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New York
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Highly Recommended Off-Broadway: PEN PALS (Encore Run at DR2 Theatre Begins August 15, 2025)
SIGNED, SEALED AND DELIVERED: PEN PALS GETS AN ENCORE RUN Casting has been revealed for Michael Griffo’s play Pen Pals, which is headed back Off-Broadway at DR2 Theatre with a rotating cast of actors beginning August 15, 2025. Stage and Cinema‘s rave review for the original production is republished below. See you at the theater!…
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Off-Broadway Review: THE WEIR (Irish Repertory Theatre)
GHOSTS POURED NEAT Conor McPherson’s The Weir, a beloved staple for Irish Rep, returns for its fourth production under the intimate, finely tuned direction of Ciarán O’Reilly. This unusual and deeply human play walks you into a small, wind-battered pub in rural County Donegal for “just a quick pint,” only to watch you stumble out…
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Dance Review: MARK MORRIS DANCE GROUP (The Joyce)
PLEASE, SIR, I WANT SOME MORRIS Mark Morris Dance Group kicks off its 45th anniversary season with a two-week sprint at the Joyce Theater. I caught Program A in which the eclectic choreographer revisits three of his works, The Muir (2010), Silhouettes (1999), and Mosaic and United (1993), and then presents a world premiere: You’ve…
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Off-Broadway Review: THE GOSPEL AT COLONUS (Little Island)
BIG GOSPEL ON LITTLE ISLAND Greek religion and Christianity had very different views on the nature of God and salvation, but the current revival of The Gospel at Colonus still manages to turn Little Island into a Pentecostal revival meeting. The show is based on an adaptation of Robert Fitgerald’s version of Sophocles’ Oedipus at…
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Art | Theater Review: BLOOMING WONDERS (ARTECHOUSE NYC at Chelsea Market)
BLOOM WITH A VIEW In the heart of New York’s Meatpacking District, beneath the High Line and Chelsea Market, ARTECHOUSE’s latest immersive installation, Blooming Wonders, invites visitors into an artful reimagining of the natural world rendered in digital art, light, sound, and interactivity. Created by ARTECHOUSE Studio, an interdisciplinary collective of artists, it features an…
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Theater Review: HEATHERS THE MUSICAL (New World Stages)
A DARKLY HILARIOUS REVIVAL The 1989 cult classic film, Heathers (if you haven’t seen it, it’s a friggin’ must) preceeded the film Mean Girls (2004) by fifteen years. Later, it was adapted into a stage musical in 2014, four years before the Plastics sang their way onto Broadway. Now, eleven years later, Heathers the Musical…
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Off-Off-Broadway Review: THE MAN WHO SHOT LIBERTY VALANCE (The Gene Frankel Theatre)
A WESTERN WORTH REVISITING The Onomatopoeia Theatre Company, in collaboration with the Gene Frankel Theatre, brings back The Man Who Shot Liberty Valance in a compelling and timely revival. Presented in two acts and running 110 minutes, the production benefits from the intimacy of a theater that seats fewer than 50. The result is a…
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Off-Broadway Review: BEAR GREASE (St. Luke’s Theatre)
JOYFUL, JERKY, AND JUST WHAT OFF-BROADWAY NEEDS There are two powerful reasons to see Bear Grease. First: The deeply felt curtain speech by Henry Cloud Andrade, co-writer/co-creator—with Crystle Lightning—of Bear Grease. With warmth and candor, he begins by gently thanking the audience for not expecting a full Grease revival. More importantly, he shares the staggering context…
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Off-Broadway Review: LOWCOUNTRY (Atlantic Theater)
HOW LOW CAN YOU GO? Lowcountry, Abby Rosebrock’s new play premiering at Atlantic Theater Company’s Linda Gross Theater, arrives with the promise of plunging into the “messy, tangled web of love and identity in the digital age,” but not even a ripple disturbs the surface. Though entrusted to the direction of Jo Bonney, the play…
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Off-Broadway Review: DILARIA (DR2 Theatre in Union Square)
ELLA STILLER’S DILARIA: A DEBUT IN EXTREMIS Three striking Off-Broadway debuts anchor Dilaria, a sharp, volatile new play by Julia Randall at the DR2—the Daryl Roth Theater’s 99-seat space just off Union Square. All three actors arrive with formal training in acting but have mostly appeared in TV and film since graduating. That cinematic background…
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Dance Review: PILOBOLUS: OTHER WORLDS COLLECTION (Tour at The Joyce Theater, NYC)
DEFYING GRAVITY… AND CONVENTION Since its founding in 1971, Pilobolus has made a name for itself by celebrating the expressive potential of the human body—its weight, balance, connectivity, and vulnerability. Now, 54 years later, their mission continues to resonate with vitality, humor, and heart. Currently in residence at The Joyce Theater (June 24–July 13), the…
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Highly Recommended Theater: MR. PUPPY THE MUSICAL (Off-Broadway’s AMT Theater – July 6 thru 16, 2025)
EVERY DOG HAS HIS DAY (AND A DREAM) If you have time off this month and are feeling wanderlust for foreign travel—but your summer budget doesn’t allow for an actual trip around the world—I would like to recommend taking your vacation vicariously by catching Mr. Puppy The Musical a stage production about a globe-trotting dog….
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Off-Off-Broadway Review: UH OH EXCLAMATION POINT KENDAL HARTSE QUESTION MARK LIVE AND IN CONCERT QUESTION MARK (The Gym at Judson Church)
RADIO-ACTIVE SATIRE (WITH SONGS) And now for something completely different. Presented for your amusement is a skillful skewering of the approach to fundraising—or, to put it more plainly, begging for money—in campaigns by public radio stations. These include frequent breaks in programming for on-air speakers’ earnest, self-congratulatory reminders of the uniquely crucial, indispensable value of…
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Theater Obituary: MARK BROKAW (A Tribute to the Director’s “Cry-Baby” on Broadway)
In Praise of a Misjudged Misfit: Mark Brokaw and the Undeserved Fate of Cry-Baby In the wake of director Mark Brokaw‘s untimely passing at 65 yesterday, I find myself returning not to one of his celebrated triumphs, such as How I Learned to Drive, but to a show that critics swatted away with a smirk…
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Off-Broadway Review: VIOLA’S ROOM (Punchdrunk & The Shed)
IN THIS BEAUTIFULLY MOODY MAZE, THE LINE BETWEEN ENCHANTMENT AND ENTRAPMENT BLURS I have yet to encounter an immersive theatrical experience that captivates me as deeply as a well-staged play, a beautifully choreographed dance, or a masterfully performed concert. Something always feels off; sometimes, these experiences remind me of poorly designed video games, visually ambitious…
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Theater Review: BANANAS? (The Town Hall in NYC)
QUINTUPLE THREAT NYMPHIA WIND HAS MORE THAN BANANA APPEAL I’m a bad gay. I’ve only seen one or two episodes of RuPaul’s Drag Race out of—how many seasons now? Seventeen! But after seeing Nymphia Wind’s pride-month blowout at Town Hall last night, June 26, I get the hype. The reigning queen of Season 16 isn’t…
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Off-Broadway Review: ANGRY ALAN (Studio Seaview)
DOWN THE RABBIT HOLE OF RAGE As the inaugural production at the new Studio Seaview (formerly Second Stage on 43rd and 8th), Penelope Skinner’s Angry Alan opened June 11 for a limited run. Starring John Krasinski in a surprisingly intense and layered performance, the 85-minute play initially unfolds as a one-man show—until it isn’t. Krasinski…
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Off-Broadway Review: DUKE & ROYA (Lucille Lortel Theatre)
MIC DROP IN A MINEFIELD Last night, the Lucille Lortel Theatre unveiled Duke & Roya, a luminous new work by the compelling playwright Charles Randolph-Wright. Under the graceful direction of Warren Adams, this Off-Broadway premiere is rich with soul and poetic rhythm and unfolds like free verse on stage. It’s 2016 and we are in…
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Dance Review: GISELLE (ABT at Metropolitan Opera House)
ABT’S GISELLE IS A TRU RENAISSANCE OF ROMANTICISM Very few ballets have made their mark like Giselle, the jewel of Romantic dance. It emerged in 1841, at the height of an era when people were fascinated by the supernatural and women who seemed more spirit than flesh. Giselle actually redefined the ballerina: no longer merely…



















