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Mitchell Oldham

  • Theater Review: IRAQ, BUT FUNNY (Lookingglass in Chicago)

    Illustration of a smiling woman with curly hair and a colorful background.

    A FUNNY THING HAPPENED ON THE WAY TO BAGHDAD: COMEDY BUMPS INTO HISTORY TO CREATE A MASTERPIECE We sometimes forget how much the theatrical stage can be a place of true discovery—until we stumble upon islands of magic like Iraq, But Funny, a marvel now running through July 20. Written by the immensely talented Lookingglass…

  • Dance Review: ALICE’S ADVENTURES IN WONDERLAND (Joffrey Ballet)

    Promotional poster for Joffrey Ballet's Alice's Adventures in Wonderland.

    DOWN THE RABBIT HOLE INTO THE SUBLIME: THIS IS BALLET GONE DELICIOUSLY MAD Venerated displays of creativity can have the most innocent of beginnings. But in the case of Alice’s Adventures in Wonderland, accomplishing the astronomically exceptional may have been the end goal all along in 2011.  That’s when London’s Royal Ballet first performed its…

  • Theater Review: HYMN (Chicago Shakespeare on Navy Pier)

    Two fists bumping with the word HYMN in the background on orange.

    TO KNOW HYMN IS TO LOVE HYMN It’s not unusual to hear creatives, especially Black creatives, quote Toni Morrison when talking about what inspires them to write, paint or compose. “If there’s a book you really want to read, but it hasn’t been written yet, then you must write it.” That notion seems to have…

  • Theater Review: GARY: A SEQUEL TO TITUS ANDRONICUS (Redtwist Theatre)

    A colorful poster for the play 'Gary: A Sequel to Titus Andronicus'.

    UNCONVENTIONAL SPIN, DARING THEATER, CAUTIOUSLY RECOMMENDED There are sequels and there are sequels. Few can be considered as aspirational or as pioneering as Taylor Mac’s Gary, a continuation of Shakespeare’s Titus Andronicus now playing at Redtwist Theatre. Easily the Bard’s most sensational blood fest, Redtwist brought Titus’s “vicious circle of revenge and counter-revenge” to their…

  • Theater Review: KAIROS (Red Theater in Chicago)

    Illustration of a mysterious forest scene at dusk with glowing lights and twisted trees.

    Red Theater’s Kairos Makes Us Look at Time and Life from an Unexpected Perspective Chance encounters rarely end this interestingly. In Lisa Sanaye Dring’s new play Kairos—premiering now at The Edge Off Broadway by Red Theater—a run-of-the -mill fender bender leads to love and the opportunity to attain immortality. The latter prospect raises a myriad…

  • Theater Review: HENRY JOHNSON (David Mamet Midwest Premiere at Victory Gardens)

    Poster for the Chicago premiere featuring Henry Johnson and David Mamet.

    MAMET’S HENRY JOHNSON PROVES A DIFFICULT PROTAGONIST Along with blazingly rapid dialog, there’s something aggressively determined about David Mamet plays—like Glengarry Glen Ross now being revived on Broadway—and his latest Henry Johnson is no exception. Written in 2023 where it premiered at the Electric Lodge in Venice, California, Mamet’s stage effort is now enjoying its…

  • Theater Review: GUYS AND DOLLS (Music Theater Works)

    Colorful Guys and Dolls logo on a cobblestone background.

    JOYOUSLY, GUYS & DOLLS HAS IT ALL Still touted as one of the greatest Broadway musicals of all time, Guys and Dolls turns 75 in November. You’d never know it based on Music Theater Works feisty little production of this all-American classic playing now in Skokie’s North Shore Center. Frisky as a rambunctious puppy, this…

  • Dance Review: GOLDEN HOUR (Joffrey Ballet Mixed Rep)

    Dancers performing under a golden spotlight titled 'Golden Hour'.

    JOFFREY ADDS SURPRISE TO A PROGRAM ALREADY BRIMMING WITH EXCELLENT DANCE Joffrey Ballet certainly must be conscious of its earth shifting habits. More likely, its propensity for greatly broadening ballet’s possibilities has been welded into the dance company’s DNA. Joffrey’s four-piece winter program Golden Hour showcases adventurously inventive choreography and splendid dance converge to prove borders and limits…

  • Dance Review: ALVIN AILEY AMERICAN DANCE THEATER (The Auditorium Theatre in Chicago)

    Dancers in dynamic poses promoting a modern dance event.

    THE PERPETUATION OF LEGACY Once a year we’re reminded of the unique space Alvin Ailey American Dance Theater (AAADT) occupies in the global dance sphere. And every year we’re also reminded how the venerable dance company remains as relentlessly intent on stretching its horizons as it is in honoring and maintaining the legacy of its…

  • Dance Review: GOLDEN HOUR (Joffrey Ballet Mixed Rep)

    Dancers performing under a golden spotlight titled 'Golden Hour'.

    JOFFREY ADDS SURPRISE TO A PROGRAM ALREADY BRIMMING WITH EXCELLENT DANCE Joffrey Ballet certainly must be conscious of its earth shifting habits. More likely, its propensity for greatly broadening ballet’s possibilities has been welded into the dance company’s DNA. Joffrey’s four-piece winter program Golden Hour showcases adventurously inventive choreography and splendid dance converge to prove…

  • Recommended Theater: TITUS ANDRONICUS (Redtwist Theatre)

    Poster for Shakespeare's Titus Andronicus with bold red and blue design.

    Titus Andronicus brings prejudice and the politics of revenge to the forefront in Shakespeare’s bloodiest script. Foreign wars have left the country divided, an impulsive leader stokes resentment, and now the country teeters on the brink of civil war over petty grievances and personal vendettas. Can Rome’s leaders save the empire from itself? It’s literally…

  • Theater Review: FRIDA … A SELF PORTRAIT (Writers Theatre in Glencoe)

    Abstract portrait of Frida Kahlo with vibrant colors and floral elements.

    Frida … A Self Portrait Enlightens and Beguiles with Impressive Force You’d have to go a long way to find someone with as potent a life force as Frida Kahlo’s. She left this branch of existence just over 70 years ago, in 1954, and still, there’s something about her spirit that continues to enthrall the…

  • Theater Review: FOOL FOR LOVE (Steppenwolf Theatre)

    Poster of 'Fool for Love' featuring a couple in an intense embrace.

    A BRILLIANTLY BRACING LOOK AT LOVE’S OTHER SIDE Romantic love is rarely easy. Even when a relationship progresses from first attraction to full commitment to picture-perfect nuptials, there are no guarantees. Since its 1983 debut in San Francisco, Sam Shepard’s hour-long one-act Fool for Love, written after a difficult divorce, has become a template for…

  • Highly Recommended Dance: WINTER SERIES 2025 (Hubbard Street Dance Chicago at the Harris)

    A dynamic dance pose on Hubbard Street Dance Chicago album cover.

    HUBBARD STREET’S WINTER SERIES PRIMED TO UNLEASH DANCE FIRE “It’s not magic, but it should seem like it is.” That advice came from a veteran jazz musician in the 1930s as he counseled a young aspiring player. In many ways, that nugget of truth applies to the world as dance as well. Closing in on…

  • Theater Review: A SLOW AIR (Steep Theatre Company)

    Two people hold hands, silhouetted against the sun.

    Steep Theatre Company’s A Slow Air: An Astonishing Journey Into Forbidden Territory “Estrangement” is an unfriendly word that carries with it all kinds of negative connotations–hostility, alienation, distrust, anger and, somewhat paradoxically, very often confusion. It’s also a word that many people are ashamed of or are uncomfortable talking about; especially when it’s a part…

  • Theater Review: FUN HOME (Porchlight Music Theatre at Ruth Page Center for the Arts)

    Yellow background with colorful letters and silhouette figures in the text.

    THERE’S NO PLACE LIKE FUN HOME One of the first penetrating statements Alanna Chavez makes very early as Alison Bechdel in Porchlight’s Fun Home, now playing at the Ruth Page Center for the Arts, is that she “doesn’t trust memory”. To compensate, her character discovers cartooning as the most suitable vehicle for chronicling her journey…

  • Theater Review: JAJA’S AFRICAN HAIR BRAIDING (Chicago Shakespeare Theater’s The Yard)

    A smiling woman with braided hair advertising African hair braiding.

    AN UNFORGETTABLE LAUGHTER-ETCHED LESSON ON LIFE BY WALKING IN SOMEONE ELSE’S SHOES There are two things to know about Jocelyn Bioh, playwright of Jaja’s African Hair Braiding, the theatrical sensation that’s currently delighting audiences in Chicago Shakespeare Theater’s The Yard and had Broadway in such a tizzy 15 months ago. She starts with character and,…

  • Theater Review: THE BERLIN DIARIES (Open Space Arts)

    A person sitting at a desk with a glowing, magical background.

    EXCAVATING THE PAST TO SOLVE PUZZLES ABOUT THE PRESENT Family is so integral to our identity that it’s difficult not to be enthralled by them. A complicated source of delight, distress, curiosity and mystery, no matter how much they change and evolve, grow or shrink, they remain a source of limitless fascination. The spirit of…

  • Theater Review: PERICLES (Royal Shakespeare Company at Chicago Shakespeare on Navy Pier)

    Poster for RSC's production of Pericles featuring a male actor in costume.

    ROYAL SHAKESPEARE’S RADIANT PERICLES All the indicators promised that it’d be special: after a 30-year lull, England’s Royal Shakespeare Company (RSC) and Chicago Shakespeare Theater (CST) entered a new and ongoing partnership. Part of this refreshed collaboration included bringing RSC’s production of Shakespeare’s seldom seen Pericles to Navy Pier. But it wasn’t until the first…

  • Theater Review: DOGS (Red Theater in Chicago)

    Illustration of a person eating a hot dog with the word 'DOGS' below.

    HOT DOGS! Red Theater’s Take on Speed Eating is a Fast and Furious Glimpse into the Fascinating Sometimes you need to head in a different direction to uncover life’s true hidden treasures. The Edge Off Broadway, an unassuming theatrical venue just south of Bryn Mawr, harbors one such gem in Red Theater’s Dogs, which opened…

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