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New York
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Off-Broadway Review: THE HONEY TRAP (Irish Repertory Theatre)
SWEET LIES, STICKY MEMORIES, BITTER GUILT; THE HONEY TRAP STINGS AT IRISH REP In Northern Ireland, The Troubles only ended some 25-30 years ago, though their tensions and legacies reach far deeper into time. Today, Leo McGann‘s play The Honey Trap, now at the Irish Repertory Theatre, reminds us that it was never a tidy…
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Off-Broadway Review: AND THEN WE WERE NO MORE (Stop the Wind Theatricals at La MaMa)
Justice without mercy becomes punishment, and mercy without justice becomes apathy. But how do we strike the balance when the system and the society behind it seem to have forgotten both? In And Then We Were No More, playwright Tim Blake Nelson invites us into a future so plausible it stings, in an unnamed state…
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Concert Review: FLAMING SEPTEMBER (Justin Vivian Bond at St. Ann & The Holy Trinity Church)
MORE FAITHFULL THAN EVER According to Justin Vivian Bond, thirty-five years ago, upon hearing Marianne Faithfull’s album Blazing Away recorded at St. Ann’s Church in Brooklyn, Viv said, “Someday I’m going to play her.” Then Arts at St. Ann’s moved to DUMBO in 2001 and became St. Ann’s Warehouse. But now, at last, as St….
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Theater Review: WEATHER GIRL (St. Ann’s Warehouse)
WEATHER FORECAST: FUNNY AND SUNNY WITH A CHANCE OF ARMAGEDDON In recent years, I have watched a wave of productions by Millennial and Gen Z artists who are, quite understandably, petrified by the future and by the ecological catastrophe we have handed them. Francesca Moody Productions, the British powerhouse behind two of the most successful…
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Off-Broadway Review: THE OTHER AMERICANS (Public Theater)
JOHN LEGUIZAMO’S THE OTHER AMERICANS IS RIFE WITH POTENTIAL THAT’S NOT ALWAYS REALIZED — MUCH LIKE THE AMERICAN DREAM ITSELF There are many kinds of Americans. Some were born here. Some emigrated here. Some were forcibly brought here. But whatever the mode of initial arrival, in time, we all eventually become Americans — enamored of…
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10 SMART WAYS TO PROTECT YOUR PERSONAL DATA ONLINE IN 2025?
Your personal data is like a diary. It holds small details of your life that may seem harmless alone but can reveal much together. Small care mistakes can make that diary public. This includes leaving private parts exposed to strangers. That is why online safety needs your attention in 2025. Start with one easy move:…
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Off-Broadway Review: BREAKING THE FIFTH WALL (Lou Wall at SoHo Playhouse and on Tour)
LOU WALL SLAYS, AND THAT’S NO LIE Whether a comedian is obligated to tell the truth in their act comes up in mainstream discourse every once and a while. Plenty of comedians start a comedy bit with “You know, a funny thing happened to me on my way over here,” knowing full well it happened…
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Art | Theater Review: SUBMERGE: BEYOND THE RENDER (ARTECHOUSE NYC at Chelsea Market)
DIGITAL DREAMS, SUPERCHARGED What happens when you combine a century-old boiler room, an army of graphics processing units (GPUs), and some of the most imaginative digital artists? You get SUBMERGE: Beyond the Render, a new exhibition by Artechouse. Now in its second edition, SUBMERGE is an immersive art show, part gallery and part creative experiment….
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Off-Broadway Review: AMAZE (Jamie Allan at New World Stages)
Years ago, all a magician needed was a top hat and a live rabbit. Magic has come a long way. Jamie Allan’s Amaze uses props, videos, projections and cell phones to do exactly what the title of his show predicts. But Allan does much more than simply overwhelm the audience with slights of hand and…
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Off-Broadway Review: THE WILD DUCK (Theatre for a New Audience at Polonsky Shakespeare Center)
THE WILD DUCK TAKES FLIGHT: TRUTH, LIES AND QUACKING DELUSIONS While Shakespeare agonized over “to be or not to be,” Henrik Ibsen was more concerned with “why is everyone being so fake?” It’s existential dread versus emotional fraud, and I thought of these two drama kings because The Wild Duck, Ibsen’s play on delusion and…
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Broadway Review: ART (Music Box Theatre)
THE FINE ART OF A THREE-MAN MASTERPIECE Yasmina Reza’s Art returned to Broadway last night starring Neil Patrick Harris, Bobby Cannavale, and James Corden, and it is a tight, acidic joyride through ego and insecurity, wickedly funny. If you have ever done the silent math of friendship: who listens, who cares, who gives more, who…
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Off-Broadway Review: KINKAKUJI (Japan Society)
In Yukio Mishima’s KINKAKUJI, currently playing at Japan Society, the impeccably cast Major Curda is mesmerizing as Mizoguchi, a Zen monk-in-training who, in 1950, ends up burning down the Kinkakuji Temple. The one-man show, scripted by director Leon Ingulsurd and Mr. Curda, and adapted from Mishima’s fact-based novel The Temple of the Golden Pavilion, explores…
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Off-Broadway Review: EXORCISTIC: THE ROCK MUSICAL (Asylum NYC)
THIS SOW BELONGS TO EVERYBODY There’s the actor’s nightmare, there’s nightmare productions, and then there’s Excorcistic: The Rock Musical which is nightmarishly twisted and sick. But don’t worry, it’s a good thing here. The horror musical genre is alive and well, from classics like Sweeney Todd to rock musical adaptations of horror films like Evil…
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Off-Broadway Review: PERICLES: A PUBLIC WORKS CONCERT EXPERIENCE (The Public at Cathedral of St. John the Divine)
When I hear the name Pericles, I naturally think of the great Athenian statesman who helped shape democracy in the 5th century BC, a true hero of history. It is amusing that Shakespeare and George Wilkins borrowed the name for a completely different hero, reworking in 1609 the soapy medieval legend of Apollonius of Tyre…
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Off-Off-Broadway Review: DESTINATION UNDEFINED (Cellunova Productions at Theatre 154)
WHEN CIVILIZATION CRASHES IN QUIET MODE Cellunova Productions‘ latest outing, Destination Undefined ventures into the future with a provocative premise that might make you reconsider your stance on artificial intelligence and the human-like robots that may be heading our way if playwright Changshuo Liu’s predictions prove prescient. Victor Gao, Lyra Lys, Jueun Kang, Tom Shane…
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Off-Broadway Review: TWELFTH NIGHT (The Public Theater at Delacorte in Central Park)
YOU WILL ABSOLUTELY WHAT YOU WILL While we are still grappling with questions of gender, identity, and societal roles like troglodytes, we need to remember that Shakespeare was exploring these human complexities with intelligence, nuance, and humor over 400 years ago. In Twelfth Night, written around 1601, he crafted a brilliant pastiche of mistaken identities,…
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Broadway Review: JEFF ROSS: TAKE A BANANA FOR THE RIDE (Nederlander Theatre)
JOIN THIS TOP BANANA FOR THE RIDE OF THE SUMMER If you’re heading to the Nederlander Theatre expecting Jeff Ross to come out swinging with savage roasts about Charlie Sheen’s liver or Elon Musk’s social skills, that ain’t Take a Banana for the Ride. Written and performed by the actor, this is not your typical…



















