Areas We Cover
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Los Angeles
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San Diego Theater Review: MAPLE AND VINE (Cygnet)
A TWISTED TRIP DOWN MEMORY LANE Imagine yourself transported back to 1955: Forming values in the image of Father Knows Best; solving family problems as cleanly as Ozzie and Harriet; and living in the perfect suburban community with like-minded neighbors. When compared to our complicated, isolating, 21st-century push-button lives, we may feel a nostalgic longing to…
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Los Angeles Music Review: BACH: B MINOR MASS (Los Angeles Master Chorale at Disney Hall)
B MINOR MASSIVE Bach’s Mass in B Minor is big. Really big. Compiled from new and recycled compositions over the first half of the 18th Century (completed in 1749) the piece consists of 27 movements in 5 parts. The full mass was not performed as a whole until nearly a century after Bach’s death. The…
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Los Angeles Opera Review: QUEENIE PIE (Long Beach Opera in San Pedro)
QUEENIE WHY? When George C. Wolfe first tried adapting Duke Ellington’s unfinished work Queenie Pie in 1986 it was subtitled “A Jazz Operetta in the Key of Make Believe.” Ellington called it a “street opera,” and Long Beach Opera is producing it as his “only opera,” but the musical oddity that opened on Sunday is…
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Los Angeles Theater Review: A WORD FROM OUR SPONSORS (Son of Semele in Silverlake)
SKETCHY THEATER Velvet Pile’s comedic look at identity and commercial branding, A Word from Our Sponsors, is running as part of the Son of Semele Company Creation Festival. Comprised of comedic duo Alexis Notabartolo and Amanada Barnes, Velvet Pile uses comedy to explore arbitrarily existent social constructions such as gender roles and standards of beauty….
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Opera Review: THE MERRY WIDOW (Independent Opera Company in Los Angeles)
ONE STEP FORWARD, TWO STEPS BACK To open their second season, the Independent Opera Company (IOC) is performing Franz Lehar’s 1905 operetta The Merry Widow. It appears to be a scaling back after the company’s fairly ambitious production of Verdi’s Macbeth, which closed out their first season. In contrast to Macbeth, The Merry Widow is…
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Los Angeles Dance Review: FAR (Wayne McGregor | Random Dance at Royce Hall)
FAR OUT The Los Angeles premiere of British choreographer Wayne McGregor’s FAR opened at Royce Hall last night, and you are advised to cancel all plans and catch the last performance tonight. The one-hour work eventually overstays its welcome, but up until then it is charismatic, engrossing, mysterious, spellbinding, and truly one of the most…
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Los Angeles Theater Review: A WORD OR TWO (Ahmanson Theatre)
WHEN A WORD OR TWO WILL NOT DO A Word or Two is an apt title for Christopher Plummer’s solo show about Christopher Plummer and Christopher Plummer’s love of language. He wants to celebrate language in all of its “infinite variety, majesty, and beauty.” His love of language gave him an escape early in life,…
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Los Angeles Theater Review: S.M.S.I.W.O.O.F. (Poor Dog Group at Son of Semele)
WHAT A DOG Poor Dog Group’s S.M.S.I.W.O.O.F. (SaveMySoul In a WorldOfOddFoices) or 8 bottles of vodka is a dance-centric, multimedia performance based on text messages sent between the members of the ensemble. Given the abstract nature of this performance art, it is rarely possible for the viewer to know the creator’s explicit meaning. It is…
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Los Angeles Theater Review: ELECTRA (Archway)
STATIC ELECTRA Your college classics teacher be damned: For all the talk about the Greek literary themes of hubris and arête, the Greek tragedies are just gussied up soap operas, with atrocity, lust, and rage being served up in heaping, blood-soaked portions. The fusty professors can ruminate all they want; these plays are about violent…
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Los Angeles Theater Preview: INSTANT FAIRY TALES: THE LONGEST WINTER (Rachel Rosenthal Company)
EXPECT THE UNEXPECTED For over half a century, Rachel Rosenthal has been surprising audiences with her unique take on the theatrical experience. A master of performance art, she was recently honored by the city as a “Living Cultural Treasure of Los Angeles.” Over the decades she has shocked, stunned, entranced, amazed, enlightened, and even dumbfounded…
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Los Angeles Music Preview: BACH’S B MINOR MASS (Los Angeles Master Chorale at Disney Hall)
NOTHING MINOR ABOUT IT First-timers to Bach’s B Minor Mass, which Los Angeles Master Chorale is offering for two performances this weekend, may possibly be overwhelmed. First of all, a glance at the 27 movement titles alone can be intimidating: “Kyrie eleison,” “Et in terra pax,” and “Qui tollis peccata mundi,” especially for the non-religious…
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Los Angeles Music Review: NICHOLAS MCGEGAN & UMI GARRETT (Pasadena Symphony)
TWINKLE, TWINKLE, LITTLE STAR When Umi Garrett played Twinkle, Twinkle, Little Star with her hands behind her back on The Ellen DeGeneres Show in 2009, what first appeared as cutesy fun-and-games suddenly turned into a recital to be remembered: The 8-year-old budding piano prodigy stunned the world executing a section from Franz Liszt’s technically formidable…
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Los Angeles Theater Review: NIGHTMARES (Zombie Joe’s Underground Theatre Group)
THAT AIN’T THE WAY TO HAVE FUN, SON One of the most exciting events to come out of Los Angeles theater in the last few years was Zombie Joe’s Urban Death, a naturalistic horror show in the style of Le Théâtre du Grand-Guignol. I stated in my review that his creepy one-hour compilation of original, jocular,…
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Los Angeles Theater Review: THE STRANGE UNDOING OF PRUDENCIA HART (Broad Stage in Santa Monica)
GO DRUNK OR DON’T GO AT ALL The Strange Undoing of Prudencia Hart, David Greig’s ghostly, song-filled tale of a mousy academic in search of artful Scottish balladry, is running at the Broad Stage in Santa Monica. The National Theatre of Scotland creates a night in Kelso as central character Prudencia faces her demons in…
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Los Angeles Music Review: ST. LAWRENCE STRING QUARTET (Wallis Annenberg Center in Beverly Hills)
A WHITE BREAD SANDWICH Beverly Hills’ newest and best-looking addition, the Wallis Annenberg Center for the Performing Arts, debuted its classical music series with the St. Lawrence String Quartet, a very promising choice given the quartet’s previous accolades: Ensemble in Residence at Stanford, winners of the Banff International String Quartet competition, and even a good line…
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Los Angeles Theater Review: JASON AND THE ARGONAUTS (Wallis Annenberg Center in Beverly Hills)
A TRIP Your average 4 to 12 year old carries enough infectious optimism and joie de vivre to put even a theater critic in a good mood. But childless people who like children notice things about them that parents can’t, for reasons of familiarity and self-preservation. Everybody knows there’s a biological reward for being around…
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Los Angeles Theater Review: PENNY PLAIN (Ronnie Burkett Theatre of Marionettes at UCLA)
STRINGS ATTACHED A worldwide pandemic has already claimed the lives of hundreds of millions of humans and the apocalypse is near. An intriguing plot line to be sure but hardly one you would associate with a puppet show. Rest assured, Penny Plain, currently stringing audiences along at UCLA’s Little Theater, is no ordinary puppet show….
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Los Angeles Theater Review: AN ILIAD (Broad Stage in Santa Monica)
YOU SEE A poet out of time, an ancient soul yet our contemporary, has come to sing to us of quarrel. He comes shabby from the road, dusty and reluctant. It is a killing effort for this gifted creature to tell us all we know of the love that causes rage. His story is the…
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Los Angeles Opera Review: THE TURN OF THE SCREW (Pacific Opera Project)
A TURN FOR THE BETTER A Henry James novella first published in 1898, The Turn of the Screw tells one of the most ambiguous ghost stories ever written. It involves a brother and sister (Flora and Miles), a housekeeper (Mrs. Grose), an unnamed governess, and two ghosts (Peter Quint and Miss Jessel). Not a lot…
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Los Angeles Theater Review: RX (Lost Studio)
A SHOW THAT’S BETTER THAN PROZAC Been to the drugstore lately? Sick of taking semi-useless pills three times a day every day? You’ve got your Losartan and your Lisinopril. You’ve got your yummy Sarafem and your delicious Celexa. There’s Venlafaxine and Mirtazapine. Zoloft and Paxil. To paraphrase the line from the movie The President’s Analyst,…



















