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Tony Frankel
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Theater Review: KING LEAR (Antaeus Theatre Company in North Hollywood)
GET BEAT UP AND ENJOY IT TWICE The dazzling Antaeus Ensemble, creators of the sweeping masterpiece Cousin Bette earlier this year, has created another miracle with Shakespeare’s sledgehammer of a play, King Lear — the miracle being that this unrelenting, unforgiving and oft times unredeeming tragedy is handled with such mastery and skill that you…
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Los Angeles Theater Review: ALL MY SONS (Raven Playhouse in North Hollywood)
ALL MY PRAISE All My Sons, now showing in a red-hot production at the Raven Playhouse, is Arthur Miller’s seminal 1946 work about a seemingly functional all-American family with secrets that threaten to crack its very foundation. The time may be WWII, but the themes are shockingly contemporary: profiteering, lack of integrity, deceit, and judgment….
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Los Angeles Theater Review: LIFE COULD BE A DREAM (Hudson Mainstage)
MAKE SURE YOU’VE BEEN PROPERLY NOURISHED BEFORE GOING “I’ve been watching what I eat,” Wally says, as he stuffs a Twinkie in his mouth. “I’ve been watching what I see,” I think, as I swallow this highly caloric, nutrition-free, cream-filled sponge cake of a theater outing. Writer/director Roger Bean’s Life Could Be a Dream belongs to…
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Attraction Review: WORLD OF COLOR (Disneyland)
MIXED COLORS When, in 1991, the Disney Corporation unveiled its plans to pave over the Disneyland parking lot and build WestCOT, Disney fans were thrilled. Modeled after EPCOT in Florida, the new park would offer attractions focusing on the imagination and technological achievements of mankind in Future World, and celebrate different cultures in the World Showcase….
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Theater Review: OKLAHOMA! (Musical Theatre of Los Angeles at the Met Theatre)
DARK? NOT SO MUCH. WORTHWHILE? OH, YEAH. The real stars of Oklahoma!, presented by the Musical Theatre of Los Angeles, are Richard Rodgers and Oscar Hammerstein. Hammerstein’s 1943 book is solidly funny and sweet – it avoids creaking with age because it shuns overt sentimentality, and the lyrics are chock-full of poetic imagery and clever internal…
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Theater Review: LEIRIS/PICASSO (Bootleg in L.A.)
GOOD THING PICASSO STUCK TO HIS DAY JOB When addlepated Michel Leiris (pronounced LAY-REE) pops out of the upstairs bedroom in his darkened Paris home to prepare for the visit of Pablo Picasso, he begins a series of pratfalls, antics and missteps that thrust us into the world of farce. Early into Act I of…
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Art Festival Review: L.A. ART SHOW 2020 (Convention Center)
I never in my wildest imaginings would have thought Los Angeles to become a mecca for art. But the combination of a rich cultural stew, the burgeoning arts life of downtown L.A., an explosion of galleries (of which Culver City was at the forefront), the opening of The Lucas Museum of Narrative Art next year,…
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Theater Review: DEAD GIRL’S QUINCEAÑERA (Goodman Theatre / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterBroadway Review: 860 (Billy Crystal / Imperial Theatre)
by Paola Bellu | October 22, 2026
in New York, TheaterTheater Review: A STRANGE LOOP (Raven and About Face / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterTheater Review: THE CURIOUS CASE OF BENJAMIN BUTTON (The Public Theater / New York)
by Gregory Bernard | October 21, 2026
in New York, TheaterOff-Broadway Review: MACHINE LEARNING (Little Engine Theater)
by Alex Simmons | October 21, 2026
in New York, TheaterOff-Broadway Review: COPPERFIELD! (The Duke on 42nd Street)
by Rob Lester | October 20, 2026
in New York, TheaterOpera Review: CARMEN (LA Opera)
by Michael Landman-Karney | October 20, 2026
in Los Angeles, Music, TheaterTheater Review: CONVENTION (The Industry Loft / Los Angeles)
by Ernest Kearney | October 20, 2026
in Los Angeles, TheaterDance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
by Chuck Louden | October 19, 2026
in Dance, San Francisco
(Bay Area), ToursTheater Preview: 2 DUDES & THEIR TEACH: SINGING (Hudson Guild Theatre)
by Gregory Bernard | October 18, 2026
in Los Angeles, Theater






