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Los Angeles
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Los Angeles Theater Preview: FIVE GUYS NAMED MOE (Ebony Repertory Company)
HERE COMES MR. JORDAN Get ready, cats. The best musical revue since Ain’t Misbehavin’ is coming to Los Angeles, and I’m warning you well in advance: I promise you–yep, promise–that you will kick yourself if you miss Five Guys Named Moe, which plays Ebony Rep  May 18 – June 11, 2017. The joint’s gonna jump in…
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Dance Review: ASPEN SANTA FE BALLET (on tour at the Valley Performing Arts Center in Northridge)
FINDING HAPPINESS IN DANCE Just before Aspen Santa Fe Ballet’s (ASFB) program, Valley Performing Arts Center’s Executive Director Thor Steingraber announced that the outfit was signed to be in residence for two more years. Based on last night’s offering, the company’s second visit here, I hope to see much more of this 20-year-old company. Even with a world…
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Los Angeles Opera Review: NIXON IN CHINA (Los Angeles Philharmonic at Walt Disney Concert Hall)
LET ME MAKE THIS PERFECTLY CLEAR Prior to yesterday’s matinee, the last of a two-performance run of Nixon in China presented by LA Phil, I wondered who would make up the audience for a revival of John Adams’ first opera: Opera fans who would see anything labeled “opera”?; those who enjoy that 80s’ minimalist style, perfected by…
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Los Angeles Cabaret Preview: CHARLES BUSCH: THAT GIRL/THAT BOY (Rockwell Table and Stage in Los Feliz)
THAT GIRL, THAT BOY…HELL, THAT STAR It was well over 30 years ago that I first saw writer, actor and drag legend Charles Busch. Not only was he hi-larious in his long-running Off-Broadway hit Vampire Lesbians of Sodom, but he looked stunning. Over the years, it has been impossible to avoid this genius as he has become most…
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Los Angeles Music Preview: THE LYRIS QUARTET with ROBERT DEMAINE, CELLO (The Music Guild)
LYRICAL LYRIS COMES TO THE MUSIC GUILD How many times have I seen The Lyris Quartet perform? I’ve actually lost count. But each time, whether in an intimate space or a grand hall, whether mastering old masters or modern music, this Los Angeles-based string quartet  always wins my heart. The Lyris Quartet also travels frequently, so…
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Los Angeles Theater Review: HALLELUJAH, BABY! (Musical Theatre Guild at the Alex Theatre in Glendale)
COME ON, BABY I wanted so badly to say “Glory, Hallelujah!” after seeing Musical Theatre Guild’s staged concert version of the 1968 Tony-winning musical. While it’s easy to forgive a lead actress who was not her usual self vocally, the spread-out staging, line screw-ups (and they’re on script!), and minuscule orchestra (five pieces!), I am…
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Los Angeles Dance Preview: ALVIN AILEY DANCE THEATER (Dorothy Chandler Pavilion)
AILEY IS ALWAYS A REVELATION(S) After many happy visits to the Music Center’s Dorothy Chandler Pavilion, Alvin Ailey Dance Theater returns to unleash a sumptuous, three-program showcase for a five day engagement (March 8-12, 2017) with new glories (four west coast premieres) and the restoration of golden memories (five classic works). Program A will ignite three west coast premieres:…
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Los Angeles Theater Preview: AMOUR (Musical Theatre West in Long Beach)
YOU’LL FALL IN LOVE WITH AMOUR “I wanted to write an opera-bouffe, an intimate evening with light, lyrical singing and delicate charm,” wrote composer Michel Legrand. “Marcel Aymé’s delightful story of an ordinary little man who suddenly finds himself gifted with extraordinary powers seemed to be the perfect material for such an amusement.” Perhaps too…
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Los Angeles Music Review: HÉLÈNE GRIMAUD PLAYS BRAHMS (LA Phil at Walt Disney Concert Hall)
THERE’S A REASON WE RETURN TO BRAHMS AND RAVEL Under guest conductor James Gaffigan’s assured leadership, the Los Angeles Philharmonic brought a fuller and more vibrant sound to two very familiar works: Ravel’s Daphnis et Chloé Suite No. 2, which was a dazzling experience, and Brahms’ Piano Concerto No. 2 with Hélène Grimaud soloing. And…
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Los Angeles Theater Feature: FOUR BY TENN: A TENNESSEE WILLIAMS READING SERIES (The Pasadena Playhouse)
A PERFECT TENN The Pasadena Playhouse is currently presenting God Looked Away, an ode to Tennessee Williams at the end of his career. As an adjunct to this world premiere development production –which stars Al Pacino and Judith Light — the Playhouse is offering readings of four of Williams’ best plays on four consecutive Monday nights, Feb….
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Los Angeles Theater Review: BYE BYE BIRDIE (Glendale Centre Theatre)
A BIRDIE THAT TAKES WING Having no intention of reviewing, I bought a couple tickets to a non-union production of Bye Bye Birdie, but the entire affair had me so damn giddy that I can’t be quiet about it — and you have until April 1 to catch it. It’s as welcome as flowers that bloom in…
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Theater Review: FUN HOME (National Tour)
IN AND OUT AT HOME The Tony-winning 2013 coming-of-age memory play/chamber musical Fun Home’”based on Alison Bechdel’s 2006 semi-autobiographical graphic novel’”is a worthy coming-out tale. We get the inside portrait of a lesbian daughter who learns more than she wanted from her gay dad. With music by Jeanine Tesori (Caroline. or Change, Shrek) and lyrics and…
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Theater Review: FINDING NEVERLAND (National Tour at the Hollywood Pantages)
NEVERLAND MORE LOST THAN FOUND Playwright Alan Knee called Sir J. M. Barrie “the man who was Peter Pan.” If so, it was an author’s compensation as much as creativity. James Barrie was a shy Scotsman, awkward and diffident in public with an extroverted artistry to compensate for self-effacing insecurity. In the 2004 tearjerker motion picture…
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Theater Review: PICASSO AT THE LAPIN AGILE (The Old Globe in San Diego)
THEATER’S BLUE PERIOD Steve Martin wrote Picasso at the Lapin Agile in 1993. The offbeat meta-theatrical play opened at Chicago’s Steppenwolf, went to Los Angeles’s Westwood (now Geffen) Playhouse, and ended up in New York for a relatively successful run at Off-Broadway’s Promenade Theatre. The story (well, not “story” really; it’s more of an idea) concerns two…
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Los Angeles Theater Review: 33 VARIATIONS (Actors Co-op in Hollywood)
MORE THAN JUST VARIATIONS ON A THEME “Why did the great German composer Ludwig van Beethoven write 33 variations on a trivial little waltz by a mediocre amateur composer?” On the surface, the question itself may seem trivial, but playwright Moisés Kaufman expands the mystery of the 33 variations into a drama that makes us…
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Los Angeles Opera Review: THE ELIXIR OF LOVE (Pacific Opera Project at The Highland Park Ebell Club)
ELIXIRICIOUS At first it seemed as though a tragic circumstance had befallen Pacific Opera Project’s production of The Elixir of Love last night. One hour before the show, at the height of a heavy storm, a transformer blew in front of the Highland Park Ebell Club; there would definitely be no electricity for the show. A stroke of…
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Regional Theater Review: FLORA & ULYSSES (South Coast Repertory in Costa Mesa)
SUPER SQUIRREL Flora & Ulysses, the best play I’ve seen all year, begins when Flora Buckman, a ten-year-old self-proclaimed “natural-born cynic”, saves the life of a squirrel using mouth-to-mouth resuscitation. You see, the squirrel had been sucked into a neighbor’s Ulys ses Super-Suction, Multi-Terrain 2000X vacuum cleaner. When the squirrel is revived, it has been blessed with both human thought…
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Theater Review: CIRCUS 1903 — THE GOLDEN AGE OF CIRCUS (National Tour)
COME JOIN THE CIRCUS As if to compensate for the unpopularity of animal acts, Ringling Bros. and Barnum & Bailey Circus began to beef up their productions in recent years, but that lack of intimacy kept the show from being as thrilling as it used to be. (And can we talk about the clowns? The…
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Los Angeles Theater Feature: DIE, MOMMIE, DIE! (Celebration Theatre in Hollywood)
SHE’S BA-A-A-CK AND SHE’S FA-A-A-ABULOUS Charles Busch’s Die, Mommie, Die! is equal parts comic melodrama, Greek tragedy and Hollywood kitsch’”and all campy noir classic in the vein of 1960s gothic horror films like Hush…Hush, Sweet Charlotte. I saw the first production at the Coast Playhouse back in 1999 starring the playwright, the great Wendy Worthington,…
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Los Angeles Theater Review: FOR PIANO AND HARPO (Falcon Theatre in Burbank)
A GUY WALKS INTO A CUCKOO’S NEST… Jazz pianist, TV personality, actor, author, film composer and arranger Oscar Levant (1906-1972) was quite possibly one of the quickest wits on record. His sophisticated and often vicious put-downs (a style made famous by members of the Algonquin Club), whether self-deprecating or shot bow-and-arrow style at others, were a…



















