C.J. Fernandes

NOBODY PUTS THIS BABY IN A CORNER A set doesn’t get any sparser than the one for Gangsta Baby, in the sense that there isn’t one. You step in off the street into a basement with two dozen chairs arranged along the walls. In a corner is a small built-in kitchenette, original to the building….

A STAR VEHICLE ON THE ROAD TO FRANCIS GUINAN I confess to some amount of trepidation as I settled into my seat at the Goodman Theatre, launching its centennial season with the world premiere of Lee Kirk’s Ashland Avenue, directed by Susan V. Booth. For weeks I’d been inundated with promotional images of television star…

A CLIFFHANGER For the Midwest premiere of TL;DR: Thelma Louise: Dyke Remix, a rock musical by Ellarose Chary (book & lyrics) and Brandon James Gwinn (music and lyrics), the entirety of the Theo Ubique space is transformed by set designer Rose Johnson into the world’s coolest garage; an entirely appropriate location for the world’s coolest punk rock garage band; they don’t have a…

WITH FRIENDS LIKE THESE… Early in the proceedings of Things with Friends, the new play by Kristoffer Diaz (Hell’s Kitchen, The Elaborate Entrance of Chad Deity) a character dismisses another’s trauma with a snide, “I’m sorry. We all wish we didn’t see things fall”, to which the other responds, “Some of us actually wish that things…

WHO NEEDS A HEALTHY CORTEX WHEN YOU’VE GOT THIRTY-TWO SHOWSTOPPERS? The urge to create has served as a muse for countless forms of art: literature, opera, film, and theatre are littered with examples of the form. Opening the new season of Pride Arts at Center on Halsted A New Brain, a musical by multiple Tony winners,…

The circus is in town! The entrance to the Cambria Hotel on West Randolph Street in Chicago is so nondescript as to be almost invisible. Barely wider than its revolving door, you could walk right past it and not even know it was there. Once inside the tiny lobby, you’re directed to the back where…

MUFFLE THIS MUFFED; IT’S COMEDY LOST IN THE NOISE The films of Christopher Guest are sui generis. From hundreds of hours of improvisation, his talented troupe of actors create memorable characters whose consistent hallmark is their sincerity of purpose. There is nary a wink at the audience nor a trace of self-consciousness. These characters are…

RIDE THIS TRAIN TO THE END OF THE LINE One of Chicago’s oldest store-front theaters, City Lit, opens its 45th season with a production of Pulitzer winner, Stephen Adly Gurgis’ Jesus Hopped The ‘A’ Train. The play debuted almost twenty-five years ago to mostly strong reviews and has been revived frequently; its minimal set and…

FROM TWEE TO TRÈS MAGNIFIQUE It’s fascinating how some stories lend themselves better to one medium than the other. In 2001, the French romantic comedy, Amélie was an unexpected worldwide hit and briefly made an international star of its beguiling lead, Audrey Tatou. I’d watched it on release (in the theatre, natch) and thought it…

GAME. SET. NOT QUITE MATCH. Tennis great and feminist icon Billie Jean King gets the biography treatment in Billie Jean by Lauren Gunderson. Opening the new season of Chicago Shakespeare, this crowd-pleasing world premiere follows Billie Jean from her childhood in the 1950s through to the US Open in 2006 when the USTA National Tennis…

A FITFULLY AMUSING THING HAPPENED ON THE WAY TO THE FORUM IN SKOKIE A Funny Thing Happened on the Way to the Forum is a glorious farce, a 20th-century construction based on the characters and situations from the works of the old Roman playwright Plautus. The book is by Burt Shevelove and Larry Gelbart (who…

SEND IN THE CLOWNS Farce is not a style of performance one sees too often these days and that’s probably because it is extraordinarily difficult to pull off, requiring complete commitment from cast and crew to its sensibilities, razor-sharp comic timing, physical comedy chops, and tight pacing and direction. There’s a lot that can go…

COLOR ME DISAPPOINTED I came to see the Goodman Theatre’s current production of The Color Purple with a complicated history. I devoured Alice Walker’s novel three times as a callow teenager and recoiled from Spielberg’s 1985 Disneyfied cinematic adaptation, abandoning the VHS midway through. Since then, The Color Purple has been adapted into a Broadway…

BURNING DOWN THE HOUSE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ What is theatre? This was the question that popped into my head as I took my seat in the tiny TUTA Theatre space in Chicago’s Ravenswood Manor neighborhood, ready to take in their production of Celine Song’s Tom & Eliza: a…

SICKENINGLY FUNNY Noah Diaz’s You Will Get Sick, which opened last night at Steppenwolf, is an odd bird of a play. It begins with an irresistible premise: a middle-aged woman, Callan, responds to a flyer promising “$40 $20″ to anyone who will receive a phone call from a stranger; the only requirement being that she…

STORYTELLING THAT LAUNCHES A THOUSAND SHIPS There is a moment in Court Theatre’s fourth (!) iteration of An Iliad where The Poet holds a flashlight below his chin—I immediately flashed back to memories of ghost stories told in a tent while lights were supposed to be out. The conceits of Lisa Peterson and Denis O’Hare’s…