Los Angeles

THE PHANTOM OF DISNEY HALL It’s positively spooky looking for something to do on Halloween. Are you tired of coming home from that noisy Halloween party with smeared make-up? Are you weary of competing with the crowds on Santa Monica Boulevard? Are the high-heel pumps you only wear once a year causing Godzilla-sized blisters? Are…

ROLE REVERSAL For its inaugural production at its new temporary home in Atwater Village, the Celebration Theatre has mounted The Homosexuals (pun intended). As one might glean from the title, Philip Dawkins’ play deals with the trials and tribulations of a group of gay friends and, of course, their self-proclaimed requisite “fag-hag.” In essence it’s…

HYDE IN PLAIN SIGHT Actors Co-op does it again! Last year’s re-imagining of The World Goes ‘Round  was musical perfection and this year’s Ah, Wilderness!  was a sentimental delight. Now Dr. Jekyll & Mr. Hyde  crosses genres mastering the macabre and mysterious in an equally mesmerizing manner. Adapted by Jeffrey Hatcher from the Robert Louis Stevenson novella Strange…

IS THIS A KEGGER I SEE BEFORE ME? The morning after the Thane has killed his king, and one of those epic, omen-riddled Shakespearean storms has ravaged the countryside, Macbeth snaps out my candidate for all-time champion literary understatement: “’Twas a rough night.”   But in a one-hour burlesque of Macbeth that brusquely acknowledges Shakespeare’s contribution,…

A STRANGE DISAPPEARANCE OF ACTING Last August, Time’s cover story, “A World Without Bees,” brought to light a frightening occurrence: In recent years, there have been mass deaths of honeybees around the globe, known as “Colony Collapse Disorder.” Scientists are surmising the reasons – agricultural pesticides, parasitic mites, bacterial and HIV-like diseases – but they’ve…

A CLOSED-MOUTH KISS There are so many sexual allusions and situations in Cole Porter’s Kiss Me, Kate that it is remarkable the musical came out in 1948. I surmise the reason that Porter got away with such startling and blatant innuendos was his ability to wrap them up in sophisticated, witty lyrics. The musical is…

SEEING WHAT’S INVISIBLE In describing Invisible Cities, allow me to paraphrase Gore Vidal’s critique of Italo Calvino’s 1972 novel of the same name on which this production is based: Of all tasks in reviewing director Yuval Sharon’s marvelously inventive theater event in Union Station, recounting Christopher Cerrone’s opera is the most difficult and perfectly irrelevant….

COMPRESSED CRUELTY IN A SMALL STRINDBERG SHOCKER August Strindberg, the “father of modern psychological drama,” told his publisher that Creditors, a drama that he prized as much as he did his masterpiece Miss Julie (also written in 1888) was “humorous, loveable, all of its characters sympathetic.” Nothing could be further from the truth – as…

A LASTING IMPRESSION Fab Fin Esa-Pekka Salonen returned to the hall where he established the reputation of LA Phil, educated audiences to challenging new music, and garnered adulation for his graceful manner and acute interpretation of various works, classical and contemporary. The program this past weekend set the stage for Salonen to do as he…

AN EASY PILL TO SWALLOW Thrillers are always a tough act to pull off in the theater which is why they are so rarely produced. When the show is a revival (or reworking as it is here) and it has been turned into a widely seen motion picture the ability to involve, surprise and shock…

A DIFFERENT TYPE OF SOCRATIC PROBLEM Perhaps one of the reasons Socrates has become a god-like figure in the world of philosophy is that we know very little about the actual man who existed during the dawn of writing. He kept no diaries and wrote no treatises, yet philosophies attributed to the classical Greek thinker’”Socratic…