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Victoria Linchong
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Off-Broadway Theater Review: HERE LIES LOVE (The Public Theatre)
THE REVOLUTION WILL BE DANCED Move over Evita, there’s another Queen of Hearts in town. And she likes diamonds too. I’m talking about Imelda Marcos’”she of the thousand pairs of shoes’”who is the centerpiece of a dazzling new pop operetta by David Byrne and Fatboy Slim. It’s called Here Lies Love, which is what Imelda…
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Off-Broadway Theater Review: GOOD PERSON OF SZECHWAN (The Public Theater)
MUCH BETTER THAN GOOD The last thing that Brecht would have wanted is the audience to identify with his characters. But that’s where the Foundry Theatre’s production of Good Person of Szechwan so brilliantly succeeds. Rather than distancing the audience with didactic Marxism and dubious Orientalia, the play dives headlong into the despair of a…
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Off Broadway Theater Review: MANNA-HATA (Peculiar Works Project at the James A. Farley Post Office)
GOING POSTAL OVER NEW YORK Soaked to the skin and wrestling with a flimsy umbrella, I splashed across Eighth Avenue while reading the inscription on the James A. Farley Post Office, “Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds.” Well, here was…
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Off-Broadway Theater Review: THE GIRL OF THE GOLDEN WEST (New Ohio Theatre)
CALIFORNIA DREAMS The 2012 Ice Factory Festival closes with The Girl of the Golden West, a heartfelt musical ode to the great American myth based on David Belasco’s 1911 novel, which had previously inspired Puccini to write his most experimental opera, La Fanciulla del West. In its own way, Rady&Bloom’s production of The Girl of…
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Off-Broadway Theater Review: MISS LILLY GETS BONED (New Ohio Theatre)
SEX, LIES, AND ELEPHANTS There’s an elephant in the room in Miss Lilly Gets Boned and it’s not just the sexuality of the eponymous Sunday school teacher. It’s an extraordinary hulking beast made of cloth and cardboard that blinks its eyes and is articulate in more ways than one. Created by James Ortiz and operated…
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Off-Broadway Theater Review: FLYING SNAKES IN 3D (New Ohio Theatre)
HISS HISS BANG BANG Four writers stand onstage and in unison announce their thesis, “We thought that making a show strictly about our poverty and history of abuse would make us severely unpopular: so we decided to splice our story with a science fiction narrative about snakes.” So begins Flying Snakes in 3D!!, a campy…
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Off Broadway Theater Review: RUSSIAN TRANSPORT (The New Group)
ALL IN ZI FAMILY In Russian Transport, comedienne Janeane Garofalo expands her range by playing a wisecracking Russian-Jewish matriarch whose domineering attitude toward her daughter conceals a family secret. The able cast is solidly directed by Scott Elliott in this slice-of-life coming-of-age story, but ultimately, by failing to convey the external pressures and dangers that…
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Off-Off-Broadway Theater Reviews: KUTSUKAKE TOKIJIRO and SHE KILLS MONSTERS (The Flea)
UPSTAIRS/DOWNSTAIRS AT THE FLEA The Flea Theater is currently providing New York theater audiences an interesting illustration of the cultural gap between Asian-Americans and Asians from Asia. Not that I usually am so divisive — I generally feel that everyone has a lot more in common than they have differences — but this month, the…
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Off-Broadway Theater Review: THE DUMB WAITER (National Asian American Theater Company)
WAITING FOR PINTER National Asian American Theater Company (NAATCO) takes a steampunk spin on The Dumb Waiter, Harold Pinter’s classic absurdist thriller. Director Andrew Pang makes great use of the ambient details of a run-down building and masterfully guides two very fine actors, Louis Ozawa Changchien and Steven Park, in a suspenseful study of two…
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Off Broadway Theater Review: THE LIFE AND DEATH OF KING JOHN (New York Shakespeare Exchange)
THE KING YOU LOVE TO HATE Critics have thrown stones at The Life and Death of King John for centuries, but New York Shakespeare Exchange delivers such a clear, astute, and enjoyable production of the play that one must wonder what is wrong with all those literary pundits. Far from a muddled mess, the play…
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Theater Review: HIGH by Michael Lombardo (N.Y.C. – Broadway)
DRUGS AND RELIGION In full disclosure, I had a junkie boyfriend for about three years, so I have pretty firm opinions about drug addiction – none of them very sympathetic. Set in a Catholic rehab clinic, High by Michael Lombardo, which closed on Easter Sunday after a very brief run at the Booth Theater on…
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Off-Broadway Theater Review: THE LANGUAGE ARCHIVE (Roundabout Theatre Company)
THE SALVAGING OF TONGUES In her marvelously inventive play, The Language Archive, Julia Cho weaves together the story of two unhappy couples as a gateway to a whimsical exploration of the mysterious, anguished, tender, exquisite language of love. Â Buoyantly absurdist, with a frothy meandering plotline, the play is ultimately a heartbreakingly eloquent discourse on love…
Off-Broadway Review: THE MONSTERS (Manhattan Theatre Club at NY City Center)
by Alex Simmons | February 11, 2026
in New York, TheaterTheater Review: THREE COCONUTS (West Coast Jewish Theatre in Santa Monica)
by Judson Feder | February 11, 2026
in Los Angeles, TheaterBoston Theater Review: LITTLE WOMEN (Actors’ Shakespeare Project)
by Lynne Weiss | February 10, 2026
in Boston, TheaterTheater Review: MY LIFE AS A COWBOY (North American Premiere at Open Space Arts)
by Croydon Fernandes | February 9, 2026
in Chicago, TheaterTheater Review: MY SON THE PLAYWRIGHT (Rogue Machine)
by Michael Landman-Karney | February 9, 2026
in Los Angeles, TheaterTheater Review: CAMP MORNING WOOD (Prism Theater in Palm Springs)
by Stan Jenson | February 9, 2026
in Palm Springs
(Coachella Valley), TheaterTheater Review: THE IRISH … AND HOW THEY GOT THAT WAY (Porchlight Music Theatre)
by Croydon Fernandes | February 8, 2026
in Chicago, Theater











