Areas We Cover
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New York
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Theater Review: BOOP! THE BETTY BOOP MUSICAL (Pre-Broadway World Premiere at CIBC Theatre in Chicago)
BOOP! BOPS, HOPS, AND PLOPS Light-hearted, rather silly, and occasionally preachy, BOOP! The Betty Boop Musical could have been so much more. Betty Boop seems an unlikely candidate for revival considering that her fame is almost entirely confined to cartoons animated by Max Fleischer in the 1930s. Although she has gained new fans through merchandising,…
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Off-Broadway Review: SABBATH’S THEATER (The New Group at Pershing Square Signature Center)
TERRIFIC TURTURRO, MARVELOUS MARVEL, CUNNING KRAVITS AND RIOTOUS ROTH: DON’T MISS SABBATH’S THEATER The New Group‘s production of Sabbath’s Theater is a perfect adaptation of Philip Roth’s eponymous 1995 novel. This picaresque, transgressive tale of love and loss, life and death, takes place on Arnulfo Maldonado‘s black almost-bare stage with Jeff Croiter‘s very subtle lighting…
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Off-Broadway Review: AMID FALLING WALLS (TSVISHN FALNDIKE VENT) (Edmond J. Safra Hall at the Museum of Jewish Heritage)
WE LIVE FOREVER When people think of Jews during the Holocaust (if they think of the Holocaust at all) they picture old and young passively assembling for deportation to concentration camps or lining up submissively to be sent to the gas chambers. But National Yiddish Theatre Folksbiene’s newest offering Amid Falling Walls (Tvishn Falndike Vent)…
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Dance Review: DANCING WITH GLASS: THE PIANO ETUDES (Joyce Theatre)
GLASSING WITH DANCE It was a packed house at The Joyce last Friday for a new program, Dancing with Glass: The Piano Etudes. What’s the buzz? Well, surely it was that both Justin Peck and Lucinda Childs were each offering their own dance interpretations of a Philip Glass etude. The other featured choreographers are Chanon…
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Broadway Review: HARMONY (Barrymore Theatre)
HARMONY IS A MUST-SEE I absolutely recommend Harmony, which made a transfer from Off-Broadway to Broadway after being tinkered with for years. Composer Barry Manilow and librettist/lyricist Bruce Sussman’s entertaining, surprisingly melancholic new musical depicts the real-life story of the all-male singing ensemble, the Comedian Harmonists. With buttery, close harmonies, an excellent cast, and Warren Carlyle‘s fluid…
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Dance Review: COMMON GROUND(S) / THE RITE OF SPRING (Pina Bausch Tour at Park Avenue Armory)
THE RITE OF BAUSCH As part of an international tour, this outstanding New York premiere which opened last night showcases a double bill: The Rite of Spring features Pina Bausch’s monumental choreography and Common Ground[s] pays tribute to her by partners at the Pina Bausch Foundation, École des Sables, and Sadler’s Wells. Germaine Acogny and…
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Broadway Review: MONTY PYTHON’S SPAMALOT (St. James)
NOT DEAD YET, BUT CLOSE Another revival of the sometimes sassily sophomoric Spamalot, or rather Monty Python’s Spamalot, slammed onto Broadway with a hot-to-trot, eager-beaver and carnivorously comic production filled with Python’s “take no prisoners” spoofery, where every gag, sight or sound is grist for a very silly mill, especially that flying cow. Michael Urie,…
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Highly Recommended Off-Broadway: LIFE AND TIMES OF MICHAEL K (St. Ann’s Warehouse in DUMBO, Brooklyn)
St. Ann’s Warehouse will present the American premiere of Life & Times of Michael K, the Baxter Theatre Centre / Düsseldorfer Schauspielhaus puppet theater production adapted from J.M. Coetzee’s 1983 award-winning novel. The show will run November 29-December 23. South African director Lara Foot adapted the novel in collaboration with the Tony Award-winning Handspring Puppet Company (War Horse). Life…
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Highly Recommended Off-Broadway: MAKE ME GORGEOUS! (Playhouse 46 at St. Luke’s)
A GORGEOUS SHOW! Make Me Gorgeous! is the reworking of Mr. Madam by Donald Horn (aka Donnie) that premiered in Portand, Oregon, at triangle — one the oldest queer-identified theaters in the US — starring triple-threat Wade McCollum as Kenneth/Kate Marlowe. It now has a new name, but the same playwright and actor have brought…
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Highly Recommended Off-Broadway: HYPNOTIQUE (The Club Car at McKittrick Hotel)
THE McKITTRICK HOTEL, HOME OF SLEEP NO MORE, EXTENDS LATE NIGHT SULTRY SPECTACLE H Y P N O T I Q U E ALL-NEW NOCTURNAL EXPERIENCE EXTENDED Performances have been extended again on Friday and Saturday nights at 10:30 — with tickets on sale through March 30, 2024 — for Hypnotique – A Late Night Sultry Spectacle….
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Highly Recommended Album: MERRILY WE ROLL ALONG (New Broadway Cast Recording)
IT’S MERRILY‘S TIME It’s here today! Sony Masterworks Broadway has released the digital version of the New Broadway Cast Recording of Stephen Sondheim and George Furth’s MERRILY WE ROLL ALONG, alongside the official music video for the title track – watch here. The physical CD is set for release on January 12, 2024 and available now for preorder here. The show is a big,…
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Interview: JELANI REMY (currently performing in Broadway’s Back to the Future: The Musical)
REMY OH MY Hill Valley has been recreated at the Winter Garden Theatre, where Back to the Future: The Musical opened in September. Speeding up to 88 miles per hour, Marty McFly (Casey Likes) is transported back to 1955 in a time machine, built by the eccentric scientist Doc Brown (Roger Bart). The course of history…
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Off-Broadway Review: ARCADIA (BEDLAM at West End Theater)
THIS COMPANY KNOWS HOW TO QUARK IT One of Tom Stoppard’s most accessible plays gets a fine Off-Broadway revival by Bedlam Theatre Company. Like a very cerebral whodunit, the plot of Arcadia follows Thomasina Coverly, who in 1809 is a gifted teenager with very advanced ideas about physics and math. She studies with Septimus Hodge,…
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Interview: SANTINO FONTANA (appearing in Classic Stage Company’s ‘I Can Get It For You Wholesale’)
HIS BRILLIANT CAREER…CONTINUED Twelve years ago, Stage and Cinema’s Gregory Fletcher interviewed Santino Fontana for his 2011 performance in Roundabout’s Sons of the Prophet, for which he won a Lucille Lortel, Obie, and Outer Critics Circle Award. The New York Times theater critic Charles Isherwood raved about Fontana’s “sensitive performance” and introduced him as “one…
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Off-Broadway Dance/Opera Review: WATCH NIGHT (World Premiere at Perelman Performing Arts Center)
AN UNNECESSARILY HEAVY NIGHT COULD HAVE YOU CHECKING YOUR WATCH Bill Rauch, who guided the Oregon Shakespeare Festival from 2007 to 2019, is now the inaugural artistic director of the Perelman Performing Arts Center (PAC NYC). The first commissioned production under his watch is Watch Night, a major new work composed by Tamar-kali, with a libretto…
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Highly Recommended Off-Broadway Theater: HELL’S KITCHEN (The Public Theater)
GREAT STUFF IS COOKING IN THIS KITCHEN The world premiere of new coming-of-age musical, HELL’S KITCHEN, with music and lyrics by New York’s own 15-time Grammy Award winner Alicia Keys and playwright Kristoffer Diaz (The Elaborate Entrance of Chad Diety), now in previews at The Public Theater with the official opening on November 19, 2023….
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Highly Recommended Concert: CHRISTMAS TIME IN THE CITY (Church of St. Paul the Apostle)
SO, YOU WANNA SEE STARS AT CHRISTMAS TIME… OK, Christmas is coming, New Yorkers! With choral performances, cabarets, Broadway singers, and music concerts playing all over the city, it can be tough to choose the best. Well, how about a night with all four? On Thursday, December 7, 2023, at 8pm, The Church of St….
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Recommended Jazz Concert: KERSTEN STEVENS & CHRISTIAN MCBRIDE (“Queen Rising” City Winery NY)
Kersten Stevens, queen of the violin, launches her much anticipated fifth album Queen Rising, which includes the single “Release The Grace,” an ode to Luther Vandross. Be the first to see Kersten perform original songs and newly recorded tracks along with Christian McBride at City Winery – The Loft on November 27, 2023 at 7:30pm. Along…
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Off-Broadway Review: THE REFUGE PLAYS (Laura Pels Theatre at the Harold and Miriam Steinberg Center)
TAKING REFUGE IN THEATER Where does one find refuge? Is it somewhere in this physical world or on the spiritual plane? Or is there some intersectional vortex where the two meet and handily co-exist? Possibly in a hand-hewn house with no address, maybe off the grid and deep in the Illinois woods? In Nathan Alan…
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Cabaret Review: A PLACE FOR US: A CELEBRATION OF JEWISH BROADWAY (Ari Axelrod)
ARI AXELROD HAS FOUND HIS PLACE Considering how many Jewish musicians have written for Broadway, it must have been difficult for Ari Axelrod to choose the repertoire for his new cabaret show, A Place for Us: A Celebration of Jewish Broadway. Nevertheless, the show represents a wide range of songwriters, from Rodgers and Hammerstein to…



















