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Regional
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Dance Review: WHIPPED CREAM (American Ballet Theatre World Premiere)
WHIPPED INTO SUBMISSION Explaining the creation of his 1924 two-act ballet, Richard Strauss stated, “I cannot bear the tragedy of the present time. I want to create joy.” Thus was born Schlagobers, which premiered at the Vienna State Opera. More sweet than meat, it was meant to satiate the angst caused by a brutal world…
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Theater Review: PICASSO AT THE LAPIN AGILE (The Old Globe in San Diego)
THEATER’S BLUE PERIOD Steve Martin wrote Picasso at the Lapin Agile in 1993. The offbeat meta-theatrical play opened at Chicago’s Steppenwolf, went to Los Angeles’s Westwood (now Geffen) Playhouse, and ended up in New York for a relatively successful run at Off-Broadway’s Promenade Theatre. The story (well, not “story” really; it’s more of an idea) concerns two…
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Regional Theater Review: FLORA & ULYSSES (South Coast Repertory in Costa Mesa)
SUPER SQUIRREL Flora & Ulysses, the best play I’ve seen all year, begins when Flora Buckman, a ten-year-old self-proclaimed “natural-born cynic”, saves the life of a squirrel using mouth-to-mouth resuscitation. You see, the squirrel had been sucked into a neighbor’s Ulys ses Super-Suction, Multi-Terrain 2000X vacuum cleaner. When the squirrel is revived, it has been blessed with both human thought…
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San Diego Theater Review: 9 TO 5 (San Diego Musical Theatre at Spreckels Theatre)
I COULD WATCH 9 TO 5 24/7 In 1980, an unlikely film trio, Lily Tomlin, Jane Fonda, and Dolly Parton, was the center of 9 to 5, an amusing feminist romp with lovable characters. Years later, Patricia Resnick took the screen play she co-authored and created the book for the stage version, featuring new music by Parton,…
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Regional Theater Preview: MOBY DICK (Lookingglass Theatre at South Coast Repertory in Costa Mesa)
A WHALE OF A PRODUCTION Moby Dick, Herman Melville’s 1851 whale of a tale (or tale of a whale), is as unsinkable as its title cetacean. It’s never been more so than in Lookingglass Theatre Company’s sensation staged and adapted by David Catlin. After an extended sell-out run in Chicago, Catlin now brings this thrilling…
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San Diego Theater Review: BAD JEWS (Cygnet Theatre)
BAD JEWS MAKES FOR GOOD THEATRE, BUT OY SUCH AGITA There’s an old joke: “What do you get if you put three Jews in the same room? Four opinions.” In Joshua Harmon’s Bad Jews, the joke is elevated to a new level when the three strikingly different people are two brothers, Liam and Jonah, and…
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Cabaret Review: JERRY HERMAN: THE BROADWAY LEGACY CONCERT (Samueli Theater at SCFTA)
JERRY HERMAN’S LEGACY ISN’T IN JEOPARDY, BUT  TRIBUTE CONCERTS ARE With  an evening of Jerry Herman tunes sung by Broadway powerhouses Ron Raines, Karen Morrow, Debbie Gravitte, Jason Graae and Scott Coulter (pictured left), what could go wrong? Not much. But not much was spectacular either. A pleasant outing for those strolling down memory lane, this tribute…
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Regional Theater Review: ALL THE WAY (South Coast Repertory in Costa Mesa)
MOST OF THE WAY Sick of politics? Miss the days when strongarm politicians got things done with blackmail, threats, and tit-for-tat backroom deals? Well, politics are exciting and inspiring again in Robert Schenkkan’s 2012 All the Way, which opened last weekend at South Coast Rep. The 3-hour docudrama begins on the day of Lyndon Baines Johnson’s…
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San Diego Theater Review: GYPSY (Cygnet Theatre)
A SCALED-DOWN GYPSY NONETHELESS GOES OFF THE SCALE Gypsy, the musical theater biography of striptease performer Gypsy Rose Lee, is really about Gypsy’s mother, Mama Rose, immortalized by Ethel Merman in the original 1959 production. Not just a chronicle of the superstar ecdysiast’s checkered childhood, Gypsy is a celebration of the addictive insanity of show business….
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San Diego Theater Preview: AIN’T MISBEHAVIN’ (North Coast Repertory Theatre in Solana Beach)
IN HARLEM’S WAY “One never knows, do one?” That’s the favorite catchphrase of Fats Waller (1904-1943), an irrepressible master of music. The 285-pound, cherubic-cheeked jokester genius is the powerhouse presence and driving dreamer behind Ain’t Misbehavin’, the still irresistible 1978 tribute revue from Murray Horwitz and Richard Maltby Jr. In this happy case, well, one…
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Regional Theater Preview: PARTNERS (Pageant of the Masters in Laguna Beach)
IT’S TIME TO PARTNER UP Pageant of the Masters, now in its 82nd year, is a singularly unique entertainment that has perfected the art of tableaux vivants (“living pictures”). With world-class designers and over 600 volunteers (including actors and a research team), this elegant and classy outfit’”equal parts museum, play, concert, and lecture’”re-creates for seated…
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Regional Theater Preview: A CHORUS LINE (Chance Theater in Anaheim)
THE MUSICAL WITH LEGS A Chorus Line remains as fresh as the day it appeared just over forty years ago, when the standard Broadway musical was already fading away, making room for the jukebox musicals and mostly hollow spectacles we are still forced to endure (Catstricide, anyone?). The miracle of A Chorus Line is that it is…
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Regional Theater Review: BAKERSFIELD MIST (Olney Theatre Center in Maryland)
THE FOGGIEST In a 2007 issue of Washington Post Magazine, Gene Weingarten recounts Joshua Bell’s 45 minutes busking in a D.C. Metro station. One of the world’s most famous violinists played Bach anonymously at rush hour, ignored by most commuters but appreciated by a few who stopped to enjoy unexpected beauty. Stephen Sachs tosses this anecdote…
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San Diego Theater Review: DINNER WITH MARLENE (Lamb’s Players Theatre in Coronado)
LAMB’S SERVES UP A TASTY DINNER WITH MARLENE There’s an old parlor game of trying to decide: If you could attend a dinner party and choose any guests you wanted around the table, whom would you select? For Eric Hanes, who visited Paris from Sweden in 1938, he might well have picked the people who…
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Chicago Theater Review: NICE WORK IF YOU CAN GET IT (Theatre at the Center in Munster, IN)
LET’S NOT CALL THE WHOLE THING OFF George Gershwin died no older than the equally immortal Mozart’”and, well, we can’t make or get enough of a Broadway blessing’s too-brief talent for tunes. The sturdy songs from his silly shows have been recently repurposed in Crazy for You, My One and Only, An American in Paris…
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Regional Music Preview: TANGO SONG AND DANCE (Augustin Hadelich, Joyce Yang and Pablo Sainz-Villegas in La Jolla and Irvine)
NOT YOUR AVERAGE VIOLINIST; NOT YOUR AVERAGE TANGO Coming up on April 15 and 16, 2016, in Irvine and La Jolla, acclaimed violinist Augustin Hadelich will be joined by dazzling pianist Joyce Yang and dynamic guitarist Pablo Villegas for an evening of Spanish-themed music built around André Previn’s three-part piece Tango Song and Dance, written…
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Los Angeles Theater Review: DREAMGIRLS (La Mirada Theatre & Valley Performing Arts Center)
KEEPING THE DREAM(GIRLS) ALIVE Dreamgirls opened on Broadway in 1981, won six Tony awards, and ran for nearly four years. Since then, the Michael Bennett musical has been revived, presented in concert, revised, made into a movie, played at high schools, community and regional theaters, and toured. Now at La Mirada Theatre we get a revival of…
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San Diego Theater Review: THE ROCKY HORROR SHOW (Cygnet Theatre)
GIVE YOURSELF OVER TO ABSOLUTE PLEASURE Those familiar with the movie version of The Rocky Horror Show may be shocked to find that there is no typo in the title of the stage version: Here, there is no “Picture” before “Show.” Before anyone had thoughts of a movie about the gang from Transsexual Transylvania, there…
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Los Angeles / Regional Theater Preview: THE MAN WHO SHOT LIBERTY VALANCE (Rubicon in Ventura)
A NEW BIRTH FOR LIBERTY Adapted from the short story by Dorothy M. Johnson that also inspired the legendary John Ford 1962 film, The Man Who Shot Liberty Valance is a classic tale of love, honor, ambition and revenge set against the backdrop of the American West. While Quentin Tarentino is valiantly keeping the oater…
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San Diego Theater Review: THE LAST MATCH (The Old Globe’s Sheryl and Harvey White Theatre)
WHOOSH! “All the world’s a stage,” Shakespeare memorably said. “And all the men and women merely players.” In a world premiere at the Old Globe, Anna Ziegler’s new play The Last Match successfully plays off the Bard’s famous monologue, equating tennis with life, athletic striving with human struggle, and delivering a deft, luminous play. Dueling it…



















