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Los Angeles
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Los Angeles Music Preview: DEBUSSY: HIS LETTERS AND HIS MUSIC (Julia Migenes at the Odyssey Theatre)
THE MUSIC AND THE WORDS BEHIND THE MUSIC With astounding chromatic structure and continually shifting tonalities and rhythms, Debussy’s music has always mystified and transported me. Certainly many are familiar with “Clair de Lune” a piece from the piano composition Suite bergamasque; La Mer, a unique mix of tone poem and symphony; and Prélude í …
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Los Angeles Theater Feature: 946: THE AMAZING STORY OF ADOLPHUS TIPS (The Wallis)
KNEEHIGH RETURNS TO THE WALLIS I wonder if L.A. residents know how ridiculously lucky they are to have the Wallis Annenberg Center, an outfit so prestigious that Britain’s Kneehigh is bringing 946: The Amazing Story of Adolphus Tips, their latest hit show, to the Bram Goldsmith Theater. 946 explores everything we thought we knew about the D-Day landings in…
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Los Angeles Theater Review: LOST IN THE STARS (Los Angeles Chamber Orchestra and CAP UCLA, Royce Hall)
FOUND IN THE STARS Lost in the Stars is quite possibly composer Kurt Weill’s magnum opus for the American Theater. The score is prime Weill, characteristically mixing high operatic style with lowdown showbiz pizzazz. Based on Alan Paton’s poetic and popular novel Cry, the Beloved Country, the piece’”while not considered a commercial success’”had a respectable 281-performance…
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Los Angeles Theater Review: BEE-LUTHER-HATCHEE (Sierra Madre Playhouse)
WHEN IS FAKING IT OK? If someone should recommend Sierra Madre Playhouse’s production of Bee-Luther-Hatchee to you, they’re not off the mark. My advice would be that you walk, don’t run, to see it. Two main issues keep this from being an impactful evening. One: This isn’t a great play; Act I is all set-up…
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Los Angeles Theater Review: LATE COMPANY (Theatre 40 in Beverly Hills)
GUESS WHO’S NOT COMING TO DINNER? At first, we have no idea why a well-to-do couple has invited another couple and their son over for dinner. The hostess Debora (Ann Hearn) is on edge from the start, but her politician husband Michael (Grinnell Morris) appears somewhat laid back. A forced amicability arrives with the guests, Tam (Jennifer…
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Regional Theater Preview: MOBY DICK (Lookingglass Theatre at South Coast Repertory in Costa Mesa)
A WHALE OF A PRODUCTION Moby Dick, Herman Melville’s 1851 whale of a tale (or tale of a whale), is as unsinkable as its title cetacean. It’s never been more so than in Lookingglass Theatre Company’s sensation staged and adapted by David Catlin. After an extended sell-out run in Chicago, Catlin now brings this thrilling…
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Los Angeles Concert Feature: ALAN CUMMING SINGS SAPPY SONGS (Disney Hall)
CUMMING AND SAPPY Yes, Disney Hall is a large venue for a cabaret act, but you can expect Tony Award-winning actor Alan Cumming to turn the venue into the most intimate hotspot when he presents Alan Cumming Sings Sappy Songs this Sunday, January 29 at 7:30. In addition, you can expect much more than the…
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San Diego Theater Review: BAD JEWS (Cygnet Theatre)
BAD JEWS MAKES FOR GOOD THEATRE, BUT OY SUCH AGITA There’s an old joke: “What do you get if you put three Jews in the same room? Four opinions.” In Joshua Harmon’s Bad Jews, the joke is elevated to a new level when the three strikingly different people are two brothers, Liam and Jonah, and…
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Los Angeles Music Preview: DUDAMEL & BATIASHVILI (Tchaikovsky’s Violin Concerto & Prokofiev’s Romeo and Juliet with the LA Phil)
REAWAKENING A FAMILIAR CONCERTO It’s astounding to have heard countless performances of Tchaikovsky’s Violin Concerto–both live and in recordings–and still be amazed that a newer interpretation can be so exciting, inventive, and breathtaking. Georgian violinist Lisa Batiashvili recently took me aback with her release on Deutsche Grammophon with the Staatskapelle Berlin (Berlin State Opera Orchestra) led by Daniel…
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Cabaret Review: JERRY HERMAN: THE BROADWAY LEGACY CONCERT (Samueli Theater at SCFTA)
JERRY HERMAN’S LEGACY ISN’T IN JEOPARDY, BUT  TRIBUTE CONCERTS ARE With  an evening of Jerry Herman tunes sung by Broadway powerhouses Ron Raines, Karen Morrow, Debbie Gravitte, Jason Graae and Scott Coulter (pictured left), what could go wrong? Not much. But not much was spectacular either. A pleasant outing for those strolling down memory lane, this tribute…
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Los Angeles Music Preview: STORM LARGE SINGS THE SEVEN DEADLY SINS (Los Angeles Chamber Orchestra)
TWO STORMS HIT L.A. THIS WEEKEND You think the winter storms slamming So Cal are something? Well, singer, songwriter, raconteur, author, actor, playwright, and powerhouse performer Storm Large is joining Los Angeles Chamber Orchestra for a rare performance of The Seven Deadly Sins–and they’re coming to the L.A. area for two shows this weekend only,…
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Tour Review: TORUK – THE FIRST FLIGHT (Cirque du Soleil, North American Tour)
JAMES CAMERON MEETS CIRQUE DU SOLEIL Cirque du Soleil writes a new chapter in make-believe with Toruk – The First Flight, a not so typical two-hour fantasy inspired by (but not based on) James Cameron’s sci-fi epic Avatar. For one thing, there are no clowns (a happy relief for those who find them becoming more acrobatic…
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Los Angeles Cabaret Review: A NIGHT AT THE STORK CLUB (Three Clubs Lounge in Hollywood)
A SALUTE TO GREAT SONGS AND A GREAT CLUB Any excuse to expose selections from the Great American Songbook to a modern audience works for me. And a cabaret revue entitled A Night at the Stork Club does just that. Playing at Hollywood’s Three Clubs for one weekend only, this accessible entertainment gives a nod to…
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Los Angeles Theater Review: THE LION (Geffen Playhouse in Westwood)
THE MANE EVENT Watching the Los Angeles premiere of writer/performer Benjamin Scheuer’s one-man show The Lion, directed by Sean Daniels, the element I am most taken with is Mr. Scheuer’s radiant charisma. His earnestness, his sincerity, his spiritual and emotional investment, are penetrating as he tells his story, mostly through songs, accompanying himself on different guitars’”six…
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Theater Review: AMÉLIE, A NEW MUSICAL (Pre-Broadway Run at the Ahmanson Theatre)
WHIMSY WASHOUT Adapting a film or play into a musical is a dicey proposition. There’s no perfect formula, but theater’s great librettists—Oscar Hammerstein, Alan Jay Lerner, et al.—knew that however well the source material worked, scenes had to be shuffled, characters dropped, and songs written to establish character and advance plot. The creators of Amélie,…
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Theater Review: THE KING AND I (National Tour)
NOT ALWAYS THE ROYAL TREATMENT, BUT STILL A PRINCELY KING It’s no puzzlement why The King and I is oft-revived. Rodgers and Hammerstein’s semi-historical domestic drama’”the unlikely alliance between a Siamese monarch in the 1860s and a British governess/tutor’”shows how history is all about people at pivotal points. Change comes from unexpected places in improbable…
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Los Angeles Theater Feature: RUBY LAPEYRE (now in “Thoroughly Modern Millie” at Morgan-Wixson)
THOROUGHLY THESPIAN Youth theater is mostly musicals, and many musicals are essentially infantilizing entertainments, most appropriate to teaching children how to perform. The kids themselves make up for a lot that I find unforgivable in book and music. In many kids’ shows half the cast can be expected not to have the choreography down pat,…
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Los Angeles Theater/Music Preview: NOTES OF A NATIVE SONG (Stew & The Negro Problem at REDCAT)
TAKING NOTES TO THE NEXT LEVEL Los Angeles native Stew, born Mark Stewart, is one of today’s most fascinating songwriters. He has released both solo albums and with his band, The Negro Problem. He became well known to the theater world in 2008, when he made the transition from the pop-rock scene to Broadway. The…
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Los Angeles Music Preview: COOL YULE (Gay Men’s Chorus of Los Angeles)
MAKE THE YULETIDE GAY Attending GMCLA’s Holiday Spectaculars is more like a pilgrimage for me, and is a no-brainer when choosing my wintertime concerts. This year’s musical extravaganza, Holiday Spectacular: Cool Yule, plays at Glendale’s gorgeous Alex Theatre for four performances beginning this Thursday, Dec. 15, 2016, and running through Sunday. And while there is no…
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Los Angeles Theater Feature: IMPRO THEATRE’S HOLIDAY OFFERINGS, 2016
IMPRO FOR THE HOLIDAYS -dad- Family sucks. Spending time with the people you moved away from is so un-American, so anti-Manifest Destiny, such an embarrassing parochial guilt-trip, that it’s been relegated to the worst weather of the year. What we call the holidays are a “let’s get it over with” season of grown siblings reduced…



















