Areas We Cover
Categories
Los Angeles
-
Los Angeles Theater Review: BATTLEFIELD (Peter Brook’s production at The Wallis in Beverly Hills)
SNOB HIT Well, that was boring. Of all the people on the planet who should understand the difference between theater and an underwhelming fringe entry (low cost and well-meaning with no set, minimal costume, and small cast), you would think it would be the great innovator and influencer Peter Brook. He may not be a household…
-
Los Angeles Theater Review: LUCKY STIFF (Actors Co-op in Hollywood)
A LIMP STIFF Before composer Stephen Flaherty and lyricist Lynn Ahrens were, well, the Flaherty and Ahrens who created Once on This Island, Ragtime, Suessical, et al., they were a young upstart pair of ambitious writers. Their first project, Lucky Stiff, a musical farce based on Michael Butterworth’s 1983 novel The Man Who Broke the Bank at…
-
Los Angeles Theater Review: FIVE GUYS NAMED MOE (Ebony Repertory Theatre)
SIX KINDS OF WONDERFUL I’ve loved Obba Babatundé since I first saw him thirty-five years ago in Dreamgirls. Even amidst the legendary star turns of his female co-stars, he made a remarkable impression, with his ineffable presence, and warm, smoky voice. He’s had many successes in the years since, and the 25th Anniversary production of…
-
Los Angeles Theater Review: THE SWEETHEART DEAL (Los Angeles Theatre Center)
SWEETHEART DEAL IS A MISSED ROMANCE There’s been scant theater documenting the plight of the Latino farm workers and their fight for economic and racial equality, especially in California. Arts advocate and playwright Diane Rodriguez has lived some of that fight, which is reflected in the best parts of her new play, The Sweetheart Deal. Unfortunately,…
-
Dance Review: A STREETCAR NAMED DESIRE (Scottish Ballet)
A STREETCAR TO HEAVEN Thankfully not just a review of record. Still, you only have two more chances to catch what is surely the most phenomenal storytelling I have ever seen in a narrative ballet. The highest compliment I can offer director Nancy Meckler, choreographer Annabelle Lopez Ochoa, and composer Peter Salem is that you don’t…
-
Theater Review: JERSEY BOYS (2017-18 National Tour)
JERSEY CASH COW Jersey Boys, the terrific 2004 jukebox musical inspired by the story of pop sensation Frankie Valli & the Four Seasons, is one of the greatest triumphs in Broadway history, spawning a spate of companies around the globe and a slew of national tours. So what’s a producer to do since the Broadway…
-
Los Angeles Theater Review: INGING (Jeanine Durning at Automata in Chinatown)
GERUNDING Multiple monitors flash images of choreographer and performer Jeanine Durning’s face as she filters through emotions of delight, amusement and pensiveness in the small, private Automata Theater in L.A.’s Chinatown. After pacing endlessly around the studio, Durning’”maneuvering through narrow gaps between the audience’s scattered folding chairs’”starts talking about the building’s exit and entrance. After this…
-
Los Angeles Theater Review: STATE FAIR (Musical Theatre Guild at the Alex Theatre in Glendale)
A GREAT STATE FAIR Corny? Completely! Simple and sentimental? Sure! Did I love it? You betcha! Rarely performed since its Broadway outing in 1996, Rodgers and Hammerstein’s frolicking farmyard musical will have you believing that happiness is just a thing called prize pig and perfect pickle (“She knows her way around a cucumber” is now…
-
San Diego Theater Preview: THE OLD MAN AND THE OLD MOON (The Old Globe)
OLD MAN, OLD MOON, OLD GLOBE Having seen PigPen Theatre Co.’s The Old Man and the Old Moon in Chicago, I can guarantee that gem of a theater experience will gently pluck at your heartstrings – just as it did with a successful run Off-Broadway’s Gym at Judson. Opening May 13 and running through June 18, 2017…
-
Los Angeles Theater Review: PURE CONFIDENCE (Lower Depth Theatre Ensemble at Sacred Fools)
PURE CONFIDENCE BY A NOSE Featuring a bright, pretty Tom Buderwitz set, Lower Depth Theatre Ensemble’s Pure Confidence is a chance to see something increasingly rare under Equity rules: a stageful of hot actors really close up, working hard and nailing it. From the front row (there are only three), William Salyers’ frightened eyes, Tamara…
-
Los Angeles Theater Review: PERICLES (The Porters of Hellsgate in North Hollywood)
PRINCE ON FIRE Chronicling the lurid and lamentable swashbuckles of a permanent ingenue, Pericles is a Book of Job for the Age of Reason. If the play were self-aware enough to be cynical, with its outrageous slings and arrows it could be a grandfather to Voltaire’s Candide. But Pericles doesn’t enjoy the season-anchoring repute of…
-
Los Angeles Dance Review: THE NAKED SOULS OF KINGS AND QUEENS (American Contemporary Ballet)
ACB’S BEGUILING ABC’S OF BALLET On the 32nd floor of The BLOC building in downtown LA, a small gathering looks out at a twinkling cityscape through large windows, admiring the scene until a wavering note from a lute draws us back into the room. Three musicians tune Renaissance instruments’”lute, long tabor, and double-reeded curtal (or dulcian)’”as audience members…
-
Theater Review: THE BODYGUARD (U.S. Tour at the Hollywood Pantages Theatre)
REQUIEM FOR WHITNEY Even if you’ve never seen the 1992 film that gave birth to the musical in 2012 in London’s West End, the story is familiar: A pop superstar falls in love with her bodyguard. He takes a bullet for her. Though they can never be together, their love lingers on in her music….
-
Los Angeles Theater Review: WEST SIDE STORY (La Mirada Theatre for the Performing Arts)
A SUBURBAN WEST SIDE STORY Sadly, hate conquers all in West Side Story, but the love we see and feel can hold its own. Though over a half-century old, the Bernstein/Laurents/Sondheim/Robbins tour-de-force is, like its Shakespearean source, young as first love. You don’t revive it, you detonate it, as happens repeatedly in La Mirada’s mixed…
-
Los Angeles Music Preview: THE BEST OF WAGNER’S RING (LA Phil at Disney Hall)
PHILLIPE JORDAN, LORD OF THE RING Little more than 200 years since the birth of Wagner, and the world still can’t get enough of the German composer. Love him or hate him, he is one of the most influential composers of the latter half of the nineteenth century. The musical innovator introduced many musical offerings,…
-
Los Angeles Concert Feature: IDOLS & ICONS (The 33rd [and final] S.T.A.G.E. at Saban Theatre)
COME SALUTE THE END OF AN ERA It’s a bit surreal, but the the theater community’s longest-running AIDS-related benefit is having its final fundraiser on Saturday May 13, 2017. The Southland Theatre Artists Goodwill Event (best known by its acronym S.T.A.G.E.) will present its 33rd cavalcade of stars at the snazzy Art Deco-styled 1930 Saban Theatre…
-
Los Angeles Dance Preview: MATTHEW BOURNE’S EARLY ADVENTURES (The Wallis in Beverly Hills)
THE EARLY BIRD GETS TICKETS NOW Touring internationally for the first part of the year, Matthew Bourne’s Early Adventures’”a program of the newly knighted choreographer’s first works’”will have one U.S. appearance. And it’s right here in Los Angeles for one weekend only, May 17-21, 2017, at the Wallis in Beverly Hills. One of the greatest…
-
Los Angeles Cabaret Preview: DAVID BURNHAM (Carpenter Center)
BURNHAM, BABY, BURNHAM When you first espy David Burnham on stage, his dazzling smile and chiseled looks belie the fact that he has a golden voice and boffo acting chops, both dramatic and comedic. When I first saw him in Joseph and the Amazing Technicolor Dreamcoat, the long-haired golden-throated tenor with teeny-bopper idol charisma stole…
-
Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at the Kirk Douglas Theatre)
THE LOVE CONTINUES [Editor’s Note: To celebrate the work being done on intimate stages in Los Angeles, the Center Theatre Group (CTG) is producing Block Party at the Kirk Douglas Theatre. CTG received 76 submissions from intimate theatre companies throughout the L.A. area. Each company was able to submit one production that opened between January…
-
Los Angeles Theater Review: THE ORIGINALIST (Pasadena Playhouse)
AN ORIGINAL IDEA The late Antonin Scalia (1936-2016) was an important conservative voice on the U.S. Supreme Court from 1986 until his death. He was a loud-voiced proponent of the intellectual ideal of “originalism,” meaning that interpreting the U.S. Constitution (b. 1789) lies directly with what the framers meant at that time and that no “newfangled”…


















