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Los Angeles Theater Review: WAITING FOR GODOT (Mark Taper Forum)
THE GODOT WE’VE BEEN WAITING FOR Samuel Beckett is a great comic playwright. You don’t believe me? Then run, don’t walk, to the Mark Taper Forum and see the blissfully funny and yet profoundly melancholy revival of Waiting For Godot. You will finally see what so many productions fail to get: that Estragon and Vladimir…
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Movie Review: THE HUNGER GAMES directed by Gary Ross
THE FUTURE AS PAST The Hunger Games will sap up comparisons to science fiction – that’s what happens with stories about futuristic dystopias and freaky hovercraft – but the better comparison is to Roman or Biblical epics of the fifties. Its story – of the teenagers of 12 outlying provinces exploited for the bloodsport of…
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New York Theater Review: MY TAWNY VALENTINE (The Laurie Beechman Theater in New York)
A TAWNY STAR IS BORN Tawny Heatherton is the fictional drag persona created by David Drake, the star of My Tawny Valentine at The Laurie Beecham Theatre. As the niece of Joey Heatherton, Tawny is best known to the world as a one-hit wonder for her single, “Run, Crazy Man,” a song that was huge…
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Los Angeles Theater Review: WORKING (Lex Theatre in Hollywood)
SOMEHOW, IT KEEPS ON WORKING For those who have never seen the 1978 musical Working, the Production Company’s current revival may be somewhat of a revelation. The subtitle of Studs Terkel’s brilliant oral history of the same name – adapted for the stage by Stephen Schwartz and Nina Faso – is People Talk About What…
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Off-Broadway Review: RUTHERFORD & SON (Mint Theater Company)
MINT ACTING IN RUTHERFORD & SON The Mint Theater Company’s mission is to “excavate buried theatrical treasures” and bring “new vitality to neglected plays.” No small task as plays usually go out of fashion for a reason; theatrical styles change, the zeitgeist renders them irrelevant, and the avant garde becomes the norm until it becomes…
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Regional Dance Feature: FIREBIRD (American Ballet Theatre at Segerstrom in Costa Mesa)
FIREBIRD SWOOPS INTO SEGERSTROM In honor of Costa Mesa’s Segerstrom Center for the Arts’ 25th Anniversary Season, American Ballet Theatre will present the world premiere of Alexei Ratmansky’s production of Firebird, the classic 1910 Igor Stravinsky ballet, originally choreographed by Michel Fokine at the Ballets Russes in Paris. This event is not to be missed…
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Theater Review: ROCK OF AGES (National Tour reviewed at the Hollywood Pantages)
ROCK & ROLL CAMP The cast of Rock of Ages is riotously hell bent on making you have a good time. They beat you into submission with energy, wide smiles, and hair’”lots and lots of great big 80s hair. It’s a jukebox musical, with a slender thread of a boy-meets-girl story piecing together some of…
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Regional Theater Review: ANNA CHRISTIE (The Old Globe in San Diego)
ODD CASTING CHOICE NEARLY SINKS SHOW There is a perplexing and ultimately infuriating casting choice in the Old Globe’s production of Anna Christie that nearly sinks Eugene O’Neill’s 1921 tale of two sea-faring men and the woman who comes between them. Nearly. There is enough fully-realized acting and truly breathtaking stagecraft (including a scene change…
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Los Angeles Theater Reviews: SHORT EYES and CAGES (LATC in Los Angeles and Stella Adler Theatre in Hollywood)
IMPRISONED BY ART Most literary intellectuals have as much business writing about life behind bars as incarcerated felons have teaching text analysis. In the last few months, Los Angeles has hosted two plays written by playwrights who have spent time, and set stories, in prisons. Miguel Pinero did his time as a thief and drug…
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Theater Review: JULIUS CAESAR (African-American Shakespeare Company in San Francisco)
JULIUS CAESAR IN AFRICA Modern theater companies traditionally place Shakespeare into all kinds of settings, eras and cultures in search of new or updated relevance. While the choices for many endeavors feel largely arbitrary, the African-American Shakespeare Company sets Julius Caesar amongst the surreal violence of Africa. This inspired pairing brilliantly elucidates political maneuvering, brutal…
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Chicago Theater Review: TEN CHIMNEYS (Northlight Theatre in Skokie)
ALL ABOUT ALFRED AND LYNN Ten Chimneys is the name of the estate near Madison, Wisconsin, where the famous American husband-and-wife acting team of Alfred Lunt and Lynn Fontanne retreated annually to prepare for their season on the American stage. The estate is now a major tourist attraction, a monument to the lives and careers…
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Los Angeles Theater Review: THE SPIDEY PROJECT: WITH GREAT POWER COMES GREAT RESPONSIBILITY (Studio/Stage in Los Angeles)
OH WHAT A TANGLED WEB WE WEAVE While Theatre Unleashed’s cast and crew have a gloriously and unashamedly good time bringing The Spidey Project to the West Coast, it’s a shame that their source material isn’t the parody it promised to be in the press release. There are some very funny moments in this silly,…
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Los Angeles Theater Review: GROUNDLINGS ZOMBIE APOCALYPSE and LET THEM EAT SUNDAY (The Groundlings Theatre in West Hollywood)
GROUNDLINGS ZERO The best part about cleaning up my DVR last weekend was catching up on Raising Hope, the hilarious FOX comedy. It’s funny, surprising, naughty, sometimes dirty, and wholly original. In one episode they give Cloris Leachman a beautifully timed joke about how she could only have an orgasm with her late husband when…
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Los Angeles Theater Review: AMERICAN NIGHT: THE BALLAD OF JUAN JOSÉ (Kirk Douglas Theatre in Culver City)
AMERICAN NIGHT SUCKS, BUT IT SWALLOWS Juan José, a Mexican cop sick of being on-the-take, has crossed the border in search of citizenship, leaving his pregnant wife behind. Panicking over flash cards while studying for his U.S. citizenship exam, Juan falls asleep and the rest of this 90 minute, intermissionless, astoundingly uneven cavalcade of skits,…
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Film Review: THE KID WITH A BIKE directed by Jean-Pierre and Luc Dardenne
LOSING A BIKE AND A FATHER AT THE SAME TIME Jean-Pierre and Luc Dardenne are always burrowing deep into the dirty soil from which we all presumably come. Life, to these extraordinary Belgian filmmakers, is hard and mean and filled with consequences that are not merely challenging but driven through with pain and despair. And,…
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Los Angeles Theater Review: THE COLOR PURPLE (Celebration Theatre in Hollywood)
HATE THE MUSICAL, BUT LOVE, LOVE, LOVE THE PRODUCTION Whether you love or hate the musical version of The Color Purple, no one, and I mean no one, can or will deny that this is one of the finest productions ever staged in a small theater in Los Angeles. Director Michael Matthews has taken a…
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San Diego Theater Feature: PARADE (Cygnet Theatre)
A PARADE IS COMING TO TOWN In the NY Times, Christopher Isherwood stated that while the authors of Parade deserve credit for their fidelity to history and their ambition to probe a painful chapter in the American past, the true story of Leo Frank, a Jewish man who was lynched in Georgia in 1915 for…
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Chicago Theater Review: THE LARAMIE PROJECT: TEN YEARS LATER (Redtwist Theatre)
WHAT A DIFFERENCE TEN YEARS MAKE The Laramie Project: Ten Years Later tells the story of Matthew Shepard and how it affected those involved a decade after his 1998 murder. As with its point of origin The Laramie Project (also running concurrently as staged readings) disparate denizens of this infamous town in Wyoming have been…
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Chicago Theater Review: CAMINO REAL (Goodman)
REAL GENIUS OR REAL CLUNKER? Tennessee Williams wrote at least 10 plays that are more accessible and commercially viable than his Camino Real (pronounced CA-mino Reel). Even the most zealous playgoer likely has never seen a production of this perplexing symbolic drama. So when the Goodman Theatre placed the 1953 play on the company’s 2011-2012…
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World Tour Theater Review: RIVERDANCE (Oriental Theatre in Chicago)
RIVER OF DREAMS All good things must come to an end, they say, so it was inevitable that Riverdance would finally end its run, at least in the United States. But will it ever be missed. Playing for a paltry week of performances at the Oriental Theatre, the show bids farewell to Chicago, but it’s…
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