Areas We Cover
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Los Angeles
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National Tour Theater Review: IRVING BERLIN’S WHITE CHRISTMAS
I’M DREAMING OF A WHITE CHRISTMAS WITH A BETTER SCRIPT I suppose it’s possible that Irving Berlin’s White Christmas might succeed with audiences. Possible, that is, if they are willing to tolerate a lame, cliché-ridden plot in exchange for large samplings of the Irving Berlin songbook accompanied by tap dancing and snow (and even tap dancing in…
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Los Angeles Theater Preview: WONDERFUL TOWN (Los Angeles Opera)
WONDERFUL WONDERFUL Never heard of the 1953 musical, Wonderful Town? Well, certainly you’ve heard of composer Leonard Bernstein and lyricists Betty Comden and Adolph Green. Even though the songs are terrific, none of them have entered the hit parade. Bernstein offers catchy melodies in tunes that range from conga to an Irish jig, and the lyrics…
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Los Angeles Theater Review: ICEBERGS (Geffen)
METHANE DEPOSIT A new play opened at the Geffen this week. It is called Icebergs, and it was written by Alena Smith. It was directed by Playhouse artistic director Randall Arney. It is a show illustrative of several tendencies in modern regional theater: It is written by a Yale-educated TV writer. Smith’s best work is…
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Los Angeles Theater Preview: SHE LOVES ME (Musical Theatre West in Long Beach)
EVERYBODY LOVES SHE LOVES ME I’ll be the first to admit that it may be impossible to create a bad production of the 1963 jewel-box musical She Loves Me. This perfect show, based on the 1937 play Parfumerie by Miklós László, is so resplendent, so charming, and so well-constructed that a 2011 gathering of literati…
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Los Angeles Theater Review: THE BEAUTY QUEEN OF LEENANE (Druid Theatre at Mark Taper Forum)
BLACK COMEDY AND KITCHEN SINK DRAMA: A BEAUTY-FULL IRISH STEW While the horror and suspense aren’t as palpable as previous efforts of The Beauty Queen of Leenane’”Martin McDonagh’s 1996 black comedy’”the dark humor, bleakness, and romance positively boil over, making Galway’s Druid Theatre Company’s revival a recommended trip. For 20 years, 40 year-old spinster Maureen…
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Los Angeles Music Preview: HADELICH and URBAŠƒSKI (Los Angeles Philharmonic at Disney Hall)
BEYOND COMPARE In the past five years, I have encountered only a handful of fresh-to-the-scene classical soloists who completely enraptured’”those who combine the old-school magnetic quality of superlative technique with energetic experimentation, soul, and discovery. Among the electrifying performers that have made me literally lean forward in my seat are cellist Alisa Weilerstein and pianists…
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Los Angeles Theater Review: 1984 (Greenway Arts Alliance at the Greenway Court Theatre)
LOVE STORY Watching 1984 live, in a roomful of high school students, my biggest surprise was how long two minutes lasts. I’m a hateful person now, and as a teenager even more so, but during Fairfax High School’s second period this morning, none of us could keep shouting epithets at Emmanuel Goldstein for even a…
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Los Angeles Theater Preview: THE BOYS FROM SYRACUSE (Musical Theatre West in Long Beach)
BOYS WILL BE BOYS Musical Theatre West’s (MTW) Reiner Reading Series begins its 2016-17 season with a musical from the beginning of the second decade of the Broadway Musical’s Golden Age. Some say this era began with Oklahoma! in 1943, but it’s also safe to say it began in 1927, the year that Showboat was born. The fully…
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Los Angeles Music Preview: DVOŘíK & SIBELIUS / ROUVALI & MOSER (Los Angeles Philharmonic)
DVOŘíK & SIBELIUS AT DISNEY HALL An LA Phil favorite, prizewinning German-Canadian cellist Johannes Moser (pictured left) makes his return under the baton of exciting young Finnish conductor Santtu-Matias Rouvali (pictured below) for a performance of Dvořák’s monumental and much-loved cello concerto. Also this Friday through Sunday (Nov. 11-13, 2016), Rouvali leads the acclaimed L.A. orchestra in…
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Los Angeles Theater Review: URINETOWN: THE MUSICAL (Coeurage Theatre in North Hollywood)
AGITPOOP When Urinetown opened up Off-Broadway in 2001, then splashed all over Broadway just after 9/11, the show was hailed as a Brechtian revamp of musical theater. About an overpopulated, under-hydrated world in which private toilets are outlawed, Urinetown is a simultaneous assault on fascist economics and on mindless revolution. It’s supposed to be a black…
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Theater Review: HANSEL & GRETEL BLUEGRASS (24th Street Theatre)
FAIRY TALE THEATER Debbie Devine and Jay McAdams are a theater couple. They’ve been putting up shows for a long time. If you and your love dream of having your own space and staging your own stuff, you’d do well to study 24th Street Theatre. One of the first things you’ll notice is that it’s…
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Los Angeles Opera Preview: AKHNATEN (LA Opera)
THE PHARAOH-EST OF THEM ALL Egyptian Pharaoh Akhnaten was not just provocative in his lifetime. Today, over three millennia after his reign, Egyptologists still debate theories about his life and relative importance. After his death, succeeding Pharaohs did their best to erase every trace of the man who had dared to displace the many gods…
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Theater Review: HEDWIG AND THE ANGRY INCH (National Tour)
THE WINNER BY AN INCH Not long into its original run at Jane Street Theatre Off-Broadway in 1998, a cult following had already been firmly entrenched for Hedwig and the Angry Inch. It was the West Village’s answer to Rent (1996), which gave a musical voice to gays, AIDS, homelessness, and a disaffected generation. Hedwig…
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Los Angeles Theater Review: UNBOUND (IAMA Theater Company at the Hudson Theatre)
UNBOUND FOR GLORY It takes talent to juggle political activism, sexual tension, and a highly suspenseful thriller plot, but playwright D.G. Watson has done it. His compelling drama hits an almost astonishing number of dynamic points with a deceptive ease that belies nuances of philosophy and morality. Unbound charts how idealism quickly rots into corruption–and how…
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Los Angeles Theater Review: VICUôA (Kirk Douglas Theatre in Culver City)
TWO HOURS HATE While getting fitted for a hundred-thousand dollar suit, a gross presidential-candidate billionaire argues politics with his immigrant tailor. Several monologues inform the bigot that he’s a bigot. The billionaire threatens the Muslim tailor and his family privately and then, a few minutes’ stage-time later, incites violence against them on TV. Two and…
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Los Angeles Theater Review: MEMPHIS (Musical Theatre West in Long Beach)
MEMPHIS SOARS The most entertaining musical of the year is not a great musical. Here is a show with a predictable, synthetic feeling book and 19 songs which only emulate the music of the 1950s (they sound more like cover versions of the great anthems of the period than great Broadway tunes). But director/choreographer Edgar Godineaux, in the tradition of Fosse, is that…
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Los Angeles Music Preview: LAGRIME DI SAN PIETRO [TEARS OF ST. PETER] (Los Angeles Master Chorale at Walt Disney Concert Hall)
BRING ON THE TEARS Orlande de Lassus, Europe’s most famous musician during his lifetime, created nothing finer than the Lagrime di San Pietro, (Tears of St. Peter) a collection of twenty spiritual madrigals and one motet. A cycle of intense reflections on the sorrows of St Peter following his denial of Christ, it was assembled…
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Los Angeles Dance Preview: BODYTRAFFIC (The Broad Stage in Santa Monica)
“DEATH DEFYING DANCES” DEBUTS BODYTRAFFIC, the contemporary dance outfit headquartered right here in Los Angeles, has smartly scheduled three performances of its upcoming showcase of exciting new works–including a preview and a World Premiere–at The Broad Stage in Santa Monica. The last two times I saw this exciting company at the Broad, patrons were turned away…
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Los Angeles Theater Review: BLUEBERRY TOAST (The Echo Theater Company in Atwater Village)
INCONVENIENT TRUTH A show as good as Blueberry Toast should be a city-wide phenomenon but it’s going up in Atwater Village, so not a lot of people from the West Side are going to see it before it closes next weekend. If you live in Glendale you have no excuse. But if you have to…
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Los Angeles Theater Review: THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE: REVISITED (Davidson/Valenti Theatre in Hollywood)
STILL SEARCHING Is there life after Lily Tomlin? Producer Jon Imparato is attempting to find out: under his auspices, the Los Angeles LGBT Center is reviving The Search for Signs of Intelligent Life in the Universe. Written for Tomlin, who won the 1986 Best Actress Tony for the original production, Jane Wagner’s one-woman play, which she…



















