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C.J. Fernandes
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Theater Review: ANGRY FAGS (Ghostlight Ensemble)
SHARP CAST, BLUNT SATIRE A Fierce Ensemble Fights for Meaning in Angry Fags Topher Payne’s Angry Fags first made its appearance in 2015, in a world that was decidedly different from what it is now, and Ghostlight Ensemble’s new production at the Lifeline Theatre in Rogers Park is timely. There have been some changes made…
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Theater Review: AS YOU LIKE IT (Midwest Premiere at Writers Theatre in Glencoe)
425 YEARS LATER, THE O.G. ROMCOM STILL CASTS A SPELL Writers Theatre in Glencoe, a charming North Shore Chicago suburb, has developed a reputation for impeccably produced theater of extremely high quality. Their newest production, a Midwest premiere of the musical adaptation of William Shakespeare’s As You Like It by Laurie Woolery and Tony-winner Shaina Taub…
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Theater Review: THE HOUSE THAT WILL NOT STAND (Invictus Theatre Company)
THIS HOUSE STANDS ON FAITH AND FURY Invictus Theatre’s The House That Will Not Stand blazes with wit, grief, and grace Following the smashing success of its production of Angels in America, Invictus Theatre Co. notches up another triumph with Marcus Gardley’s Obie-winner, The House That Will Not Stand. In this (very) loose adaptation of…
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Theater Review: JEKYLL & HYDE (Kokandy Productions)
TOWERING TALENT ELEVATES A MUSICAL AS SCHIZOPHRENIC AS JEKYLL & HYDE THEMSELVES Next up for Halloween, and my second gothic horror in as many days, is Kokandy Productions’ presentation of the musical, Jekyll & Hyde, first produced in 1990 with music by Frank Wildhorn, book by Leslie Bricusse, and lyrics by Wildhorn, Bricusse, and Steve…
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Theater Review: STRANGE CARGO: THE DOOM OF THE DEMETER (City Lit & Black Button Eyes)
A Bite Out of Minimalism: Timothy Griffin’s imaginative adaptation turns Stoker’s most chilling chapter into a voyage of dread, myth, and mind In 1897, Bram Stoker published a gothic horror novel called Dracula and in doing so introduced to the world a character that has fascinated and terrified humanity for over a hundred years and…
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Theater Review: THE SOUND OF MUSIC (National Tour at The Nederlander in Chicago)
YOU’RE NEVER GOING TO SEE A BETTER PRODUCTION OF THIS EVERGREEN MUSICAL. JUST BRING SOME CAUTIOUS OPTIMISM. How do you solve a problem like the schmaltz in The Sound of Music? Or even, how do you review a populist juggernaut like The Sound of Music? It’s been sixty-five years since its first appearance on Broadway…
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Theater Review: CHICAGO: QUEERLY ADAPTED FROM THE PLAY YOU’VE NEVER HEARD OF THAT INSPIRED THE MUSICAL YOU CAN’T GET AWAY FROM (Redtwist)
ROXIE’S BACK IN TOWN! MY KIND OF PLAY, CHICAGO IS In Jazz Age Chicago, 1924 to be precise, Beulah Annan and Belva Gaertner were tried and subsequently acquitted of murder. A young Tribune reporter and aspiring writer, Maurine Dallas Watkins, covered the two (unrelated) murder cases for the paper and later used them as inspiration…
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Theater Review: THE MARK (Babes With Blades Theatre Company at the Edge)
A revolution without an end game misses the mark, but only by this much. Babes With Blades, a theatre company that uses stage combat to create striking, thought-provoking theatre, presents a world premiere production at the Edge Theatre in Edgewater. Ensemble member Jillian Leff’s The Mark is a dystopian drama that examines a society that…
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Theater Review: REVOLUTION(S) (Goodman Theatre)
A REVOLUTION LOST IN THE (BEAUTIFUL) NOISE Revolution(s) is the first Owen Theatre production of Goodman’s centennial celebration. With a book by Zayd Ayers Dohrn and music and lyrics by multiple Grammy winning, rap-metal legend Tom Morello (Rage Against The Machine, Audioslave), the musical examines the effects of transgenerational economic and racial injustice in modern…
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Theater Review TEATRO ZINZANNI CHICAGO (New Show for Fall/Winter, 2025-26)
A CIRCUS OF CULTURE, A CABARET OF CONSCIENCE: STEP RIGHT UP TO THE UNITED STATES OF ZINZANNI The gorgeous Art Deco Spielgeltent still sits on the fourteenth floor of the Cambria Hotel in the Chicago Loop. The front staff are still exquisitely attired and well-mannered as they guide you to your table where, as always,…
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Theater Review: FOUR PLACES (4 Chair Theatre at the Bramble Arts Loft)
All happy families are alike; every unhappy family is unhappy in its own way. — Leo Tolstoy The most remarkable thing about Joel Drake Johnson’s Four Places is how it prepares you for what’s to come in its very first scene and still manages to surprise you. Opening in an intimate black box…
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Theater Review: PRODIGAL SON (Athenaeum Theatre)
DON’T KILL THE FATTED CALF JUST YET — THE PRODIGAL SON RETURNS EMPTY-HANDED “I was fifteen. Do you remember fifteen? For me, it was a special, beautiful room in Hell.” That brilliant line opens Prodigal Son, an autobiographical play from Oscar, Tony, and Pulitzer Prize winner John Patrick Shanley (Doubt, Moonstruck). First opening Off-Broadway in…
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Theater Review: HOUSE OF THE EXQUISITE CORPSE V: BLOOD AND PUPPETS (Rough House at Steppenwolf)
A BEAUTIFUL NIGHTMARE IN A HOUSE THAT BLEEDS ART As a fan of the horror genre in every medium, how could I resist the chance to review something as delightfully titled as House of the Exquisite Corpse. That said, given my predilection—some would say, obsession—for avoiding all information about a show prior to viewing it,…
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Theater Review: OAK (Raven Theatre Company)
AN OAK WHOSE ROOTS WON’T LET GO A flashlight illuminating a face from below: what else could follow that image but a ghost story. And what better time for a ghost story than the month that culminates in Halloween, that night when the boundary between this and the other world is at its thinnest, when…
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Theater Review: DUTCHMAN (Trap Door Theater)
ON THE THIRD RAIL: STRONG ACTORS KEEP THIS DUTCHMAN FLYING The Trap Door Theatre is a quintessential Chicago storefront theatre — it’s housed in a converted garage, accessed through a narrow walkway, almost invisible from the street — that has built its reputation on offbeat, experimental productions. Their previous production was the divisive Ghost Fetus,…
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Theater Review: VEAL (A Red Orchid Theatre)
SINK YOUR TEETH INTO THIS BLOODY CUT OF MEAT At some time in the future, a band of rebels have staged a successful coup against the United States. The prevailing system of order has been violently overthrown. Cities are razed to the ground, with surviving citizenry housed in camps. Food is scarce. Medicine is scarcer….
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Theater Review: ROME, SWEET ROME (Chicago Shakespeare)
CARB-LOADERS OF THE WORLD, UNITE! “For the gods know I speak this in hunger for bread…†Alright, so that’s not from Julius Caesar but Coriolanus, that other Shakespeare play about a politician undone by his own ambition and hubris (and that coincidentally also features a character called Brutus), but in this “ad-rap-tation” of the Bard’s…
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Theater Review: LEO LIONNI’S “FREDERICK” (Chicago Children’s Theatre)
A thing of beauty is a joy forever. — John Keats Sleep-deprived and fortified with four cups of coffee, I hauled my cranky, cynical self on a Sunday morning to the Chicago Children’s Theatre in the West Loop to watch the opening production of their 20th season: a musical of Leo Lionni’s Frederick, a Caldecott Honor…
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Theater Review: AVA: THE SECRET CONVERSATIONS (Studebaker Theater)
TWO CHARACTERS IN SEARCH OF AN AUTHOR An aging, reclusive movie star strikes up a relationship with a struggling writer. It may sound familiar but this isn’t Sunset Boulevard, more’s the pity. The star in question is screen legend Ava Gardner, who, in the late 1980s, contracted British journalist Peter Evans to ghostwrite her autobiography….
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Theater Review: WISH YOU WERE HERE (Remy Bumppo at Theater Wit)
THREE WEDDINGS AND A FUNERAL In 1978, five women gather in an upper-middle-class home in Karaj, Iran, to primp and prepare themselves; one of them is getting married and being that they are her closest friends, the others are there to make sure she is at her best, both aesthetically and emotionally. It’s a scene…
Theater Review: (RE)DRESSING MISS HAVISHAM (Boston Playwrights’ Theatre)
by Lynne Weiss | May 20, 2026
in Boston, TheaterTheater Review: BRIGADOON (Pasadena Playhouse)
by Michael Landman-Karney | May 18, 2026
in Los Angeles, TheaterTheater Review: OEDIPUS EL REY (Huntington Theatre Company / Boston)
by Lynne Weiss | May 18, 2026
in BostonTheater Review: EXIT THE KING (A Noise Within / Pasadena)
by Ernest Kearney | May 17, 2026
in Los Angeles, Theater


















