Areas We Cover
Categories
New York
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Off-Broadway Review: CURSE OF THE STARVING CLASS (The New Group at Pershing Square Signature Center)
SINCE THE FRIDGE IS EMPTY, HOW ABOUT A GIANT BOWL OF GRIT? There’s no place like home. Mom calls the cops, convinced Dad is going to kill her—he’s drunker than usual and literally breaks down the door. The next morning, she yells at her son for sweeping up the shattered pieces. He yells back. Daughter…
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Off-Broadway Review: SAFE HOUSE (St. Ann’s Warehouse)
IT’S SAFE TO DRAW YOUR OWN CONCLUSIONS AT HOUSE St. Ann’s Warehouse, in association with New York’s Irish Arts Center, presents Safe House, a one-person song cycle originally produced at Dublin’s Abbey Theatre. Running for a limited engagement through March 2, this haunting and esoteric production has a pile-driving performance by Kate Gilmore. Walsh describes the…
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Off-Broadway Review: STILL (Loreto Theatre, The Sheen Center)
IN THE STILL OF THE NIGHT, WILL EX-LOVERS REUNITE OR FIGHT? After decades apart, can the passion of once-young lovers sizzle again, like leftover pizza zapped in the microwave? Picking up an old relationship isn’t as easy as picking up takeout—food doesn’t come with the “Can we be a couple again?” dilemma. Still, playing at…
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Broadway Review: REDWOOD (Nederlander Theatre)
A DESIGN AS IMPRESSIVE AS A REDWOOD ITSELF The new Broadway musical Redwood, which opened on February 13, is a master class in tech theater. Set designer Jason Ardizzone-West makes this clear from the outset, enclosing the stage in a semi-circle of pinkish-white screens that extend beyond the proscenium arch, even covering the house-right and…
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Off-Broadway Review: GARSIDE’S CAREER (Mint Theatre Company at Theatre Row)
MADELINE SEIDMAN IS REMARKABLE IN GARSIDE’S CAREER Since 1995, the invaluable Mint Theatre Company has been unearthing lost, neglected plays from yesteryear. With artistic director Jonathan Bank at the helm, he has overseen the production of 60 revivals of worthy plays. Harold Brighouse’s Garside’s Career, which opened tonight, is the latest praiseworthy play to be produced…
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Theater Interview: ALEXANDER ROBERTSON (Broadway and West End Producer)
ALEXANDER ROBERTSON. HIS NAME IS ALEXANDER ROBERTSON. At the tender age of 26, Alexander Robertson has made a mark on Broadway as a co-producer with his current show roster including Cabaret at the KitKat Club, Gypsy, and the upcoming Smash and Boop!, both opening this spring. His past credits have included Appropriate, The Wiz, New York,…
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Off-Broadway Review: BECKETT BRIEFS: FROM THE CRADLE TO THE GRAVE (Irish Rep)
ADD THIS TO YOUR BECKETT LIST Beckett Briefs: From the Cradle to the Grave, comprised of three short works by the playwright—Not I, Play, and Krapp’s Last Tape—soundly directed without intermission by Ciarán O`Reilly at Irish Rep, makes for a nice little microdose of art for someone whose weeks, from a cultural standpoint, consist of…
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Event Review: BroadwayCon 2025 (Days 2 & 3, Marriott Marquis)
BroadwayCon Continues & Concludes with Conversations & Connections Part II of a Look & Listen to the 3-Day Theatre Event (Part I reviewed here) There are Broadway stars and Broadway fans with stars in their eyes. The latter is present in droves—devotees of theatre, eager to gain information and insights inside interview rooms and to…
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Theater Review: SONDHEIM’S OLD FRIENDS (Pre-Broadway Engagement at The Ahmanson in Los Angeles)
SONDHEIM MERRILY ROLLS ALONG, BUT OLD FRIENDS DOESN’T ALWAYS BOUNCE When a show is billed as a tribute to Stephen Sondheim, expectations are sky-high. His music isn’t just a collection of songs—it’s a theatrical language of its own, intricate, intelligent, and deeply human. Undoubtedly a love letter to the late master, the revue-on-steroids Old Friends…
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Broadway Review: URINETOWN (Encores! at City Center)
URINE FOR A GOOD TIME SO, MIND YOUR PEES AND QUEUES It’s the perfect time for a Urinetown revival. Twenty-four years after its successful Broadway debut, City Center’s Encores! returns with a rousing production. This satirical musical takes place in a dystopian future where a severe water shortage has led to a draconian system of…
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Off-Broadway Review: EMILIO’S A MILLION CHAMELEONS (SoHo Playhouse’s International Fringe Encore Theater Series)
A COLORFUL, KINETIC AND PUPPET-FILLED POW Emilio’s A Million Chameleons at Soho Playhouse offers family-friendly, fabulously frenzied fun. Like many offerings aimed at, or at least semi-targeted, to kids, it’s brief—just under an hour—but packed with energy. And that’s an understatement. But the frantic, almost unrelenting, race and pace is justified, not only catering to…
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Theater Review: THE BROTHERS ABELSON SINCE 1946 (Electric Lodge in Venice)
A TIME CAPSULE OF GENERATIONAL LOVE, PAIN, AND RESILIENCE Every family has a unique mix of personalities, every member knowing their place and how to maneuver others to get what they need. But universal truths define Jewish families of Eastern European descent, shaping a shared culture forged through eviction from their homeland and the necessity…
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Concert Review: LET’S MISBEHAVE: THE SONGS OF COLE PORTER (New York Pops)
MY HEART BELONGS TO THE NY POPS The New York Pops’ Let’s Misbehave: The Songs of Cole Porter was filled with many of Porter’s best-known songs: “Night and Day,” “I Love Paris,” “My Heart Belongs to Daddy.” But the evening at Carnegie Hall was also filled with many surprises, thanks to the multi-talented cast. Music …
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Event Review: BroadwayCon (Day One, Marriott Marquis)
TODAY, I’M A BROADWAY CON MAN My first assignment as a new staff writer here at Stage and Cinema finds me going to an event at 9:30. As I’ve been reviewing theatre and music-related programs for years, this would not have been unusual IF we were talking about a cabaret show at 9:30 in the…
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Off-Broadway Review: THE ANTIQUITIES (Playwrights Horizon)
YOU MAY NEVER LOOK AT YOUR LAPTOP THE SAME WAY AGAIN Is Artificial Intelligence, more commonly known as AI, our friend? Does this ubiquitous development make our lives easier, cleaner, more efficient? Or, like Frankenstein’s monster, will this carefully crafted design eventually turn on its creators, causing havoc and terror for human society? This is…
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Broadway Opening: THE PICTURE OF DORIAN GRAY (Sarah Snook at the Music Box Theatre)
A deal with the devil; eternal youth, for the ultimate price. The Picture of Dorian Gray is coming to Broadway’s Music Box Theatre for a strictly limited engagement 14-week engagement following a sold-out run in London’s West End. Sarah Snook (Shiv Roy in Succession), who won the 2024 Olivier Award for her performance, makes her Broadway…


















