Areas We Cover
Categories
Los Angeles
-
Theater Review: SONDHEIM UNSCRIPTED (Impro Theatre at the Falcon Theatre in Burbank)
RECREATION My editor and I didn’t toss a coin to see who would write the review – he’s smarter than that; he wrote a very nice preview piece, the kind I find very difficult, and that was that. Neither one of us wanted to write a review because we’re out of words to describe Impro…
-
Los Angeles Music and Dance Preview: AUDRA MCDONALD & ABT & LA Phil (Hollywood Bowl)
AMERICAN CLASSICS WITH AUDRA MCDONALD & AMERICAN BALLET THEATRE The last time I saw the captivating singer and actress Audra McDonald in concert, she sang the Bernstein/Comden/Green tune “I’m a Little Bit in Love” from Wonderful Town: “Mm–mmm! / It’s so nice to be alive / When you find someone who bewitches you.” And when you see her upcoming…
-
Concert Review: ORQUESTA BUENA VISTA SOCIAL CLUB (Hollywood Bowl)
A FOND FAREWELL Back in the 1990s, Buena Vista Social Club took the world by storm. The album, inspired by the music played at a Havana members club, both celebrated and cemented the fluid formidability of popular pre-revolution Cuban music performed by Cubans. It sold over five million units worldwide, and notched a Grammy Award…
-
Los Angeles Theater Preview: SONDHEIM UNSCRIPTED (Impro Theatre at the Falcon in Burbank)
COMEDY TONIGHT More like side-splitting by side-splitting by Sondheim, Impro Theatre–the masters of long-form improvisations in the style of famous authors and genres–are gearing up for an opening night the likes of which you will never see again. Literally. In fact, every night during  the run of Sondheim UnScripted at the Falcon Theater will be opening…
-
Los Angeles Theater Review: LUKA’S ROOM (Rogue Machine Theatre)
DISILLUSION ON DEMAND In Rob Mersola’s Luka’s Room, Nick Marini plays a blithe, typical, technology-addicted college sophomore who has a rough summer after his father stops paying Arizona State tuition. Luka has to move in with his senile grandmother (Joanna Lipari) and pot-dealer ex-con uncle (Alex Fernandez). The kid’s fall from an upper-middle-class dorm to…
-
Los Angeles Dance Preview: THE SEASONS (American Contemporary Ballet premiere at the Farmers and Merchants Bank in downtown)
TIS THE SEASONS Not unlike Timothy Leary and LSD, I have been turning people on to ACB for similar reasons. In an increasingly complicated world, one needs a stimulant to reinforce a sense of what is important. American Contemporary Ballet’”with its original programming, live accompanying chamber music, sterling dancers, and the best corps de ballet…
-
Theater Review: UP HERE (La Jolla Playhouse)
THERE’S NOTHING GOING ON UP HERE It’s an idea whose time has already come this summer, and with far superior results. In fact, the character of Lindsay, a t-shirt designer who has fallen for the analytical nerdy computer whiz Dan, mentions on their first date the enormously successful Disney’¢Pixar film Inside Out, which chronicles the…
-
San Diego Theater Review: BASKERVILLE: A SHERLOCK HOLMES MYSTERY (The Old Globe)
YOU CAN GO HOLMES AGAIN It turns out that you can teach an old dog new tricks, proven by The Old Globe’s contemporary stage-spoof treatment of the classic 1901 Sherlock Holmes novel The Hound of the Baskervilles. Longtime fans of Sir Arthur Conan Doyle’s literature need not be skeptical: While Ken Ludwig’s adaptation’”in which three…
-
Los Angeles Theater Review: REPLICA (Urban Theatre Movement at Asylum Lab)
REAL THING I hate it when people talk about the need to “support” a good cause. Guilt is simply bad salesmanship. It kills it for me. It killed Save-the-Whales, and it sure didn’t work in time for Cecil the Lion. I heard part of a KPFK pledge-drive recently that demanded a weep-track to underscore its…
-
Los Angeles Music Review: JAMIE CULLUM/SOULIVE/ LISA FISCHER (Hollywood Bowl)
UNWIELDY TRIAD The trifecta of performers at the Hollywood Bowl last night was given a strange reaction by the well-attended crowd. Whether it was during the sets of soulstress Lisa Fischer, funk/jazz trio Soulive, or big-band innovator Jaime Cullum, the inordinate amount of talking, moving, boisterous, and cell-phone playing patrons astounded me. I think that…
-
Tour Theater Review: KURIOS (Cirque du Soleil)
CIRQUE DU FIN DE SIÈCLE This is a snazzy and pizzazz-packed blast from the past: Kurios: Cabinet of Curiosities draws its whimsical magic from the “steampunk” style that melds Victorian design with intricately elaborate (and often useless) industrial gadgetry of the Rube Goldberg persuasion. To this all-morphing mindset, everything can become a machine–the pulleys and fly…
-
Los Angeles Theater Preview: MUCH ADO ABOUT NOTHING (Independent Shakespeare Co.)
AND NOW, WITH FURTHER ADO: Not only is it one of my favorite Shakespeare plays, but Much Ado About Nothing contains a favorite character: Dogberry. This bumbling constable arrives much later in the play than the famous sparring couple’”Beatrice and Benedick’”and adds an enormous amount of comic energy to a play that is already awash…
-
Theater Review: ALWAYS…PATSY CLINE (Sierra Madre Playhouse)
A FINE CLINE Patsy Cline couldn’t be more fondly or accurately recalled than by Cori Cable Kidder in Robert Marra’s production of Always…Patsy Cline, the oft-produced 1990 paean to the once and future crossover country icon who made audiences “fall to pieces.” Written and originally directed by Ted Swindley, this tribute—equal parts play, concert and…
-
Los Angeles Theater Review: MONTY PYTHON’S SPAMALOT (Hollywood Bowl)
THE HOLY GRAIL OF SILLINESS It’s been 40 years since the release of the landmark comedy film Monty Python and the Holy Grail and 33 years since the British sketch comedy troupe recorded Live at the Hollywood Bowl. The two events collided last night when the 2005 Broadway musical Spamalot, which original Python member Eric Idle “lovingly ripped…
-
Los Angeles Theater Preview: GROUNDLINGS RED LIGHT DISTRICT (The Groundlings Theatre)
THE FUTURE LOOKS LIGHT For almost 40 years, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang. Performers showcase material that arises from improvisation workshops; their weekly shows range from all-improv to all-sketches and anywhere in-between. The current sketch comedy offering…
-
Theater Review: BENT (Mark Taper Forum)
DACHAU DELIVERANCE TO THE MAX More than six million Jews were slaughtered by Nazis. When Martin Sherman wrote Bent in 1979, the yellow star that emblazoned the clothing of Jews was well-known, but history had yet to add “We shall never forget” to the image of a pink triangle, the insignia used to identify the…
-
Los Angeles Music Preview: THE SINATRA PROJECT (Michael Feinstein and the Pasadena POPS in Arcadia)
FEINSTEIN & FRANK: THE BEST IS YET TO COME Of all the Michael Feinstein Pasadena POPS concerts so far, my favorite was last year’s presentation of Gershwin songs’”and it wasn’t because of the selections or Feinstein’s history with George’s brother Ira as friend and archivist. It was because Feinstein set aside the conductor’s baton and…
-
Los Angeles Theater Review: GIRLFRIEND (Kirk Douglas Theatre in Culver City)
GIRLFRIEND, PLEASE! While it’s being sold as a rock musical, Todd Almond’s gay two-hander is really a play; the songs from Matthew Sweet’s 1991 breakout album Girlfriend are indiscriminately tossed into the script as filler. Take away the music and you’re left with a very small coming-of-age tale ideal for a Fringe Festival, maybe, but certainly not…
-
Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at GTC in Burbank)
SUCCESS You have had at least one dream in which the universe of potential joy is realized in a moment. The moment is ethereal and tangible, in the way of dreams. For me this dream is always of a kiss. In the dream I am young and the girl I am going to kiss is…



















