Areas We Cover
Categories
Regional
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San Diego Theater Review: GUYS AND DOLLS (The Old Globe’s Donald and Darlene Shiley Stage)
A FEW BLEMISHES CAN’T MAR THIS BEAUTIFUL DOLL It’s amazing. Were this masterpiece from Broadway’s golden age an actual guy or doll, he or she would be scoring Social Security. But make no mistake, this 1950 hoofer is no worse for the wear, thanks to Frank Loesser’s timeless score and Jo Swerling and Abe Burrows’…
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London Theatre Preview: ANGELS IN AMERICA (National Theatre Live Screening)
ANGELS IN AMERICA APPROACHES In two sprawling works written in the 1980’s, Tony Kushner brought alive the American national scene of the 1980’s and early 1990’s, mixing raw naturalism with fantasy, dreams, visions, and hallucinations. It was, and remains today, a dazzling achievement that’s worth every minute of nearly eight hours of cumulative playing time….
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San Diego Theater Review: AT THE OLD PLACE (La Jolla Playhouse)
OUT OF PLACE Well, that was pointless. Entertaining to a point, but pointless. I had a feeling about two minutes into At the Old Place that something was wrong dramatically. A woman shows up to a run-down house in rural Raleigh, Virginia, and looks around with an unexpressive, almost tired, face, walks over to a…
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Dance Preview: THE RED SHOES (National Tour of Matthew Bourne’s Production)
MATTHEW BOURNE’S THE RED SHOES: U.S. TOUR BEGINS IN L.A. SEPTEMBER 15 Inspired by Hans Christian Andersen’s beloved fairy tale and Michael Powell and Emeric Pressburger’s legendary 1948 film The Red Shoes, Matthew Bourne and company (New Adventures) adapted the breathtaking story and created a theatrical ballet which took the U.K. by storm last year. After winding up its tour across…
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Los Angeles/Regional Theater Preview: THE TEMPEST (Shakespeare Orange County in Garden Grove)
ENCHANTED FORGIVENESS Shakespeare Orange County (SOC) has used local community members alongside professional actors to reinvent Shakespeare as a way to offer thoughts about inclusiveness and Southern California’s astoundingly diverse population with creative results. This way, the classical English literature combined with cultural aspects actually influences storytelling. And the community pride behind these productions is…
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San Diego Theater Review: ANIMAL CRACKERS (Cygnet Theatre Company)
A SWEET SAMPLING OF ANIMAL CRACKERS, ALBEIT A BIT DAY-OLD One can easily see why Animal Crackers was a Broadway hit from 1928-1929, followed by a successful movie version. Start with the zany Marx Brothers, add a variety of vaudeville style acts, connect it all with a wacky little plot and it has “Roaring Twenties”…
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Regional Theater Preview: THE GRAND TOUR (Pageant of the Masters in Laguna Beach)
TAKE A GRAND TOUR WITHOUT LEAVING YOUR SEAT Pageant of the Masters, now in its 83rd year, is a singularly unique entertainment that has perfected the art of tableaux vivants (“living pictures”). With world-class designers and over 600 volunteers (including actors and a research team), this elegant and classy outfit’”equal parts museum, play, concert, and lecture’”re-creates for…
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San Diego Theater Review: AIDA (Moonlight Stage Productions in Vista)
AIDA GETS THE AID IT NEEDS There are two beautiful reincarnations with Moonlight’s production of Aida, a 2000 Disney outing that never would have seen the light of day were it not for the celebrity and history of both composer Elton John and lyricist Tim Rice. The first is part of the musical’s plot: The…
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San Diego Theater Review: WITHERING HEIGHTS (The Roustabouts at Diversionary Theatre)
HOW’S THE WITHER? (JUST IN CASE YOU WERE WUTHERING…) A complicated nineteenth-century story of love and retaliation, featuring 13 characters, could be tough to pull off in ninety minutes in any case. For playwrights and co-performers Phil Johnson and Omri Schein, the challenge is heightened by the pair opting to play all thirteen in their two-man show. It…
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San Diego Theater Review: THE SPITFIRE GRILL (North Coast Repertory Theatre in Solana Beach)
GRILLED TO PERFECTION North Coast Rep’s rendition of James Valcq and Fred Alley’s simple musical The Spitfire Grill demonstrates two things: the redemptive power of acceptance, forgiveness and love; and just how a magnificent company can turn a problematic piece into a powerhouse of a revival. Released from prison, Percy (Aurora Florence) seeks a new life in Gilead, Wisconsin, a…
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San Diego Theater Preview: KING RICHARD II (The Old Globe’s Lowell Davies Festival Theatre)
“For God’s sake, let us sit upon the ground And tell sad stories of the death of kings.” Now through July 15, 2017, Robert Sean Leonard (TV’s House, The Old Globe’s Pygmalion) returns to the Old Globe in San Diego to take on the title role of one of the greatest of Shakespeare’s towering cycle of…
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San Diego Theater Review: DAMN YANKEES (San Diego Musical Theatre at Spreckels Theatre)
DAMN, YANKEES DOESN’T HIT IT OUT OF THE PARK While many of Jerry Ross and Richard Adler’s songs from the 1955 Broadway classic hold up rather well, Douglass Wallop and George Abbott’s book isn’t tremendously captivating by 2017 standards. Oh, it’s a likeable-enough musical, but only a stellar production can sell this aging staple. San Diego Musical…
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San Diego Theater Review: SHOCKHEADED PETER (Cygnet Theatre Company)
WHAT A SHOCK In 1845, German psychiatrist Heinrich Hoffmann wrote a disturbing but popular children’s book featuring the perils of children who misbehave. A century and a half later, in 1998, the popular book was adapted for the stage by Improbable, a London theater company, and The Tiger Lillies, a cult British musical trio; together, they brought the stories…
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San Diego Theater Preview: THE IMAGINARY INVALID (Fiasco Theater at The Old Globe)
AN IMAGINARY IMAGINARY Back in March, Roundabout Theatre announced their plans for 2017. After collaborating with Fiasco Theater on their acclaimed paired-down production of Into the Woods in 2015, Roundabout has named Fiasco their company in residence. This means Fiasco will be provided with an artistic home and full use of Roundabout’s resources to continue developing their work….
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San Diego Theater Preview: THE OLD MAN AND THE OLD MOON (The Old Globe)
OLD MAN, OLD MOON, OLD GLOBE Having seen PigPen Theatre Co.’s The Old Man and the Old Moon in Chicago, I can guarantee that gem of a theater experience will gently pluck at your heartstrings – just as it did with a successful run Off-Broadway’s Gym at Judson. Opening May 13 and running through June 18, 2017…
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Los Angeles Theater Review: WEST SIDE STORY (La Mirada Theatre for the Performing Arts)
A SUBURBAN WEST SIDE STORY Sadly, hate conquers all in West Side Story, but the love we see and feel can hold its own. Though over a half-century old, the Bernstein/Laurents/Sondheim/Robbins tour-de-force is, like its Shakespearean source, young as first love. You don’t revive it, you detonate it, as happens repeatedly in La Mirada’s mixed…
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Theater Feature: BRIDGE TO AFRICA! (B.R.I.D.G.E. Theatre Project in Kigali, Rwanda)
BRIDGE TO SOMEWHERE I once picked up a hitchhiker a half-mile from a state prison. It was dusk. He wore prison blues and carried a child’s backpack full of knives, cigarette lighters and Applebee’s gift cards. He didn’t smoke. He didn’t know what an Applebee’s was and could not pronounce the word. I failed to…
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San Diego Theater Review: FIRST DATE (San Diego Musical Theatre at Horton Grand Theatre)
A FIRST DATE THAT GOES WELL The device of having characters receive advice from a conscience or someone from their past is tried and true in musicals: They’re Playing Our Song‘s Vernon’s gets help from his Greek Chorus “boys”; Grease‘s Frenchy is (beauty)schooled by the Teen Angel; and now, First Date‘s Aaron and Casey get input, helpful…
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San Diego Theater Review: THE GEEZE AND ME (THE TENTH Avenue Arts Center)
IT’S WORTH SINGING ABOUT GETTING OLDER Perhaps the only thing worse than getting older is thinking about it. So when a nascent theater company puts on a show’”a musical no less’”about the fear and associated feelings regarding aging (and the odds of becoming what is referred to as a “Geeze”), some theatergoers may understandably be hesitant to…
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San Diego Theater Review: ON THE 20TH CENTURY (Cygnet Theatre Company)
A LONG RIDE ON THE TWENTIETH CENTURY In today’s world of seeing T-shirts in fancy restaurants, it’s almost difficult to envision that, once upon a time, people would dress to the nines for a 16-hour train ride, being attended to by spiffy stewards, waiters, and chefs. But that’s exactly what hundreds of New York’s elite did…



















