Areas We Cover
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New York
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Broadway Review: CELEBRITY AUTOBIOGRAPHY (Shubert Theatre)
READING BETWEEN THE LINES OF FAME Broadway’s funniest staged reading proves that truth is often stranger —and funnier—than fiction Yevgeny Yevtushenko famously wrote, “A poet’s autobiography is his poetry. Anything else is just a footnote.” Judging by the material on display at the opening night of Celebrity Autobiography, many celebrities probably should have stopped at…
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Concert Review: LOUIS ARMSTRONG, A CELEBRATION OF THE FATHER OF JAZZ (Kaye Playhouse at Hunter College)
WHAT A WONDERFUL WORLD Hunter College’s American Voices series salutes the musician who changed the sound of America When it comes to American music few artists are as iconic and representative as Louis Armstrong, the famous trumpeter and vocalist whose career spanned five decades and influenced many genres including jazz, rhythm and blues, and rock…
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Off-Broadway Review: THE PEOPLE VERSUS LENNY BRUCE (Cause Célèbre at Theatre Row)
A TRIAL FOR LENNY—AND SOMETIMES THE VIEWER A courtroom drama that probes language, censorship, and the cost of pushing boundaries Unique among the performing arts, standup comedy is the only craft that cannot be sharpened without an audience. And, ironically, the only performing art that we allow, even expect, to deeply offend. Who ever heard…
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Concert Review: CONCERT OF THE CENTURY (Carnegie Hall / New York City)
FIFTY YEARS LATER, STILL MAKING HISTORY A glittering lineup of musical giants turned Carnegie Hall’s anniversary celebration into an overwhelming tribute to artistic endurance Move over MET Gala: Carnegie Hall has just celebrated its Concert of the Century with another once-in-a-lifetime summoning of all-stars. Organized 50 years ago by Isaac Stern, the original event brought…
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Off-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City)
PUT THIS IN YOUR WHEELHOUSE A show that takes its audience on a ride, and shifts gears from drama to comedy and back The oft-heard practical advice to authors hoping that their stories, novels, songs, plays, etc. will ring true is: “Write what you know.” Generally attributed to Mark Twain—who did pretty well for himself…
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Broadway Review: THE ROCKY HORROR SHOW (Roundabout Theatre Company / Studio 54)
LET’S DO THE TIME WARP AGAIN AND AGAIN A high-energy revival proves this cult classic still knows how to party Unless you grew up in a monastery, had a severely conservative upbringing, or are just too young, you’ve probably seen or at least heard of the drag-tastic cult classic The Rocky Horror Picture Show. Maybe…
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Theater Review: CARNIVAL! (J2 Spotlight Musical Theater Company / AMT Theater, NYC)
UNDER THE BIG TOP, A SMALL GEM ENDURES A tender revival of a vintage musical finds its strength in sincerity, not spectacle Poignancy, Pep, Pizzazz, and Puppets. If the age of 65 equals becoming a senior citizen, then the musical Carnival!—which opened on Broadway in April of 1961—is certainly eligible. But the current revival, now…
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Theater Review: HAMLET (National Theatre Company at BAM in Brooklyn)
THE DANISH PRINCE, DECODED Focused staging and strong performances bring Hamlet’s inner life into view at BAM. The National Theater’s Hamlet at BAM follows in the tradition of other fine productions of the play at the esteemed Brooklyn institution going back as far as 1961, returning to the Harvey stage over a dozen times. With…
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Theater Preview: MS. BLAKK FOR PRESIDENT (Vineyard Theatre, NYC)
POLITICS, IN FULL DRAG: A CAMPAIGN LIKE NO OTHER Wayne Brady leads a wild, urgent, and unexpectedly timely ride through queer history and unfinished business. There have been outsider candidates before, but none quite like Joan Jett Blakk—the self-declared Black drag queen who ran for President of the United States in the early 1990s, armed…
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Off-Broadway Review: KENREX (Lucille Lortel)
A COMMUNITY PUSHED PAST THE LAW An electrifying solo tour de force that turns a town’s nightmare into gripping theater. The largest Off-Broadway cast this season—over a dozen roles—may well be at the Lucille Lortel Theatre. Remarkably, they’re played by one actor. That’s only one reason you should see the amazing Jack Holden in KENREX, the…
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Off-Broadway Review: BROKEN SNOW (Theatre 71)
A PUZZLE WORTH SOLVING A slow-burn puzzle that rewards patience with emotional clarity In the middle of nowhere, in an abandoned house, Broken Snow begins with a promise. Kris (Tony Danza) steps forward and tells us he has a story—“one of utmost significance,” he insists, “a moment where everything changes.” It’s a bold promise, not…
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Broadway Review: THE BALUSTERS (Manhattan Theatre Club at the Samuel J. Friedman Theatre)
STOP SIGNS AND SOCIAL SIGNALS Sharp, humane, and richly acted, this new comedy lands with both wit and weight In The Balusters, playwright David Lindsay-Abaire once again proves himself a master of tonal tightrope walking—balancing biting social critique with deep wells of empathy, all wrapped in the polished veneer of a parlor room comedy. Set…
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Broadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
FINDING YOUR SONG Debbie Allen’s revival honors Wilson’s depth with a richly realized production The Barrymore Theatre’s revival of August Wilson’s Joe Turner’s Come and Gone, directed by the very talented Debbie Allen, is an exquisitely crafted classic production brought to life by a thoughtfully assembled cast and creative team. Set in 1911, the story…
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Theater Commentary: THE PRICE OF NOT PERFORMING EMPATHY
CRITICISM VS CONFESSION When analysis starts to look like refusal Editor’s note: Jesse Green was reassigned from his role as chief theatre critic at The New York Times in 2025 and now serves as a culture correspondent, continuing to write about theatre alongside broader arts coverage. This commentary reflects on the larger critical and cultural…
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Event Preview: MARC SHAIMAN / NEVER MIND THE HAPPY BOOK TOUR (In Conversation with Michael Bublé at The GRAMMY Museum in Los Angeles)
FROM BROADWAY TO HOLLYWOOD— AND BACK AGAIN A showbiz raconteur brings stories, songs, and Michael Bublé to L.A. There are memoirs—and then there are memoirs written by Marc Shaiman, who has spent decades at the center of Broadway, film, and pop culture, collecting stories the rest of us only hear secondhand. On Tuesday, May 5,…



















