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Gregory Fletcher
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Off-Broadway Review: CYRANO DE BERGERAC (BAM Harvey Theatre in Brooklyn)
GLORIOUS LANGUAGE AND A KISS TO REMEMBER Cyrano de Bergerac may be the most romantic, tragic love story to withstand the test of time. (Romeo & Juliet drops in comparison.) Written in 1897, Edmond Rostand’s classic play follows the unrequited love of Cyrano (James McAvoy) for his childhood friend, Roxane (Evelyn Miller). At the end…
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Off-Broadway Review: CONFEDERATES (Signature Theatre)
CAN YOU BE A CONFEDERATE TO CONFEDERATES? Elijah Jones and Kristolyn Lloyd I’ve noticed “Permission for Engagement” becoming a recent trend in new productions by Black female playwrights. There is a notice in the Playbill inviting the audience to let go and respond when inspired, as “theatre can be church for some of us” (“Us”…
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Broadway Review: PLAZA SUITE (Hudson Theater)
SUITE IS SWEET AND SOUR Upon entering the Hudson Theater, glance to your left to see a notable collection of theater posters — not former productions at this lovely, classy venue, but rather the extensive, impressive contributions of master playwright Neil Simon. Has any single American playwright penned so many successful plays and musicals? With…
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Interview: NATASHA YVETTE WILLIAMS (Now Appearing in TINA: THE TINA TURNER MUSICAL on Broadway)
THE ART OF INHABITING A ROLE NaTasha Yvette Williams is the newest cast member at Tina: The Tina Turner Musical on Broadway, playing Zelma, Tina’s mother. A juicy, dramatic role, Zelma is abused by her husband and later learns to fight back to survive. Her newfound hardened persona extends toward her daughter and, as often…
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Off-Broadway Review: ENGLISH (Atlantic Theater Company)
Learning another language is like becoming another person. Haruki Murakami Marjan Neshat (Marjan) As tedious as it may sound to sit through a term of English classes in…
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Broadway Review: MJ THE MUSICAL (Neil Simon Theatre)
BEAT IT, NAYSAYERS; THIS SHOW WANTS TO BE STARTIN’ SOMETHIN’ The new Broadway musical at the Neil Simon Theatre far exceeds a mere revue of Michael Jackson’s iconic music and performance choreography. From the first scene in a rehearsal studio, a week prior to the opening of the “Dangerous Tour,” Myles Frost enters fully possessing…
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Off-Broadway Interview: TOM WOJTUNIK, director of IT IS DONE
TOM WOJTUNIK IS FAR FROM DONE You’re in Times Square for a night of theater. You turn down 47th Street and pass the Ethel Barrymore Theatre where An Evening With Patti Lupone and Mandy Patinkin is playing. Then you pass the old Biltmore Theatre, now owned and operated by Manhattan Theatre Club, where Venus In…
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Off Broadway Interview: SINAN ÜNEL – writer and director of A MAD PERSON’S CHRONICLE OF A MISERABLE MARRIAGE
THE LONG TERM RELATIONSHIPS OF SINAN ÜNEL AND LEO TOLSTOY Cheryl King’s intimate Stage Left Studio on Manhattan’s West 30th Street specializes in showcasing one-to-two-person plays. Through November 22, Sinan Ünel’s A Mad Person’s Chronicle of a Miserable Marriage joins the eclectic repertoire of solo gems. Embodying both Leo Tolstoy and his wife, Sonya, John…
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Interview: SANTINO FONTANA (Starring in ‘Sons of the Prophet’ at Roundabout’s Laura Pels Theatre)
HIS BRILLIANT CAREER (SO FAR) Still in his twenties, Santino Fontana has performed in quite a respectable number of productions that many actors would hope to accomplish in a life time: most recently The Importance of Being Earnest (Clarence Derwent Award), the short lived Brighton Beach Memoirs (Drama Desk Award for Best Featured Actor), Billy…
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Off-Broadway Theater Interview: CARLO ALBAN (writer and performer of INTRINGULIS)
THE UNDOCUMENTED Intringulis, an autobiographical play written and performed by Carlo Alban, is now in production at Off Broadway’s INTAR. Stage and Cinema caught up with Carlo recently to discuss the evolution of the project and the plight of undocumented workers in the United States. * * * * * * * * * *…
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Off Broadway Theater Review: CRANE STORY (The Cherry Lane Theatre)
ARCANE CRANE Jen Silverman’s Crane Story borrows storytelling stage conventions from both east and west. A raised empty platform acts as the main acting area surrounded by wooden paneling. There are drums, puppets, small musical instruments, and an ensemble of seven performers who act as characters, puppeteers, musicians, and stage crew. Such eastern stage traditions…
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Off Broadway Theater Review: HERO – THE MUSICAL (David H. Koch Theater at Lincoln Center)
KOREAN BROADWAY (SORT OF) Hero: The Musical starts off with a bang. Literally. Several loud gunshots tear holes into the front curtain, which cinematically transforms into a stellar Big Dipper that emblazons a rich blue sky. The constellation rises and the astonishingly exquisite beauty of a forest in 1909 appears. A soaring, powerful male ensemble…
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Off-Broadway Theater Review: OLIVE AND THE BITTER HERBS (Primary Stages)
THE BITTERER, THE BETTER There are two brands of Charles Busch plays: the ones he stars in, which are filled with campy homoeroticism and often performed in downtown theatre dives, and the ones he does not star in, which are safe, commercial and mainstream, and usually performed uptown. As a performer, Mr. Busch is a…
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Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
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in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
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in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater












