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Los Angeles
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Los Angeles Theatre Review: CHRISTMAS MY WAY (El Portal Theatre)
LET’S BE FRANK The dictionary has two main definitions for the word “bash”: One is “a thoroughly enjoyable, lively party,” which is undoubtedly what the producers of Christmas My Way – A Sinatra Holiday Bash had in mind. However, the second definition of “bash” is far more apt for the misguided offering currently on at…
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Los Angeles Theatre Review: A CHRISTMAS CAROL (A Noise Within)
AN IMPERSONAL CHRISTMAS CAROL What has become of Christmas since Dickens’ A Christmas Carol was published in 1843? In spite of the fact that technology has afforded us numerous opportunities including the ability to connect with one another more immediately than ever, improving our quality of life, and allowing us to select the exact product we…
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Los Angeles Theater Review: CYMBELINE (The Broad Stage in Santa Monica)
THE OLD COLLEGE TRY Brown University/Trinity Rep’s MFA program has a solid reputation as theatre arts training for bright, enthusiastic, well-rounded theatre artists. The challenge for each graduating Brown/Trinity class is to figure out how to transition from the safe isolation of training in provincial Providence, Rhode Island to full-on careers in the far-reaching landscape…
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Los Angeles Cabaret Review: CORTÉS ALEXANDER: Have a SWELL Holiday (Sterling’s Upstairs at the Federal)
ALEXANDER THE GREAT…CHARMER, THAT IS When I first heard Cortés Alexander sing in 1992, he wasn’t alone. He was part of a group named The Tonics, and they performed a jazzy rendition of “Good Thing Going” for a PBS special, Sondheim: A Celebration at Carnegie Hall (which was accompanied by a then-unknown Jason Robert Brown…
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Los Angeles Theater Review: OTHER DESERT CITIES (Mark Taper Forum)
STUCK IN THE DESERT Don’t the powers that be at Center Theatre Group/Mark Taper Forum understand that casting is roughly 80% of a play’s success? Don’t they understand that any play, including Shakespeare, will suffer if an ensemble is fragmented? And when a play like Jon Robin Baitz’ Other Desert Cities is improbable, melodramatic, and…
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Los Angeles Theater Review: SILENT (Odyssey Theatre)
VOLUBLE Once in my earnest youth I dogged a homeless man around lower Manhattan for a whole night, from his steady gig panhandling the car line into the Holland Tunnel through four hours’ can collecting. I was under the influence of undergraduate-level brother’s keeperism and would not be put off by the man’s clear discomfort…
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Los Angeles Theater Review: BOB’S HOLIDAY OFFICE PARTY (Pico Playhouse)
BOB’S HOLIDAY OFFICE FIASCO Bob’s Holiday Office Party, now in its 17th season, is basically a fifteen-minute Carol Burnett Show-type sketch stretched out to about 100 minutes. And unless a new director is brought on board, last night will remain my first and last experience at the party. For roughly the first 30 minutes, it…
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Los Angeles Theater Review: ANYTHING GOES (Ahmanson Theatre)
SOME THINGS GO, SOME THINGS DON’T While it is refreshing that Cole Porter is experiencing a revival, it is unfortunate that the timeless brilliance of his music is attached to musicals whose books are mediocre at best and dated, most certainly. The challenge for the director handling a Porter musical is to manage these disparate…
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Los Angeles Theater Review: RUDOLPH THE RED-NOSED REINDOORS (Falcon Theatre)
RECIPE FOR A CHRISTMAS STEW I sent this recipe to a friend, who will let us know how this Christmas Stew turned out: This is a family favorite, cooked up every holiday season. There are a lot of ingredients, but if you start with the basics and improvise a little, you should be fine. Even…
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Los Angeles Music Preview: RHAPSODY IN BLUE (Los Angeles Chamber Orchestra)
LOS ANGELES CHAMBER ORCHESTRA BRIDGES JAZZ, FOLK AND ORCHESTRAL MUSIC It’s only the first week of December and, if you’re anything like me, you may find yourself already burning out on the plethora of holiday-themed entertainment. Well, here is your chance to sneak out of that holiday party or avoid yet another staging of A…
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Los Angeles Theater Review: DONNY & MARIE: CHRISTMAS IN LOS ANGELES (Pantages Theatre)
A JOLLY OSMOND HOLIDAY To fans and detractors alike, Donny and Marie represent a cultural and show business ethos so strong, and so specific, that their actual talents sometimes get lost in the shuffle. Fifty years of Osmond entertainment creates a mythology of nostalgia, squared’”in both senses of the word’”their family friendly performance style isn’t…
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Los Angeles Theater Review: TWIST YOUR DICKENS (Kirk Douglas Theatre)
SECOND CITY OFFERS A LUMP OF COAL * * * * * * * * * * * * * * * Scene 1’”INTERIOR OF SPOOGE AND FARLEY’S CRITIC HOUSE (EVERWHEEZER SPOOGE, an irascible, irritated editor-in-chief and theater critic, is hunched over his laptop in his impoverished surroundings, trying to finish a review of Twist…
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Los Angeles Theater Review: CONEY ISLAND CHRISTMAS (Geffen Playhouse)
PALE-Y BY COMPARISON On paper, it must have seemed like such a great idea: create a new holiday show as an alternative to the onslaught of Christmas Carols and Nutcrackers, have Pulitzer-winning Donald Margulies adapt an ecumenical holiday story by literary darling, Grace Paley, add a touch of meta-nostalgia by including in the press release…
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Los Angeles Concert Review: LOS ANGELES MASTER CHORALE (Walt Disney Concert Hall)
LAMC SHINES IN A HISTORICALLY INFORMED PERFORMANCE OF MONTEVERDI’S VESPERS OF 1610 After Los Angeles Master Chorale’s (LAMC) astoundingly successful performance of Claudio Monteverdi’s Vespers of the Blessed Virgin (commonly known as the Vespers of 1610, having been published in that year), I felt the same rejuvenation and relaxation that would follow a luxuriant all-day…
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Los Angeles Concert Review: LOS ANGELES CHAMBER ORCHESTRA (with guest conductor Benjamin Wallfisch at Royce Hall)
BENJAMIN WALLFISCH DEBUTS HIS FIRST VIOLIN CONCERTO WITH LACO Benjamin Wallfisch, a burgeoning conductor and composer known primarily for his work on film and television scores, made his Los Angeles Chamber Orchestra (LACO) debut conducting the world premiere of his own Violin Concerto. Guest conductor Wallfisch towered over the podium at UCLA’s Royce Hall, and led…
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San Diego Theater Review HICKORYDICKORY (Moxie Theatre)
WASTED TIME In Marisa Wegrzyn’s Hickorydickory, all humans are born with a mortal clock encoded with the date and time of their death. This mortal clock takes the form of an actual pocket watch. For most people, it goes unnoticed because it is hidden behind their heart. But for the “unfortunate few” the watch is…
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Theater Review: INTIMATE APPAREL (Pasadena Playhouse)
BEST TO LOOK AT THE QUILT AS A WHOLE, NOT THE INDIVIDUAL ELEMENTS Intimate Apparel is a delicate but persuasive play about Esther (Vanessa Williams), a gifted black seamstress in 1905 who begins a series of missives with George (David St. Louis), a strapping, fetching, and younger Caribbean man working on the Panama Canal. The…
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Los Angeles Theater Review: ONE NOVEMBER YANKEE (NoHo Arts Center in North Hollywood)
SIBLINGS ON A CRASH COURSE IN ONE NOVEMBER YANKEE It’s a no brainer to assume that with two marquee names (Loretta Swit and Harry Hamlin) and the backing of the multi-award winning NoHo Arts Center Ensemble that One November Yankee would be a sure bet to take off and soar to great heights, but even…
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Los Angeles Theater Review: SLIPPED DISC (Son of Semele Theater)
SLIPPED DISC NEEDS A STRONGER SPINE The mission of Green Card Theatre is to expose Los Angeles audiences to plays and playwrights from around the world. Their inaugural production entitled Slipped Disc: A Study of the Upright Walk by renowned German scribe Ingrid Lausund with translation by Henning Bochert is a mixed bag of workplace…
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Los Angeles Theater Feature: GATZ (REDCAT)
GREAT F. SCOTT! REDCAT’S GOT GATZ A phenomenon is arriving at the Roy and Edna Disney Cal Arts Theatre (REDCAT) this week in Los Angeles. I promise that once its 9-performance run is over on December 9, the buzz about Elevator Repair Service’s Gatz will have seismically traveled to your doorstep, and you will kick…

















