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Broadway Review: EVITA (Marquis Theatre)
LIVING EVITA LOCA Sir Andrew Lloyd Webber – together with lyricist Tim Rice – released the Evita “rock opera concept album” in 1976, a few years before the first theatrical production came to life on the West End and ultimately Broadway, a production that I vividly remember. It was truly exhilarating to witness Patty LuPone…
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Broadway Theater Review: CLYBOURNE PARK (Walter Kerr Theatre)
THERE GOES THE NEIGHBORHOOD Ever since Crimes of the Heart won the Pulitzer Prize for drama in 1981, a cloud of skepticism has followed the award. The announcement that last year’s winner Clybourne Park was coming to Broadway was met with a blend of excitement and cynicism. While Clybourne Park also won several major new…
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Upcoming Chicago Dance Feature: SPRING DESIRE (Joffrey Ballet Company in Chicago)
THERE’S MUCH TO DESIRE One of the most truly inspiring films of the last year was Joffrey: Mavericks of American Dance; while it was clearly a love letter to Joffrey’s legacy, the documentary made evident that the current company, under the artistic direction of Ashley C. Wheater, continues to be a forward-looking institution while honoring what…
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Chicago Theater Review: WHO DO WE THINK WE ARE? (Second City in Chicago)
SECOND CITY KNOWS EXACTLY WHO THEY ARE Second City calls its 100th mainstage revue Who Do We Think We Are? The question is rhetorical. For more than half a century, Second City has been the citadel of improvisational theater in the United States, with an astonishing alumni list that runs from John Belushi and Alan…
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Chicago Theater Review: BEING SHAKESPEARE (Broadway Playhouse in Chicago)
GET THEE TO BEING SHAKESPEARE There’s simply no other way to encourage your attendance to Being Shakespeare than to submit my unequivocal good word. Those who fret at comprehending Shakespeare’s prose may be put off by the man’s name in the title. Don’t be. If you hear that this is a solo show, but you…
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Broadway Theater Review: ONE MAN, TWO GUVNORS (The Music Box in New York City)
ONE HIT, TWO GUVNORS Once upon a time, you could attend theatre by Americans and watch actors who had worked together for decades. Long rehearsal periods to explore classical texts were commonplace until Reagan cut the NEA. Acting companies were devastated. Today American audiences rarely get to see finely honed ensembles perform collaboratively developed classical…
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Los Angeles Theater Review: IVANOV (Odyssey Theatre in Los Angeles)
A YOUNG MAN’S PLAY Would-be writers are often given the advice, “Write what you know.” Of the many reasons why writers should write what they know is that it lends authenticity to their creative output. Anton Chekhov’s first full-length play, Ivanov, proves the truth of this dictum. While Ivanov is not exactly an autobiographical play,…
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Broadway Theater Review: THE BEST MAN by Gore Vidal (Schoenfeld Theatre)
POLITICS AS USUAL Given the nastiness of the recent Republican primary debates and a sense of even worse nastiness to come with the next election, it is no surprise that thoughts of reviving Gore Vidal’s The Best Man would be imminent. Vidal’s gimlet-eyed insight into the peculiarities of the Washington political scene and his trenchant…
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Chicago Theater Review: ANGELS IN AMERICA (Court Theatre in Chicago)
A LITTLE OUTDATED, ANGELS IS STILL MANNA FROM HEAVEN In 1994, Tony Kushner’s two-part Angels in America plays – Millennium Approaches and Perestroika – opened locally at the Royal George Theatre where they provided a stunning viewing experience. In two sprawling works Kushner brought alive the American national scene of the 1980’s and early 1990’s,…
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Chicago Theater Review: AFTER THE REVOLUTION (Next Theatre in Evanston)
I SAY YOU WANT THIS REVOLUTION After the Revolution is a chewy new play about family dynamics and the difficulty of making moral judgments, especially after the fact. For audiences thirsting for a literate, intelligent, stimulating, and accessible new play, it will fill the bill nicely. The Amy Herzog 2010 drama premiered Off Broadway to…
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San Francisco Theater Review: THE ALIENS (SF Playhouse in San Francisco)
THE ALIENS CUTS CLOSE TO THE BONE The Aliens was already sailing high when it made its West Coast premiere at the SF Playhouse, as it has been hailed by the New York Times as a “gentle and extraordinarily beautiful new play.” Playwright Annie Baker, an emerging young talent already rising to the top of…
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Los Angeles Theater Review: DAMES AT SEA (Colony Theatre in Burbank)
DAMES AT SEA: NOTES ON CAMP When Dames at Sea opened in 1966 at the Caffe Cino, a small coffee house and performance space in New York City’s Greenwich Village that was at the heart of the early off-off Broadway movement, the show was a trifle’”a campy lark into the backstage musicals of early talkies,…
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Los Angeles Theater Review: GOOD PEOPLE (Geffen)
AS GOOD AS IT GETS In his extraordinary production of Good People at the Geffen, director Matt Shakman has validated the necessary ingredients of a great show: First: Storytelling. In describing the plot of David Lindsay-Abaire’s Good People, one might categorize this seriocomedy as a “simple play,” as did the director. Shakman also said the…
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Chicago Theater Review: WE ARE PROUD TO PRESENT A PRESENTATION ABOUT THE HERERO OF NAMIBIA, FORMERLY KNOWN AS SOUTH-WEST AFRICA, FROM THE GERMAN SUDWESTAFIKA, BETWEEN THE YEARS 1884-1915 (Victory Gardens Biograph Theater in Chicago)
THE IDEA WORKS BETTER THAN THE ACTUAL PRESENTATION Jackie Sibblies Drury’s new play could have the longest title in the history of the theater: We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South-West Africa, From the German Sudwestafrika, Between the Years 1884-1915. It came out of the Victory…
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Chicago Theater Review: MOTHERHOOD THE MUSICAL® (Royal George Theatre in Chicago)
MUSICAL STRIKES AN UMBILICAL CHORD Motherhood the Musical doesn’t break any new ground in taking on the joys and tribulations of motherhood, nor does the 100-minute revue deliver any surprises, but that doesn’t lessen its entertainment value. This is one clever and witty show. Granted, the maternity material is aimed at the ladies, but menfolk…
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Los Angeles Theater & Tour Review: BILLY ELLIOT (Pantages Theatre in Hollywood)
A VERY F***ING SPECIAL SHOW One of the big dramatic moments in Billy Elliot, making its Los Angeles premiere for a month-long run at the Pantages, comes late in the second act, when Billy’s first teacher is saying good-bye. “You are very fucking special,” she says, spitting the words at him. “Now piss off, before…
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Chicago Theater Review: JERSEY BOYS (Bank of America Theatre in Chicago and National Tour)
THE BOYS ARE BACK, AND BETTER THAN EVER Maybe it’s the law of averages. Put enough jukebox musicals on the American stage and one of them is bound to come up a classic. That may explain the hit status of Jersey Boys, the musical inspired by the male quartet Frankie Valli and the Four Seasons…
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Theater Interview: CULLEN R. TITMAS (starring in Billy Elliot National Tour)
THE IMPORTANCE OF A BIG BROTHER When you hear of Billy Elliot being a phenomenal world-wide success, it is almost shocking that the popular musical (music by Elton John, book and lyrics by Lee Hall) has never played Los Angeles. That all changes this week. The heart-warming story of a young boy from a coal-mining…
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Los Angeles Theater Review: IN PARIS (The Broad Stage in Santa Monica)
UNFETTERED AND ALIVE In Paris, Dmitry Krymov’s adaptation of an Ivan Bunin story, traces in words, music, and movement a few moments in the lives of two Russian émigrés (Anna Sinyakina and Mikhail Baryshnikov) after the Russian Revolution. Living static lives of alienated poverty, the young waitress and the old general meet and begin a…
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Los Angeles Theater Review and Commentary: SPRING AWAKENING (Egyptian Arena Stage in Hollywood)
AWAKENING TO THE FACT THAT IT’S A POORLY WRITTEN MUSICAL I feel sorry for the cast and crew of Over the Moon Productions (OTM). The hard-working Broadway-caliber talent in Spring Awakening on the Egyptian Arena Stage is phenomenal, (especially the standout of the night Payson Lewis in a minor role); the technical design is superior…
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