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New York
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Off-Broadway Review: BEAU THE MUSICAL (The Distillery at St. Luke’s Theatre)
I FOUND A NEW BEAU FOR YOU But this wonderful new musical closes on January 4, 2026 at St. Luke’s There are two standout reasons to catch Beau the Musical, the moving and musically stirring new Off-Broadway production now playing at Theatre 154—aside from the fact that its cast of eight actor-musicians are both a…
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Theater Review: BIPOLAR & THE ENGLISH CHANNEL (Julie Ridge at Theatre Row)
ENDURANCE, MANIA, AND THE WILL TO SURVIVE A raw solo performance that turns lived experience into hard-earned clarity Bipolar disorder, marked by its vertiginous highs and devastating lows, is an incurable condition that exacts a profound toll on those who live with it. Yet within this relentless struggle, many who are afflicted demonstrate a remarkable…
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Off-Broadway Review: THE SLIDE IS THE NEGATIVE (The Chain Theatre)
ALL TELL AND NO SHOW MAKES FOR A DULL OUTING Jake Shore’s thriller talks itself into submission ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ It’s the middle of the night when Joe (Ryan Tramont) hears pounding at his door. It’s his friend Barry (Brad Fryman), summoned in a panic because Joe claims…
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Off-Broadway Review: QUEENS (Manhattan Theatre Club at New York City Center)
AN EXCEPTIONAL ENSEMBLE IN A CROWDED PLAY Immigrant stories echo through a Queens basement — and across decades ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Queens is a New York borough unlike any other, celebrated as the most linguistically diverse place on Earth. Between 160 and 500 languages are spoken across its…
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Broadway Review: CHESS (Imperial Theatre)
WHEN SUPERPOWERS SING Broadway’s new revival of Chess thrills more than it confounds ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Welcome to our Cold War Musical!” That greeting — from the narrator (aka Arbiter) of Chess, the famed rock opera now being revived on Broadway with a starry cast and new book…
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Off-Broadway Review: A CHRISTMAS CAROL (Perelman Performing Arts Center)
A BELOVED CLASSIC REBORN WITH BELL CHOIRS, SNOWFALL & HEART ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Are you fond of bell choirs, Christmas carols, indoor snow, and classic holiday tales? Then you’ll want to make your way to the PAC, where the Old Vic’s production of A Christmas Carol opened last…
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Off-Broadway Review: GOTTA DANCE! (York Theatre)
GOTTA SEE THIS SHOW! ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ I’ve been a fan of American Dance Machine since I was a kid in the 1980s—a company devoted to restaging Broadway choreography with museum-level precision and theatrical verve. Part artifact, part history lesson, and wholly a celebratory toast to Broadway’s golden-age…
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Off-Broadway Review: THE SURGEON AND HER DAUGHTERS (Colt Coeur at Theatre 154)
A PLAY HELD TOGETHER BY BANDAGES: SCALPAL, PLEASE Colt Coeur’s world premiere of The Surgeon and Her Daughters, written by Chris Gabo, is a play of ideas—debates volleyed across generations, races, and cultures. Yet for all its verbal sparring, very little actually happens over the course of its two hours. It isn’t until the end…
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Off-Off-Broadway Review: DIRTY BOOKS (Bated Breath)
“TOWN OF NASTY” AND OTHER THINGS WE BLURT OUT FOR FREE SPEECH Immersive pulp fiction where the audience writes the filth The world premiere of Dirty Books is an immersive play written and directed by Mara Lieberman, which opened November 13 at Bated Breath Theater—a decidedly Off-Off-Broadway adventure. Part art installation, part scripted play, part…
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Off-Broadway Review: PRACTICE (Playwrights Horizon)
THE MARATHON OF MAKING ART A process piece that asks as much of the audience as the ensemble Perhaps the title of Nazareth Hassan’s new play Practice, which opened at Playwrights Horizons tonight, was inspired by the old joke: “How do you get to Carnegie Hall? Practice, practice, practice.” Fittingly enough, the play follows a…
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Broadway Review: OPERATION MINCEMEAT (Golden Theatre)
A RIPPING GOOD YARN WITH A JOLLY GOOD CAST OPERATION MINCEMEAT EXTENDS ON BROADWAY When I first encountered Operation Mincemeat at Riverside Studios in London back in 2022, it was a scrappy, spirited affair that, while brimming with potential, occasionally left one scratching one’s head. Fast forward to its Broadway debut at the Golden Theatre,…
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Theater Interview: RUTH STERNBERG (Currently playing Mr. Fitzpatrick, the Stage Manager in “The Seat of Our Pants” at the Public Theater)
FROM CALLING CUES TO TAKING THEM Ruth Sternberg on her unexpected return to The Public— this time as an actor For nearly two decades, Ruth Sternberg was one of the steady, unseen engines of The Public Theater—an institutional pillar whose work shaped everything from Hair in the Park to the explosive rise of Hamilton. After…
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Broadway Review: LITTLE BEAR RIDGE ROAD (Booth)
WHERE LONELINESS ECHOES AND CONSTELLATIONS ARE CALLING She gets up at dawn and is asleep by eight. She lives alone and doesn’t like people. Nobody at the hospital (where she’s worked for forty years) likes her. She watches TV and complains non-stop. In short, she’s thoroughly disagreeable. But what can you do if she’s your…
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Off-Broadway Review: RICHARD II (Red Bull Theater at Astor Place Theater)
GLAMOUR BEFORE THE FALL A pansexual Richard II struts through power, pleasure, and ruin in the 1980s In its current staging at the Astor Place Theatre, Red Bull Theater serves up a Richard II for 2025 with lots of flash and style (some over substance). Director Craig Baldwin, who also adapted Shakespeare’s history play, leans…
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Off-Broadway Review: ARCHDUKE (Roundabout Theatre Company at Laura Pels)
THE SANDWICHES THAT COULD HAVE CHANGED THE WORLD A wickedly funny revision of history delights even as it faces catastrophe All they ever wanted was a sandwich… That’s the revised motivation for the young Bosnian conspirators who plotted to assassinate Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, in 1914. It’s posited by playwright Rajiv…
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Off-Broadway Review: KYOTO (Royal Shakespeare Company at Lincoln Center’s Mitzi E. Newhouse Theater)
“It will never be forgiven.” With those chilling words, delivered just days ago, the UN climate chief branded our reckless indulgence in fossil-fueled destruction as a transgression so grave it stains the conscience of humankind, and he is not being dramatic! From Stratford-upon-Avon to London’s West End, and now at the Mitzi E. Newhouse Theater…
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Concert Review: LET’S GET AWAY FROM IT ALL (Michael Feinstein at Carnegie Hall)
NO PLACE LIKE HOME— UNLESS MICHAEL FEINSTEIN TAKES YOU THERE Let’s Get Away From It All proves the Great American Songbook is still first-class travel When Michael Feinstein opened his show Let’s Get Away From It All at Zankel Hall with the question, “Is there anybody that doesn’t want to get away?” the answer came…
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Off-Broadway Review: MESSY WHITE GAYS (The Duke)
THE ONLY THING STRAIGHT IN THIS ROOM IS THE LINE TO THE CREDENZA Messy White Gays—which opened November 2 at Off-Broadway’s Duke on 42nd Street—is a contemporary drawing-room comedy, a modern spin on the comedy of manners, built on witty exchanges, social commentary, and the absurdities of its characters. Classic models include Oscar Wilde’s The…


















