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Movie Review: THE MUPPETS directed by James Bobin
YOU’LL SEE IT AND YOU’LL LIKE IT Who doesn’t love The Muppets? Birds love them. Bees love them. Even monkeys stuck in trees love them. That’s been the case since the 1970s, when Jim Henson first stuck his hand into a green sock and pulled out a cultural icon. (I know, he’s not really a…
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Chicago Theater Review: THE JACKIE WILSON STORY (Black Ensemble Theater)
THE JACKIE TAYLOR STORY TAKES PRECEDENCE OVER THE JACKIE WILSON STORY Jackie Taylor is a happy lady these days, and everyone with a fondness to Chicagoland theater should rejoice with her. Taylor finally has her new theater, a sumptuous multi-story that is the home of Taylor’s Black Ensemble Theater. The architectural ornament stands just a…
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Chicago Theater Review: SEASON’S GREETINGS (Northlight Theatre in Skokie)
HO HO HUM Alan Ayckbourn’s Season’s Greetings is an anti-holiday-cheer comedy which should be appropriate for audiences ready for an excursion into the dark side of the Christmas season. There’s drunkenness, attempted adultery, endless family bickering, a shooting, and a preposterous marionette show. For anyone who has endured a dysfunctional family holiday gathering, this show…
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Chicago Theater Review: AN ILIAD (Court Theatre)
A HOMER RUN One-actor shows are by their nature demanding, but Timothy Edward Kane’s volcanic storytelling in An Iliad is a stunning marvel. This retelling of the famous epic The Iliad – attributed to the ancient Greek poet Homer – is an exceptionally staggering test of a performer’s physical and emotional resources. The adaptation is…
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Theater Review: I LOVE LUCY®: LIVE ON STAGE (Greenway Court Theatre in Los Angeles)
BLACK-AND-WHITE MEMORIES IN LIVING COLOR Whether you had viewed the original airings of I Love Lucy or discovered the show during the thousands of reruns, it is undeniable that the breakthrough comedy has a multi-generational appeal. Not only is it fun to watch Lucy, Ricky, Ethel, and Fred in that familiar apartment every week, but…
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Los Angeles Theater Review: BABY DOLL (Elephant Theatre Company)
A TENNESSEE WILLIAMS CARICATURE A number of theatres in Los Angeles have marked the 100th anniversary of Tennessee Williams’ birth by staging productions of his plays. Following upon the successful runs of A House Not Meant To Stand at The Fountain Theatre and Five Beauties at the McCadden Theatre is the Elephant Theatre Company’s production…
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Los Angeles Theater Review: HOSEA NOVA: A JEALOUS AND VIOLENT MAN (Zombie Joe’s Underground)
THE BLIND LEADING THE HALF BLIND “It’s The Devils meets Marat/Sade.” someone said to me. “Yes,” I responded. “As performed by the Marx Brothers!” We were talking about the new Zombie Joe’s Underground show, Hosea Nova: A Jealous and Violent Man, Robert Riemer’s wacky baroque take on Hosea, the Biblical prophet of doom (where there’s…
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Chicago Theater Review: THE BAKER’S WIFE (Circle Theatre in Oak Park)
STILL WAITING TO SEE IF THIS DOUGH WILL EVER RISE The Baker’s Wife never made it to Broadway. The musical folded in Washington. D.C. in 1976 before reaching New York City but has since gained something of a cult status in both the United States and England. Area audiences now have the opportunity to see…
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Off-Off-Broadway Theater Reviews: KUTSUKAKE TOKIJIRO and SHE KILLS MONSTERS (The Flea)
UPSTAIRS/DOWNSTAIRS AT THE FLEA The Flea Theater is currently providing New York theater audiences an interesting illustration of the cultural gap between Asian-Americans and Asians from Asia. Not that I usually am so divisive — I generally feel that everyone has a lot more in common than they have differences — but this month, the…
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Chicago Theater Review: THE CARETAKER (Writers Theatre in Glencoe)
TAKING CARE TO CREATE EXCELLENT THEATER The plot of Harold Pinters’ The Caretaker is uncomplicated on the surface and densely complex in its subtexts; it is a melding of realism and theatre-of-the-absurd which places a thuggish and volatile young man, his brain-damaged older brother, and a scruffy old tramp together in a rubbish-strewn room. From…
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San Diego Theater Review: THE GREAT AMERICAN TRAILER PARK MUSICAL (San Diego REP)
CORNED BEEF TRASH The Great American Trailer Park Musical has a misleading superlative. The show mirrors A Tuna Christmas and Sordid Lives, in that it takes a humorous look at the goings-on of America’s trashy lower-middle class, yet these other shows are far superior in writing and character development. The Rep’s solid production can not…
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Los Angeles Theater Reviews: AS IS, RADIANCE, and PEACE IN OUR TIME
SHORT TAKES ON CURRENT LOS ANGELES THEATER AS IT WAS: As Is, written by William M. Hoffman in 1984, when so many of our contemporaries were dying of the AIDS epidemic, still maintains its power. If it is dated at all, it is dated in good ways: it means that our so-called “gay” theater has…
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Off Broadway Theater Review: BURNING (The New Group)
BURNING BRADSHAW Post-modern theater has yet to live up to the hype. Whether deconstructing established forms or employing historical eclecticism, American playwrights writing within a post-modern sensibility struggle to justify their dogged pursuits. Coincidentally, they have yet to produce a single great American play. Thomas Bradshaw, one of the shining stars in the post-modern constellation,…
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Off Broadway Theater Review: STANDING ON CEREMONY: THE GAY WEDDING PLAYS (Minetta Lane Theatre)
THE FEEL GAY HIT OF THE SEASON If you’re pro gay marriage, come see this show. If you’re ambivalent on the topic, come see this show. And if you’re against gay marriage, come see this show and gain insight from an evening full of laughs and lessons for all. Collectively, this compilation of original one-act…
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Film Review: THE DESCENDANTS directed by Alexander Payne
PERFECT MOVIE, OR MOST PERFECT MOVIE EVER? The revered New Yorker critic Pauline Kael famously stated that great films are rarely perfect films. Do we ever wonder about the opposite? Are perfect films rarely great films? As the ultimate easy swallow, The Descendants – the latest release from Sideways writer/director Alexander Payne – has been…
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Off Broadway Theater Review: HORSEDREAMS (Rattlestick Playwrights Theater)
HORSEDREAMS AND NIGHTMARES A few years ago, Dael Orlandersmith made a splash with Beauty’s Daughter and Yellowman, winning an Obie Award and being a Pulitzer Finalist. Her work was largely autobiographical and involved highly poetic language, direct address, and fearless, compassionate explorations into complicated aspects of race, gender, and class. Basically, she was writing theater…
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Off-Broadway Interview: TOM WOJTUNIK, director of IT IS DONE
TOM WOJTUNIK IS FAR FROM DONE You’re in Times Square for a night of theater. You turn down 47th Street and pass the Ethel Barrymore Theatre where An Evening With Patti Lupone and Mandy Patinkin is playing. Then you pass the old Biltmore Theatre, now owned and operated by Manhattan Theatre Club, where Venus In…
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Off Broadway Theater Review: A MAD PERSON’S CHRONICLE OF A MISERABLE MARRIAGE (Stage Left Studio)
WAR, BUT NO PEACE John Andert so captivates the audience in Sinan Ünel’s play A Mad Person’s Chronicle of a Miserable Marriage that you don’t want the play to end. Whether he is the deliciously mad chronicler or Sonya Tolstoy, tortured wife of Leo, or the great Tolstoy himself, he suffuses each character with the…
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Off Broadway Interview: SINAN ÜNEL – writer and director of A MAD PERSON’S CHRONICLE OF A MISERABLE MARRIAGE
THE LONG TERM RELATIONSHIPS OF SINAN ÜNEL AND LEO TOLSTOY Cheryl King’s intimate Stage Left Studio on Manhattan’s West 30th Street specializes in showcasing one-to-two-person plays. Through November 22, Sinan Ünel’s A Mad Person’s Chronicle of a Miserable Marriage joins the eclectic repertoire of solo gems. Embodying both Leo Tolstoy and his wife, Sonya, John…
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Los Angeles Theater Review: THE ROMANCE OF MAGNO RUBIO ([Inside] the Ford)
A FOOL-IPINO FOR LOVE Just as the “problem” of immigration continues to be debated by our politicians, so does it continue to be presented in our theaters. Earlier this year, in the springtime, Tom Jacobson’s new play The Chinese Massacre (Annotated) was presented at the Atwater Village Theatre. His complex historical drama, which provided little…
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