “With writing, we have second chances,†declares Jonathan Safran Foer in Everything Is Illuminated, his well-received and dauntingly complex first novel from 2002. Taking leaps that have nothing to do with faith, this self-reflexive look at how writing about an event serves many different truths begins with a…
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Los Angeles Theater Review: JANE AUSTEN UNSCRIPTED (Impro Theatre at the Carrie Hamilton)
GO GET LOST IN AUSTEN I drove to Jane Austen UnScripted directly from a production of Oklahoma! as grand and empty as the wind sweepin’ down the plains. With a quarter of the cast of that Rogers and Hammerstein show, and a tithe of the expense, seven Impro Theatre actor/writers showed more integrity to the spirit…
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Los Angeles Theater Review: COMPLETE (Wilder Theatrics at the Matrix Theatre)
A COMPLETE WASTE OF WORDS If you hold a doctorate in linguistics then you might (and that’s a very questionable “might”) find some interesting banter in Complete, the alleged comedy written by Andrea Kuchlewska currently making its West Coast premiere at the Matrix Theatre. If, on the other hand, the scientific study of syntax and…
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Film Commentary: DJANGO UNCHAINED (directed by Quentin Tarantino)
FUN WITH SLAVERY A couple of questionable dramatic decisions aside, Django Unchained is a very entertaining film, boasting some outstanding performances, limber and witty direction, and a dynamic (and now Oscar-winning) script with an abundance of sharp dialogue. Quentin Tarantino’s latest invention is a wish-fulfillment fantasy – an American hero movie – a western modeled on…
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Los Angeles Theater Review: OKLAHOMA! (Musical Theatre West)
THE CORN IS HIGH INDEED Messrs. Rodgers and Hammerstein reinvented American Musical Theater for the ages when they created Oklahoma! in 1943, incorporating song and dance to tell their story rather than detract from it. The musical avoids creaking with age because Hammerstein’s book shuns overt sentimentality, and the lyrics are chock-full of poetic imagery…
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Film and DVD Review: STRANGE FRAME (directed by G.B. Hajim)
STRANGELY FAMILIAR Srange Frame isn’t perfect. But there’s something fairly good for everyone here, because (contrary to its narrative’s revolutionary politics) the movie goes out of its way for its consumers. It has danceable songs, spaceships, nipples, clever dialogue, and an Up the Proletariat subversive pretext, the kind of nonspecific general “revolution” that appeals to…
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Los Angeles Theater Review: THE GRAPES OF WRATH (A Noise Within)
RIPPED TO RAGS IN A BEAUTIFUL WAY John Steinbeck’s Pulitzer Prize and National Book award-winning novel The Grapes of Wrath operates as both a harrowing portrait of the American struggle for life, liberty, and happiness, and an impassioned rally cry for the downtrodden; it is a fitting title (suggested by the writer’s wife) considering it…
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Off-Broadway Theater Review: REALLY REALLY (Lucille Lortel Theatre; directed by David Cromer)
THE PARADOX OF A CONTEMPTUOUS PLAY AND ITS AFTEREFFECTS Early in Act II of Paul Downs Colaizzo’s incisive new play Really Really, my theatergoing companion Liz let out an audible sigh of frustration at the same moment as I slouched in my seat and crossed my arms. All too predictably, this is where the drama…
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Los Angeles Theater Review: SEXSTING (Skylight)
CYBER SEEDINESS, FBI BUREAUCRACY, AND TABOO MONSTROSITY COME TO VIVID LIFE IN SEXSTING Written in collaboration with Internet crime attorney Susan Raffanti, Doris Baizley’s boundary-blurring examination of entrapment ethics depicts the undercover Internet chat room exchanges of an FBI investigator. Working under reactionary bureaucratic top-down pressure, the agent’s modus operandi is the explicit entrapment of…
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Chicago Theater Review: IMPROBABLE FREQUENCY (Strawdog Theatre Company)
WINTER FLUFF “We’re all in the gutter/But some of us have our ear to the ground.” If you find this limp lyric endlessly repeated in this silly-ass, pun-crazed musical instantly amusing, read no further and see this show. For everyone else, Strawdog Theatre Company’s Midwest premiere of Arthur Riordan’s Irish musical will need to take…
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Documentary Film Review: THE HOUSE I LIVE IN (Directed by Eugene Jarecki)
AND YOU THOUGHT THIS WAS THE HOUSE THAT CRACK BUILT As with any empire which has come before, America has a nasty habit of singling out groups of its denizens to bear the blame for the country’s ills. Since landing in Virginia over 400 years ago, fringe groups and individuals have been chosen by the powers that…
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Chicago Opera Review: THE FALL OF THE HOUSE OF USHER (Harris Theater)
THE HORROR OF SELF-DENIAL FUELS INVENTIVE STAGING Chicago Opera Theater has teamed up with Long Beach Opera in California to produce a delightfully disturbing presentation of Philip Glass’ adaptation of Edgar Allen Poe’s renowned horror text, The Fall of the House of Usher. While the clichés of such American Gothic might seem to call for…
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Chicago Theater Review: FROM DOO WOP TO HIP HOP (Black Ensemble Theater)
MUSIC’S MANY BRIDGES It’s a proven power at the Black Ensemble Theater: No disease is so deadly, no crisis so catastrophic that a song can’t cure it within twenty bars. Add 20 more songs that bridge the generation gap, as happens in B.E.T.’s generous new offering, From Doo Wop to Hip Hop, and happiness becomes…
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Los Angeles Theater Review: THE WOMEN OF WOODY (Oh My Ribs!)
WOODY LIGHT One iconic comic writer; eight monologues cut from the screen time of seven of his most memorable female characters; a six-person, all male cast: Those are the ingredients of Roy Cruz’s latest monologue-homage-comedy show, The Women of Woody, presented by Oh My Ribs! last weekend. Cruz’s last project in this vein was the…
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