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Los Angeles
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Los Angeles Theater Preview: AMOUR (Musical Theatre West in Long Beach)
YOU’LL FALL IN LOVE WITH AMOUR “I wanted to write an opera-bouffe, an intimate evening with light, lyrical singing and delicate charm,” wrote composer Michel Legrand. “Marcel Aymé’s delightful story of an ordinary little man who suddenly finds himself gifted with extraordinary powers seemed to be the perfect material for such an amusement.” Perhaps too…
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Los Angeles Music Review: HÉLÈNE GRIMAUD PLAYS BRAHMS (LA Phil at Walt Disney Concert Hall)
THERE’S A REASON WE RETURN TO BRAHMS AND RAVEL Under guest conductor James Gaffigan’s assured leadership, the Los Angeles Philharmonic brought a fuller and more vibrant sound to two very familiar works: Ravel’s Daphnis et Chloé Suite No. 2, which was a dazzling experience, and Brahms’ Piano Concerto No. 2 with Hélène Grimaud soloing. And…
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Los Angeles Theater Feature: FOUR BY TENN: A TENNESSEE WILLIAMS READING SERIES (The Pasadena Playhouse)
A PERFECT TENN The Pasadena Playhouse is currently presenting God Looked Away, an ode to Tennessee Williams at the end of his career. As an adjunct to this world premiere development production –which stars Al Pacino and Judith Light — the Playhouse is offering readings of four of Williams’ best plays on four consecutive Monday nights, Feb….
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Los Angeles Theater Review: BYE BYE BIRDIE (Glendale Centre Theatre)
A BIRDIE THAT TAKES WING Having no intention of reviewing, I bought a couple tickets to a non-union production of Bye Bye Birdie, but the entire affair had me so damn giddy that I can’t be quiet about it — and you have until April 1 to catch it. It’s as welcome as flowers that bloom in…
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Theater Review: FUN HOME (National Tour)
IN AND OUT AT HOME The Tony-winning 2013 coming-of-age memory play/chamber musical Fun Home’”based on Alison Bechdel’s 2006 semi-autobiographical graphic novel’”is a worthy coming-out tale. We get the inside portrait of a lesbian daughter who learns more than she wanted from her gay dad. With music by Jeanine Tesori (Caroline. or Change, Shrek) and lyrics and…
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Theater Review: FINDING NEVERLAND (National Tour at the Hollywood Pantages)
NEVERLAND MORE LOST THAN FOUND Playwright Alan Knee called Sir J. M. Barrie “the man who was Peter Pan.” If so, it was an author’s compensation as much as creativity. James Barrie was a shy Scotsman, awkward and diffident in public with an extroverted artistry to compensate for self-effacing insecurity. In the 2004 tearjerker motion picture…
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Theater Review: PICASSO AT THE LAPIN AGILE (The Old Globe in San Diego)
THEATER’S BLUE PERIOD Steve Martin wrote Picasso at the Lapin Agile in 1993. The offbeat meta-theatrical play opened at Chicago’s Steppenwolf, went to Los Angeles’s Westwood (now Geffen) Playhouse, and ended up in New York for a relatively successful run at Off-Broadway’s Promenade Theatre. The story (well, not “story” really; it’s more of an idea) concerns two…
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Los Angeles Theater Review: 33 VARIATIONS (Actors Co-op in Hollywood)
MORE THAN JUST VARIATIONS ON A THEME “Why did the great German composer Ludwig van Beethoven write 33 variations on a trivial little waltz by a mediocre amateur composer?” On the surface, the question itself may seem trivial, but playwright Moisés Kaufman expands the mystery of the 33 variations into a drama that makes us…
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Los Angeles Opera Review: THE ELIXIR OF LOVE (Pacific Opera Project at The Highland Park Ebell Club)
ELIXIRICIOUS At first it seemed as though a tragic circumstance had befallen Pacific Opera Project’s production of The Elixir of Love last night. One hour before the show, at the height of a heavy storm, a transformer blew in front of the Highland Park Ebell Club; there would definitely be no electricity for the show. A stroke of…
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Regional Theater Review: FLORA & ULYSSES (South Coast Repertory in Costa Mesa)
SUPER SQUIRREL Flora & Ulysses, the best play I’ve seen all year, begins when Flora Buckman, a ten-year-old self-proclaimed “natural-born cynic”, saves the life of a squirrel using mouth-to-mouth resuscitation. You see, the squirrel had been sucked into a neighbor’s Ulys ses Super-Suction, Multi-Terrain 2000X vacuum cleaner. When the squirrel is revived, it has been blessed with both human thought…
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Theater Review: CIRCUS 1903 — THE GOLDEN AGE OF CIRCUS (National Tour)
COME JOIN THE CIRCUS As if to compensate for the unpopularity of animal acts, Ringling Bros. and Barnum & Bailey Circus began to beef up their productions in recent years, but that lack of intimacy kept the show from being as thrilling as it used to be. (And can we talk about the clowns? The…
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Los Angeles Theater Feature: DIE, MOMMIE, DIE! (Celebration Theatre in Hollywood)
SHE’S BA-A-A-CK AND SHE’S FA-A-A-ABULOUS Charles Busch’s Die, Mommie, Die! is equal parts comic melodrama, Greek tragedy and Hollywood kitsch’”and all campy noir classic in the vein of 1960s gothic horror films like Hush…Hush, Sweet Charlotte. I saw the first production at the Coast Playhouse back in 1999 starring the playwright, the great Wendy Worthington,…
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Los Angeles Theater Review: FOR PIANO AND HARPO (Falcon Theatre in Burbank)
A GUY WALKS INTO A CUCKOO’S NEST… Jazz pianist, TV personality, actor, author, film composer and arranger Oscar Levant (1906-1972) was quite possibly one of the quickest wits on record. His sophisticated and often vicious put-downs (a style made famous by members of the Algonquin Club), whether self-deprecating or shot bow-and-arrow style at others, were a…
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Theater Review: EVITA (Musical Theatre West in Long Beach)
AND EVITA KEEPS ROLLING IN That great balcony scene is back. No, not R&J. It’s the one with Eva Duarte Perón’s valedictory aria “Don’t Cry For Me, Argentina.” As this princess of the pampas in a prom dress chokes, then belts out, the second-act opening of the 1978 musical, all the right buttons get pushed: The…
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Los Angeles Theater: CUISINE & CONFESSIONS (The 7 Fingers at The Broad Stage in Santa Monica)
WORKING UP YOUR APPETITE Bringing the aesthetics of classical theater to the realm of the contemporary circus, the fearless performers of The 7 Fingers (also known as Les 7 Doigts) explore life’s big questions while preparing food on a set equipped with a functional kitchen. I first reviewed this astounding troupe’s Traces back in 2011….
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San Diego Theater Review: 9 TO 5 (San Diego Musical Theatre at Spreckels Theatre)
I COULD WATCH 9 TO 5 24/7 In 1980, an unlikely film trio, Lily Tomlin, Jane Fonda, and Dolly Parton, was the center of 9 to 5, an amusing feminist romp with lovable characters. Years later, Patricia Resnick took the screen play she co-authored and created the book for the stage version, featuring new music by Parton,…
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Los Angeles Theater Review: LONG DAY’S JOURNEY INTO NIGHT (Geffen Playhouse in Westwood)
ALTERNATIVE FACTS Eugene O’Neill is one of those gigantically influential artists whom it is often difficult for later generations to enjoy. The innovations he cribbed from Ibsen and Chekhov can feel very dated now; they were a throwback even in 1956, when contemporary critics saw past the mean realism of Long Day’s Journey into Night…
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Los Angeles Theater Photo Preview: ZOOT SUIT (Center Theatre Group at the Mark Taper Forum)
ZOOT SUIT FITTED FOR A NEW GENERATION When Zoot Suit was originally commissioned and developed by Center Theatre Group in 1978, it played for nearly a year in Los Angeles’”first at the Mark Taper Forum, then at the Aquarius in Hollywood. It went on to become Broadway’s first Chicano play, was made into a major motion picture and became…
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Los Angeles Cabaret Preview: ANDREA MCARDLE: ’70S AND SUNNY (Catalina Bar and Grill in Hollywood)
GET READY FOR “TOMORROW” The sun will come out on February 13, 2017, when Andrea McArdle lands at the Catalina Bar and Grill in Hollywood with her newest cabaret show ’70’s and Sunny. Manhattan in the 1970s was a hybrid of highlights and hedonism. Overrun with sex shops and financial turmoil, the city was at…
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Los Angeles Dance Preview: JESSICA LANG DANCE (The Music Center’s Ahmanson Theatre)
LANG LANDS IN LA LA LAND Jessica Lang has no doubt made a name for herself in the dance world as an independent choreographer, but dance patrons in Los Angeles may find this in-demand dancemaker difficult to place. Because the majority of troupes that visit here offer programs by the company’s namesake (Paul Taylor, Lar Lubovitch,…



















