Areas We Cover
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New York
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Opera Review: AMAHL AND THE NIGHT VISITORS (The Met and Lincoln Center Theater at Mitzi E. Newhouse)
A CHRISTMAS MIRACLE, UP CLOSE AND BREATH-BY-BREATH Opera this intimate feels less like a performance and more like a shared act of wonder This holiday season, multi-Grammy Award winner and Olivier Award–winning star Joyce DiDonato made opera feel truly intimate—an entirely new experience for me. She brought her formidable talent to a brand-new production of…
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Off-Broadway Review: BASIL TWIST’S PUPPET PARTY (HERE Arts’ Dorothy B. Williams Theatre)
One of the great pleasures of New York City is that it’s a place where it feels perfectly normal to hear someone say, “I’m headed to SoHo to see an adult Christmas puppet show,” and mean it sincerely. Now in its 26th year, Basil Twist’s Puppet Parlor, playing at HERE Arts Center, has become exactly…
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Off-Broadway Review: ANNA CHRISTIE (St. Ann’s Warehouse)
ANNA CHRISTIE RIDES THE TIDE AGAIN An early O’Neill, boldly staged, will sweep you into a fog-shrouded world of fate, forgiveness, and hard-won grace. “A rich and salty play,” wrote one critic of Anna Christie when it premiered in New York in 1921. “Written with abundant imagination,” claimed another. Yet a third critic called the…
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Concert Review: A PLACE CALLED HOME (NY Pops with Megan Hilty and Essential Voices USA)
THERE’S NO PLACE LIKE A PLACE CALLED HOME A late-season course correction that feels like a homecoming Christmastime is filled with traditions. And one of the best ones in New York City is the New York Pops Christmas Concert, when the stage is bathed in rosy light, a wreath hangs from overhead, and the hall…
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Off-Broadway Review: TARTUFFE (New York Theatre Workshop)
MORAL ROT MASQUERADING AS VIRTUE Broderick underplays the zealot Tartuffe in Lucas Hnath’s contemporary take, but the cast keeps the comedy crackling The art of looking virtuous while being utterly fake is a talent as old as theater itself, and Molière’s Tartuffe remains the most iconic theatrical example. Having seen André De Shields’s sly, invigorating version…
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Off-Broadway Review: BEAU THE MUSICAL (The Distillery at St. Luke’s Theatre)
I FOUND A NEW BEAU FOR YOU But this wonderful new musical closes on January 4, 2026 at St. Luke’s There are two standout reasons to catch Beau the Musical, the moving and musically stirring new Off-Broadway production now playing at Theatre 154—aside from the fact that its cast of eight actor-musicians are both a…
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Theater Review: BIPOLAR & THE ENGLISH CHANNEL (Julie Ridge at Theatre Row)
ENDURANCE, MANIA, AND THE WILL TO SURVIVE A raw solo performance that turns lived experience into hard-earned clarity Bipolar disorder, marked by its vertiginous highs and devastating lows, is an incurable condition that exacts a profound toll on those who live with it. Yet within this relentless struggle, many who are afflicted demonstrate a remarkable…
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Off-Broadway Review: THE SLIDE IS THE NEGATIVE (The Chain Theatre)
ALL TELL AND NO SHOW MAKES FOR A DULL OUTING Jake Shore’s thriller talks itself into submission ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ It’s the middle of the night when Joe (Ryan Tramont) hears pounding at his door. It’s his friend Barry (Brad Fryman), summoned in a panic because Joe claims…
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Off-Broadway Review: QUEENS (Manhattan Theatre Club at New York City Center)
AN EXCEPTIONAL ENSEMBLE IN A CROWDED PLAY Immigrant stories echo through a Queens basement — and across decades ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Queens is a New York borough unlike any other, celebrated as the most linguistically diverse place on Earth. Between 160 and 500 languages are spoken across its…
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Broadway Review: CHESS (Imperial Theatre)
WHEN SUPERPOWERS SING Broadway’s new revival of Chess thrills more than it confounds ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Welcome to our Cold War Musical!” That greeting — from the narrator (aka Arbiter) of Chess, the famed rock opera now being revived on Broadway with a starry cast and new book…
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Off-Broadway Review: A CHRISTMAS CAROL (Perelman Performing Arts Center)
A BELOVED CLASSIC REBORN WITH BELL CHOIRS, SNOWFALL & HEART ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Are you fond of bell choirs, Christmas carols, indoor snow, and classic holiday tales? Then you’ll want to make your way to the PAC, where the Old Vic’s production of A Christmas Carol opened last…
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Off-Broadway Review: GOTTA DANCE! (York Theatre)
GOTTA SEE THIS SHOW! ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ I’ve been a fan of American Dance Machine since I was a kid in the 1980s—a company devoted to restaging Broadway choreography with museum-level precision and theatrical verve. Part artifact, part history lesson, and wholly a celebratory toast to Broadway’s golden-age…
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Off-Broadway Review: THE SURGEON AND HER DAUGHTERS (Colt Coeur at Theatre 154)
A PLAY HELD TOGETHER BY BANDAGES: SCALPAL, PLEASE Colt Coeur’s world premiere of The Surgeon and Her Daughters, written by Chris Gabo, is a play of ideas—debates volleyed across generations, races, and cultures. Yet for all its verbal sparring, very little actually happens over the course of its two hours. It isn’t until the end…
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Off-Off-Broadway Review: DIRTY BOOKS (Bated Breath)
“TOWN OF NASTY” AND OTHER THINGS WE BLURT OUT FOR FREE SPEECH Immersive pulp fiction where the audience writes the filth The world premiere of Dirty Books is an immersive play written and directed by Mara Lieberman, which opened November 13 at Bated Breath Theater—a decidedly Off-Off-Broadway adventure. Part art installation, part scripted play, part…
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Off-Broadway Review: PRACTICE (Playwrights Horizon)
THE MARATHON OF MAKING ART A process piece that asks as much of the audience as the ensemble Perhaps the title of Nazareth Hassan’s new play Practice, which opened at Playwrights Horizons tonight, was inspired by the old joke: “How do you get to Carnegie Hall? Practice, practice, practice.” Fittingly enough, the play follows a…
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Broadway Review: OPERATION MINCEMEAT (Golden Theatre)
A RIPPING GOOD YARN WITH A JOLLY GOOD CAST OPERATION MINCEMEAT EXTENDS ON BROADWAY When I first encountered Operation Mincemeat at Riverside Studios in London back in 2022, it was a scrappy, spirited affair that, while brimming with potential, occasionally left one scratching one’s head. Fast forward to its Broadway debut at the Golden Theatre,…
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Theater Interview: RUTH STERNBERG (Currently playing Mr. Fitzpatrick, the Stage Manager in “The Seat of Our Pants” at the Public Theater)
FROM CALLING CUES TO TAKING THEM Ruth Sternberg on her unexpected return to The Public— this time as an actor For nearly two decades, Ruth Sternberg was one of the steady, unseen engines of The Public Theater—an institutional pillar whose work shaped everything from Hair in the Park to the explosive rise of Hamilton. After…


















