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Samantha Nelson
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Event Feature: ELECTION DAY VOTE-A-THON (Stars in the House with Seth Rudetsky and James Wesley)
ELECTION DAY VOTE-A-THON FEATURES ANNETTE BENING, MARCIA CROSS, JEREMY JORDAN, VANESSA WILLIAMS, MEGAN HILTY, JESSIE MUELLER, DANA DELANY, AND MORE Why not watch something on Election Day that’s election-related but purely entertaining instead of stressful? Wouldn’t it be fun to hear from celebrities and viewers alike about their voting experiences throughout the years as well…
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Chicago Theater Review: DREAM FREAKS FALL FROM SPACE (The Second City’s 106th Revue)
FREAK OUT Comedy writers have complained about the challenge of writing jokes during the Trump administration. There’s too much material. And the breakneck pace of news, scandals and crises coming out of Washington make a joke written in the morning likely to be no longer timely by the evening. The Second City refreshes its scripts…
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Chicago Theater Review: JANE EYRE (Lifeline Theatre)
GOTHIC FRICTION There soon will be plenty of haunted houses and Halloween-themed plays cropping up, but if you’re looking for a genuinely creepy production now, you’ll find it in Lifeline Theatre’s updated version of Christina Calvit’s original adaptation of Charlotte Brontë’s 1847 novel, Jane Eyre (last seen at Lifeline 13 years ago), which depicts the…
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Chicago Theater Review: DEPRAVED NEW WORLD (Second City)
SECOND CITY DEPRAVED AND BACK ON TRACK Dark thoughts, insecurity and regrets may seem like particularly bleak material to base a sketch comedy show around, but their universality makes them strong subjects. Placed in the hands of the extremely talented cast performing on The Second City’s main stage, Depraved New World offers some huge laughs…
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Chicago Theater Review: GHOST BIKE (Buzz22 Chicago)
AS YOU BIKE IT Growing up and accepting change and loss are very personal processes. Buzz22, whose mission is to stage “stories to explore the coming of age,” has been following the grand tradition of Star Wars and Harry Potter by using epic tales to frame the struggle to forge your own identity and come…
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Chicago Theater Review: LEVELING UP (Steppenwolf)
SCRIPT ABOUT VIDEO GAME USAGE NEEDS FIXES Early in Leveling Up at Steppenwolf Theatre, professional gamer Ian (Clancy McCartney) makes it clear that he prefers playing video games all day rather than going out in the real world; games, he says, give him “epic wins.” Perhaps a reference to Jane McGonigal’s book Reality is Broken:…
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Chicago Theater Review: THE SECOND CITY’S INCOMPLETE GUIDE TO EVERYTHING (UP)
NOT SO INCOMPLETE The Incomplete Guide to Everything features scenes culled from more than 50 years of The Second City performances, right up to sketches that are part of the soon-to-end main stage revue Let Them Eat Chaos, which means loyal fans are likely to recognize some scenes. Director Ryan Bernier devotes much of the…
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Chicago Theater Review: ROSE AND THE RIME (The House Theatre of Chicago)
A PLAY THAT PUTS YOU INTO THE COLD TAKES YOU OUT OF THE COLD When The House Theatre of Chicago decided to bring Rose and the Rime back to the stage this winter, they couldn’t have predicted how perfect their timing would be. Denizens of the Windy City can always use some cheering up during…
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Chicago Theater Review: SHERLOCK HOLMES AND THE CASE OF THE CHRISTMAS GOOSE (Raven)
A WAY TO GOOSE UP YOUR HOLIDAYS There’s not much of a mystery in Sherlock Holmes and the Case of the Christmas Goose. Michael Menendian and John Weagly’s adaptation of Arthur Conan Doyle’s short story “The Adventure of the Blue Carbuncle” stays faithful to the source material, an unusually light tale involving the consulting detective….
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Chicago Theater Review: MIRACLE ON WELLS STREET (The Second City)
FRANKINCENSE, MYRRH AND A FEW LUMPS OF COAL Exchanging gifts with relatives you don’t know well is always a bit disappointing. Sometimes that aunt or cousin will give you something you really want, but most of the time you’ll find yourself with clothes that aren’t quite your style or size, or a gift card to…
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Chicago Theater Review: BEST MUSICAL! (Porchlight Music Theatre at Up Comedy Club)
FORMULAIC IN A GOOD WAY In The Book of Mormon, Trey Parker and Matt Stone proved that subject matter in musical theatre is a lot less important than sticking to the structural formula. There’s the ensemble intro that sets the scene, the romantic duet, the protagonist’s transformative moment and the final song that ties everything…
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Chicago Theater Review: A CLOWN CAR NAMED DESIRE (The Second City e.t.c.)
SHOOTING EASY TARGETS As is often the case at Second City shows, an early musical number explains the theme of A Clown Car Named Desire. Reality is filled with disappointment, hardship and boredom, so why not live in a dream where you can run away and join the circus? But the latest e.t.c. show could…
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Chicago Theater Review: THE THREE MUSKETEERS (Lifeline Theatre)
OPULENT PLOT, THRILLING FIGHTING, AND A STUDLY D’ARTAGNAN While it’s brought to film more than a dozen times, Alexandre Dumas’ The Three Musketeers is a tough work to adapt. It’s long, has a huge character list, and has as much courtly intrigue as sword fighting. But Robert Kauzlaric, who previously wrote scripts from other oft-adapted…
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Chicago Theater Review: LET THEM EAT CHAOS (The Second City)
FORGING COMEDY FROM CHAOS Early in The Second City’s 101st revue Let Them Eat Chaos, the excellent Second City veteran Katie Rich sits on the stage alone and alternately chats with the audience, and sings and plays some simple notes on a mini-xylophone. Mixing romantic clichés with ribbing (every parent has a least favorite child,…
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Chicago Theater Review: SHE KILLS MONSTERS (Steppenwolf)
NOT JUST FOR DUNGEONS & DRAGONS FANS Early in She Kills Monsters, the play’s protagonist, Agnes (Katherine Banks), strikes up a conversation with Chuck (Richard Traub), a high school student working at a comic book store. There’s a glimpse of what this scene might look like in a lesser production that chose to just play…
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Chicago Theater Review: THE CITY & THE CITY (Lifeline Theatre)
A TALE OF TWO CITIES THAT BLENDS SCI FI AND MYSTERY China Miéville’s novels are dense works of science fiction, and sometimes deciphering them feels more like work than entertainment. That’s why it’s impressive that Lifeline Theatre’s world premiere adaptation of his Hugo Award-winning The City & The City is so accessible. Adaptor Christopher M….
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Chicago Theater Review: AIRPORT FOR BIRDS (AND OTHER GREAT IDEAS) (UP Comedy Club)
AIRPORT FOR BIRDS FAILS TO TAKE OFF In their sketch comedy show Airport for Birds (and Other Great Ideas), Team StarKid seems to have wracked their brains to come up with as many reasons as possible for the performers to scream: There’s a pair of fitness enthusiasts who think that it’s part of doing yoga…
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Chicago Theater Review: THE MOTHERFUCKER WITH THE HAT (Steppenwolf)
HATS OFF TO STEPPENWOLF If the title wasn’t enough of a clue, Stephen Adly Guirgis’s The Motherfucker with the Hat is filled with bad language. But what’s really surprising is how well it uses creative vulgarity to shape a hilarious tale. Jackie (John Ortiz) is a recovering alcoholic on parole who seems to be finally…
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Chicago Theater Review: CHICAGO’S WEIRD, GRANDMA (The Neo-Futurarium)
MONKEY BUSINESS Barrel of Monkeys has spent more than 10 years teaching writing workshops at Chicago schools, but they are best known for turning the creative writing from elementary school kids into songs, sketches, and dance numbers which are performed at their weekly show, That’s Weird, Grandma. Now they’re letting an impressive list of local…
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Chicago Theater Review: THE MONUMENT (The Side Project Theatre)
A MONUMENTAL FAILURE The Monument opens with a young man strapped into an electric chair, recounting the actions that led him to the moment of his execution. If playwright Colleen Wagner had ended her work with the switch being pulled, she would have produced a solid solo short play. Instead the show turns into a…
Theater Review: AN ARK (The Shed)
by Gregory Fletcher | January 21, 2026
in New York, Theater, VirtualTheater Review: GREEN CORRIDORS (Trap Door Theatre in Chicago)
by Croydon Fernandes | January 20, 2026
in Chicago, TheaterTheater Review: KID GLOVES (Skylight Theatre)
by Ernest Kearney | January 20, 2026
in Los Angeles, TheaterMusic Review: THE LOVESTRUCK BALLADEERS (Birdland Theater)
by Rob Lester | January 20, 2026
in Cabaret, Music, New YorkTheater Review: ASSASSINS (Revolution Stage)
by Stan Jenson | January 20, 2026
in Palm Springs
(Coachella Valley), TheaterTheater Review: OCTET (Studio Theatre in DC)
by Barbara Papendorp | January 20, 2026
in D.C.
(Maryland / Virginia), TheaterMADDEN: MORE THAN A LEGEND
by Susan Hall | January 20, 2026
in Extras, FilmDance Preview: GRAHAM100 (Martha Graham Dance Company International Tour in Chicago)
by Mitchell Oldham | January 19, 2026
in Chicago, Dance, International, ToursTheatre Review: GOING BACHARACH: THE SONGS OF AN ICON (Marjorie S. Deane Little Theater)
by Rob Lester | January 19, 2026
in New York, Theater
















