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C.J. Fernandes
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Theater Review: COME BACK, LITTLE SHEBA (American Blues Theater)
MISERY, MARRIAGE, AND A MIDWEST LIVING ROOM THAT CAN’T HOLD IT ALL A powerhouse pairing turns Inge’s domestic ache into something bruising, intimate, and hard to shake It may be the season of love, but the zeitgeist in Chicago theatre seems to be the season of miserable couplings. There’s Strindberg at Steppenwolf and Court; Ibsen…
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Theater Review: THE HOBBIT (Young People’s Theatre of Chicago at Greenhouse Theater Center)
TOLKIEN’S CLASSIC QUEST BECOMES INVENTIVE ENSEMBLE STORYTELLING A clever, resourceful adaptation that turns theatrical minimalism into maximum adventure. Taking you “There and Back Again” in the best possible way, this sparkling production is a delight. The first thing that hits you when you walk into the upstairs theater at the Greenhouse is Jacqueline Penrod’s gorgeous,…
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Theater Review: HOLIDAY (Goodman Theatre)
A SAVVY, GLORIOUS UPDATE It took three productions, but Goodman’s Centennial Season has finally hit its stride. Pour one out for Richard Greenberg, one of the great American playwrights of the last several decades, who, even after his death last year, has graced us with a stellar update of a screwball gem from 1928. Philip…
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Theater Review: THE DANCE OF DEATH (Steppenwolf)
It’s the little ways you try together; cry together; lie together—that make perfect relationships – Stephen Sondheim, Company Once upon a time, in a land far, far away, in a high stone tower, there lived a beautiful woman who hated her husband of twenty-five years and waited every day for him…
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Theater Review: MY LIFE AS A COWBOY (North American Premiere at Open Space Arts)
“A teasin’ squeezin’ pleasin’ kinda time.” — Shania Twain As drama goes, you can’t get more low stakes than the driving event of Hugo Timbrell’s My Life as A Cowboy, now playing at the tiny Open Space Arts theater in Uptown, and extended to March. Conor, a seventeen-year-old gay man in Croydon, a dreary suburb…
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Theater Review: THE IRISH … AND HOW THEY GOT THAT WAY (Porchlight Music Theatre)
This oral history of the Irish-American journey soars when it sings A history lesson masquerading as a jukebox musical, The Irish … and How They Got That Way is the creation of Pulitzer winner Frank McCourt (Angela’s Ashes) who wrote the book, and wove in a selection of standards spanning centuries old folk music from…
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Theater Review: CONFEDERATES (Redtwist Theatre)
HISTORY IN DIALOGUE WITH ITSELF Dominique Morisseau’s time-splitting drama refuses easy parallels On paper, Dominique Morisseau’s Confederates might read as high concept: two Black women in different eras confront institutionalized racism. It’s tempting to see the stories as straightforward parallels, especially since the same actors play supporting roles in both narratives, but this fiercely intelligent…
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Theater Review: RISING WATER (Theatre L’Acadie)
RISING WATER CAN’T FIND ITS CURRENT A powerful premise sinks under miscasting and flat pacing John Biguenet’s Rising Water, a Pulitzer-nominated drama set in the immediate aftermath of Hurricane Katrina, unfolds over a single night as a long-married New Orleans couple watches floodwater swallow their home. It’s an intimate survival story designed to ratchet tension…
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Theater Review: STEREOPHONIC (National Tour, CIBC Theatre Chicago)
THEATER IN STEREOPHONIC A terrific docudrama about artistic temperament and the torment of creation David Adjmi’s Stereophonic, now playing at the CIBC, is an unusual piece of theater. It’s not about learning any life lessons, or coming to terms with things, and with one notable exception, none of the characters have a growth arc; further,…
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Dance Review: GRAHAM100 (Martha Graham Dance Company at The Auditorium Theatre, Chicago)
About midway through Martha Graham’s powerful Chronicle, performed last Saturday at the Auditorium Theatre in Chicago, I realized that the elevated platform at center stage was not just a platform but a highly stylized Olympic podium. It’s an important distinction. In 1936, Graham had been invited to participate in the Berlin Olympics, hosted under the…
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Theater Review: BIRDS OF NORTH AMERICA (A Red Orchid Theatre)
A DELICATE CHAMBER PIECE THAT WILL BREAK YOUR HEART One of the advantages of a small performance space is that, in the right hands, one can set the mood even before the play has begun. In the Chicago premiere of Anna Ouyang Moench’s Birds of North America, the seating area at A Red Orchid Theatre…
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Theater Review: EUREKA DAY (TimeLine Theatre Company at Broadway Playhouse)
A PRIVILEGED PTA CIRCUS, THEN A VAXNADO The funniest ten minutes onstage, ever, flanked by a modestly amusing satire. In Jonathan Spector’s Eureka Day, five concerned parents gather around a table in the library of what is very obviously a wealthy and well-equipped children’s school. They form the executive board and are there to discuss…
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Theater Review: GREEN CORRIDORS (Trap Door Theatre in Chicago)
FOUR UKRAINIAN REFUGEES NAVIGATE WAR’S AFTERSHOCKS IN A NIGHTMARE OF BUREAUCRACY Natalka Vorozhbyt’s darkly funny, deeply bruising play finds Trap Door Theatre at its most urgent—and most human. Four women push mobile doorjambs around the stage as the audience filters in. Their movement is slow and halting, as if moving through fog. Once the theatre…
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Theater Review: SHERLOCK HOLMES AND THE CHRISTMAS CLOWNS (City Lit Theater)
A HOLIDAY MYSTERY WITH VICTORIAN MISCHIEF ON ITS MIND Chesterton by way of Conan Doyle, wrapped in Wodehouse-style tomfoolery Arthur Conan Doyle wrote only one Christmas-themed Sherlock Holmes mystery, The Adventure of the Blue Carbuncle — coincidentally, the first Holmes story I ever read — which was adapted into a charming play by Michael Menendian…
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Theater Review: GASLIGHT (Northlight Theatre)
A THRILLER THAT OUTLASTS ITS TWIST Even when we know what’s coming, the tension holds Let’s talk about the cojones required to mount a production of Gaslight nowadays. Even if we assume — a tall order, that assumption — that most of the audience has not seen, or does not know, the plot of George…
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Dance Review: CHRISTOPHER WHEELDON’S NUTCRACKER (The Joffrey Ballet at Lyric Opera House)
A FAIRYTALE REBORN ON THE SOUTH SIDE Wheeldon’s Chicago-set Nutcracker still casts a decade-long spell Ten years in, Pyotr Tchaikovsky and the World’s Columbian Exposition are still a match made in ballet heaven. It’s December 24, 1892, in Jackson Park, a working-class neighborhood on Chicago’s South Side. A young girl (Amanda Assucena), accompanied by her…
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Theater Review: A CHRISTMAS CAROL (Goodman)
THE OG CHRISTMAS GHOST STORY The Goodman puts the chills back in the chestnuts ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ In some ways, it is remarkable that Goodman Theatre’s annual production of Charles Dickens’ A Christmas Carol has persisted as a theatrical tradition during the holidays. Theatre is expensive as a…
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Theater Review: THE BEATRIX POTTER HOLIDAY PARTY (Chicago Children’s Theatre)
NO GROWN-UPS ALLOWED — SORT OF CCT’s Beatrix Potter party charms kids, critics, and everyone in between ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Channel your inner three-year-old, not your adult,” was the advice given to me as I settled into my seat at Chicago Children’s Theatre. To which my immediate unspoken…
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Theater Review: THE LONG CHRISTMAS DINNER (TUTA Theatre at Bramble Arts Loft)
THE LONGER CHRISTMAS DINNER In Wilder’s meditation on time, the actors have to do the heavy lifting ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Only time, only the passing of time can help…” TUTA Theatre’s remounting of Thornton Wilder’s The Long Christmas Dinner opens with Keith Parham’s handsome set featuring an upper-middle-class…
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Theater Review: A YEAR WITH FROG AND TOAD (Young People’s Theatre of Chicago)
TOAD-ALLY DELIGHTFUL Ribbiting from start to finish, this Year goes by in a flash. ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Arnold Lobel’s Frog and Toad series has delighted generations of young readers for decades, beginning in 1970. In 2000, his daughter Andrea Lobel (a well-regarded theatrical scenic designer in her own…
Theater Review: GREASE (Altadena Music Theatre)
by Michael Landman-Karney | August 10, 2026
in Los Angeles, TheaterMuseum Preview: THE BOWERY: DEVIL’S MILE (New Museum / New York)
by Gregory Bernard | August 8, 2026
in Art and Museums, New YorkTheater Review: IPHIGENIA IN SPLOTT (Shotgun Players / Berkeley)
by Chuck Louden | August 7, 2026
in San Francisco
(Bay Area), TheaterTheater Review: THE OUTSIDERS (National Tour)
by Croydon Fernandes | August 7, 2026
in Chicago, Theater, ToursTheater Review: MARBLE (The Gift Theatre / Copernicus Center / Chicago)
by Croydon Fernandes | August 6, 2026
in Chicago, TheaterTheater Review: CITY OF ANGELS (Ogunquit Playhouse / Ogunquit, Maine)
by Lynne Weiss | August 6, 2026
in Regional, TheaterTheater Review: THE SAVIORS (Atlantic Theater Company / New York)
by Alex Simmons | August 6, 2026
in New York, TheaterTheater Preview: MYSTIC PIZZA (National Tour)
by Gregory Bernard | August 6, 2026
in Theater, Tours



















