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New York
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Film Recommendation: BEYOND THE AGGRESSIVES: 25 YEARS LATER (directed by Daniel Peddle; World Premiere at NewFest 2023)
NEWFEST 2023 DOCUMENTARY CENTERPIECE Screens in person on Wednesday, October 18th, 7 ET Streams through October 24, 2023 Daniel Peddle’s follow-up to his groundbreaking 2005 film THE AGGRESSIVES, which was the first documentary to really center transmasculine people of color – all assigned female at birth. It followed the lives of six masculine presenting BIPOC…
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Film Recommendation: HIDDEN MASTER: THE LEGACY OF GEORGE PLATT LYNES (Directed by Sam Shahid; Screening at NewFest 2023)
CAN PHOTOS TELL THE WHOLE STORY? THIS GREAT DOC DOES George Platt Lynes working in his studio The early years of George Platt Lynes’ career read like a Hollywood film script. Gifted and financially secure, he was privately educated and well-traveled. In the ’20s Lynes went to Paris, where he became acquainted with Man Ray…
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Broadway Review: MERRILY WE ROLL ALONG (Hudson Theater)
NO LONGER JUST ROLLING ALONG, MERRILY HAS LANDED WHERE IT BELONGS: BROADWAY It’s fitting that Merrily We Roll Along, which originally opened on Broadway in 1981 to mostly negative reviews, has been refurbished in the equally restored Hudson Theater. Both the theater and production make the perfect classy pair — stunning theater at its best…
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NYC Cabaret Review: AMANDA GREEN & FRIENDS (Birdland Jazz Club)
In what she calls a celebration of autumn, performer and songwriter Amanda Green and her “amazing friends,” Jen Colella, Jarrod Spector, Kelli Barrett, Alan H. Green, Jade Jones and Kristoffer Cusick, presented a program of “chestnuts old and new” from several projects. These projects were occasionally songs she’d written for people such as her own…
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Off-Broadway Review: SWING STATE (Audible Theater at Minetta Lane Theatre)
SWING…AND MISS The Chicago Tribune review of Swing State, as advertised on the production poster, charged me with excitement in seeing Rebecca Gilman’s new play. “Perhaps the first of the great American plays of this decade. It blew me away!” Well, I wish I had that same experience. Mary Beth Fisher and Bubba Weiler The…
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Off-Broadway Review: BEST FRIENDS (14Y Theater)
‘CAUSE YOU GOT TO HAVE FRIENDS Israeli playwright Anat Gov’s Best Friends comes to the 14th Street Y with an impressive history. Best Friends is the longest-running comedy in Israel and winner of the prestigious Israel National Theater Award for Best Comedy in 1999. It also had a sold-out run at Rattlestick Theater. Now, directed…
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Recommended Jazz Music: BIRDLAND JAZZ CLUB AND THEATER (October, 2023)
WHERE THE RHYTHM SWOOPS AND SWIRLS, THIS IS THE JAZZ CORNER OF THE WORLD There is so much excitement this month at Birdland Jazz Club on 44th near Times Square — it’s becoming even more of a hotspot than it used to be. Now when I attend, shows are PACKED. This sophisticated, intimate club hosts…
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Museum Exhibits Recommendation: ‘HERSTORY’ JUDY CHICAGO; ‘NOTHING NEW’ PUPPIES PUPPIES; ‘ECOROVE’ (The New Museum, NYC)
HERSTORY JUDY CHICAGOOctober 12, 2023–January 14, 2024 | Floors 2, 3, 4, 7 “Herstory” spans Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Eschewing the boundaries of a traditional museum survey, “Herstory” will place Chicago’s work in dialogue with…
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Highly Recommended Theater: ROMEO & JULIET (The Curtain in Jersey City)
The Curtain — Jersey City’s premier classical theatre — has opened their Jazz Age adaptation of William Shakespeare’s classic Romeo & Juliet, directed and adapted by producing artistic director Sean Hagerty. Leading the cast are Italian actress and Venice Film Festival Pasinetti Award winner Anita Pomario (The Macaluso Sisters) in her American stage debut as ‘Juliet’; and Aria…
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Broadway Review: PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (The Music Box Theatre)
A VICTORY LAUGH Purlie Victorious, written by the late Ossie Davis, is a brilliant, funny, moving play that premiered on Broadway in 1961, with Mr. Davis in the title role. The initial production was a hit that ran for 261 performances before touring nationally (the 1970 musicalized version, Purlie, largely utilizing Davis’s play, ran for…
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Recommended Theater: A CHRISTMAS CAROL (Summoners Ensemble Theatre at the Merchant’s House)
WHAT? THE DICKENS! Nothing can keep a good Carol down. Beginning November 28, 2023, Summoners Ensemble Theatre’s A Christmas Carol at the Merchant’s house will indeed return for its 11th season. But like a ghost that visits magically in the night, these ghosts will attend you in person. In what year more than 2023 do…
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Off-Broadway Review: AT THE ILLUSIONIST’S TABLE (The McKittrick Hotel)
UNIQUE, DELICIOUS, ENTERTAINING, MAGICAL No matter how many times illusionists deceive our eyes and mentalists read our minds, we are always amazed by their feats. This is certainly true of Scott Silven, whose performances are especially stylish and smart. This fall for a limited run, Silven’s At the Illusionist’s Table returns for the fifth time…
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Broadway Review: PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (The Music Box Theatre)
A VICTORIOUS ROMP In Ossie Davis’s 1961 play Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch–which opened last night at The Music Box Theatre–all the black residents of contemporary Cotchipee county, Georgia, work on Ol’ Cap’n Cotchipee’s (Jay O. Sanders) cotton plantation. They live on his land, in shacks that he owns, and owe…
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Interview: DREW DROEGE (currently performing in Off-Broadway’s TITANÍQUE)
TITAN OF LAUGHS Drew Droege has stepped into the role of Ruth, Rose’s mother, after Titaníque’s first year of performances at Off-Broadway’s Daryl Roth Theatre. He’s performed two solo shows in New York at the Soho Playhouse: Bright Colors and Bold Patterns, and Happy Birthday Doug. In L.A., he’s done Die Mommie Die!, Bitches, The…
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Highly Recommended Off-Broadway: FARíNDULA (Jazz Vilá Comedy at Repertorio Espaí±ol)
THE CUBAN THEATRICAL PHENOMENON OF THE LAST DECADE ARRIVES IN NYC One of my favorite places to see plays in NYC is also NYC’s most prominent Latino theatre companies: Repertorio Espaí±ol. Performed in Spanish with easy-to-read supertitles in English, the plays are always original and thrilling. Now comes Farándula, which will premiere September 28–October 1,…
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Recommended Off-Broadway: EDGAR OLIVER’S RIP TIDE (World Premiere by Axis Theatre Company)
Rip Tide Axis Theatre Company Axis Theatre, 1 Sheridan Square runs October 4–28, 2023; Wed-Sat at 8 for tickets (free-$40), visit Axis Directed by Axis Theatre Company founder Randall Sharp, Rip Tide, a new play written and performed by Edgar Oliver, takes audiences back to where it all began for the New York City icon….
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Off-Broadway Review: INFINITE LIFE (Atlantic Theater Company and National Theatre at the Linda Gross)
INFINITE PLAYWRITING Co-produced by Atlantic Theater Company and National Theatre, the one-hour and 45-minute production (no intermission) is Annie Baker’s best play to date. At least from my past three experiences of the admired Circle Mirror Transformation, The Flick, and John. The play is set two hours north of San Francisco. The set design by…
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Recommended Off-Broadway: HELL’S KITCHEN (The Public Theater)
GREAT STUFF IS COOKING IN THIS KITCHEN The world premiere of new coming-of-age musical, HELL’S KITCHEN, with music and lyrics by New York’s own 15-time Grammy Award winner Alicia Keys and playwright Kristoffer Diaz (The Elaborate Entrance of Chad Diety), now in previews at The Public Theater with the official opening on November 19, 2023….
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Off-Broadway Review: ANNE BEING FRANK (28th Street Theatre)
A FRANK PORTRAYAL Perhaps the most famous quote from Anne Frank: Diary of a Young Girl is “Despite everything, I believe that people are really good at heart.” However, these words were written before the Frank family was discovered in the secret annex and sent to concentration camps. Would Anne have had the same sentiments…
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Cabaret Review: JUST PLAY (Cady Huffman and Mary Ann McSweeney at Birdland)
When Cady Huffman walks onto the stage and starts singing, backed only by Mary Ann McSweeney’s bass, people may wonder just what kind of show they’re going to see. But only a few more minutes into Just Play, the audience at Birdland on August 31 knew exactly what the show would be: wonderful. Of course,…


















