Barbara Papendorp

A WORLDPRIDE CELEBRATION OF QUEER IDENTITY, DISCO, AND SHAKESPEAREAN DELIGHT Folger Theatre’s 2025 production of Twelfth Night, directed by Mei Ann Teo, is a visually sumptuous, sonically electric, and emotionally resonant reimagining of Shakespeare’s beloved comedy. Framed through the lens of WorldPride and running through June 22, this staging boldly transforms the shipwrecked romances and mistaken…

Upon entering the Ark Theater, one is immediately transported to a grungy, offbeat club where Hedwig and her band, The Angry Inch, are about to take the stage. Richie Ouellette’s set design leans into the grit and rawness of the story — with dismembered mannequin body parts strewn about, it evokes a world held together…

A BEAUTIFULLY SHABBY, STARKLY HUMAN TRIUMPH From the moment the house opens, Shakespeare Theatre Company’s Uncle Vanya, directed by Simon Godwin and starring Hugh Bonneville, signals that this is no ordinary Chekhov. The “pre-show” is a quietly brilliant touch: actors drift onstage, greet the audience, lace up their boots, and half-slip into character as if the…

HAUNTING, URGENT, AND SPEAKS VOLUMES Priyanka Shetty’s #Charlottesville, currently running at the Keegan Theatre, is a searing and deeply personal exploration of one of the darkest moments in recent American history—the 2017 “Unite the Right” rally in Charlottesville, Virginia. More than a mere recounting of the events, the production offers a visceral and emotionally charged portrait…

FORBIDDEN LOVE AND THE GILDED AGE GLOW IN ARENA’S DAZZLING PRODUCTION, BUT THE AGE OF INNOCENCE LINGERS Playwright Karen Zacarías (Destiny of Desire which premiered at Arena in 2015, Native Gardens) breathes new life into Edith Wharton’s 1920 classic The Age of Innocence, blending period drama with sharp social commentary. Set in Gilded Age New…

MORE THAN JUST A REVIVAL, THIS INTIMATE IN THE HEIGHTS IS A JOYFUL TRIBUTE TO COMMUNITY AND DREAMS Before Hamilton changed the face of Broadway, there was In the Heights—Lin-Manuel Miranda’s first revolution. Bursting onto the scene in 2008, it infused hip-hop, salsa, merengue, Broadway, and street-smart storytelling into a genre that never saw it…

URINE LUCK WITH THIS NUMBER ONE MUSICAL Sarah Silverman’s The Bedwetter splashes onto Arena Stage’s Kreeger Theater with a gleeful irreverence that belies its emotional depth. Adapted from Silverman’s 2010 memoir, this musical—co-written with Joshua Harmon, with music by the late Adam Schlesinger—turns childhood mortification (incontinence, self-acceptance, and family dysfunction) into comedy gold. Under Anne…

IT’S A SCHMIGAHIT! Adapting from his Apple TV+ series that satirized and saluted the glories of old timey musicals like Oklahoma! and Carousel, co-creator and writer Cinco Paul brings his stage version of Schmigadoon! to Kennedy Center. The fun angle here is that NY doctors Josh (Alex Brightman) and Melissa (Sara Chase) are hoping to…

DEATH IS ALIVE AND BETTER THAN WELL Ken Ludwig’s stage adaptation of Agatha Christie’s Death on the Nile premiered to a packed house at Arena Stage, with the playwright himself attending the Kreeger Theater’s opening performance. The story follows 11 disparate passengers embarking on a six-day Nile River cruise. Along the way, relationships are tested, secrets are…

SURE, LET SILCON VALLEY DO ITS JOB WITH THE GOVERNMENT. WHAT COULD GO WRONG? Along with The Other Americans, Arena Stage is offering yet another world premiere. A highly relevant corporate thriller that makes the Enron financial scandal look tame, DATA plunges viewers into the ethically complex world of Silicon Valley at a time when our…