Areas We Cover
Categories
Regional
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Dance Preview: CHORÉ (Les Ballets de Monte-Carlo at Segerstrom Hall in Costa Mesa)
A HOLLYWOOD MUSICAL AS YOU’VE NEVER SEEN IT In 1993, H.R.H. the Princess of Hanover appointed Jean-Christophe Maillot as the head of Les Ballets de Monte-Carlo. Backed by his experience as a dancer under Rosella Hightower and Hamburg Ballet’s John Neumeier, Maillot – the previous choreographer-director of the National Choreographic Centre of Tours – has since…
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San Diego Theater Review: WHEN THE RAIN STOPS FALLING (Cygnet Theatre)
WHEN IT RAINS, IT SOARS Let’s start with the unavoidable down-side so we can end with the up-side. While Cygnet Theatre’s When the Rain Stops Falling is spectacular, it is terribly complicated and confusing. It’s challenging enough that the 2008 play time-jumps across four generations, sometimes with different actors playing the same character, but Australian playwright Andrew Bovell purposely holds…
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Los Angeles Theater Preview: EMPIRE (La Mirada Theatre for the Performing Arts)
A MUSICAL THAT REACHES FOR NEW HEIGHTS Built during the Depression between 1930 and 1931, the Empire State Building became the world’s tallest office building’”surpassing the Chrysler Building by a whopping 204 feet. The design of the building changed 16 times during planning and construction, but 3,000 workers completed the building’s construction in record time:…
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Los Angeles Theater Preview: CAPITOL STEPS (Carpenter Center in Long Beach)
A CAPITOL IDEA FOR THIS WEEKEND One of the funniest troupes in the country resides in our nation’s capitol–hence the name Capitol Steps. For almost 35 years, they have skewered and satirized our political shenanigans in a take-no-prisoners fashion. They take pop songs and musicals to parody politics and current events, but every time I see…
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Los Angeles / Regional Theater Preview: A CHRISTMAS CAROL (Rubicon in Ventura)
CREATING A NEW CAROL While Michigan-born illustrator Haddon Sundblom developed the popular image of Santa Claus for Coca Cola advertising in the 1930s, it was the Victorian era which introduced most of the Christmas customs still practiced worldwide, including the illuminated / decorated tree and holiday greeting cards. In 1843, Charles Dickens’ A Christmas Carol was published,…
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Los Angeles & San Diego Theater Reviews: RIO HONDO (Theatre of NOTE); INDECENT (La Jolla Playhouse)
SHOWS THAT TELL, SHOWS THAT SHOW A list of the most popular investigative themes for artistic works in 2015 would certainly include (1) art itself, particularly within the same medium, and (2) the relevance of identity politics to (1). With Indecent, which opened last week at the La Jolla Playhouse in a joint production with…
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National Tour Dance Review: TWYLA THARP – 50TH ANNIVERSARY TOUR (Auditorium Theatre in Chicago)
A HALF CENTURY OF HOOFING After 50 years of high-impact dancing, it’s worth taking a five-city victory lap. Twyla Tharp’s troupe, featured at Chicago’s Auditorium Theatre this weekend, is offering, however, no 110-minute retrospective: Two of the three offerings in Twyla Tharp’s 50th Anniversary Tour are new commissions (but very characteristic–no new ground broken here). Tharp’s 13 mature…
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London Theatre Preview: THE IMPORTANCE OF BEING EARNEST (Fathom Events / Vaudeville Theatre)
A TRIVIAL COMEDY FOR SERIOUS PEOPLE When all seven of London’s major papers give a show the highest rating possible, I’m infused with frustration that I couldn’t be on the other side of the pond. Especially when it’s Oscar Wilde’s classic play The Importance of Being Earnest. Written shortly before Wilde fell afoul of society’s…
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National Tour Dance Review: TWYLA THARP: 50TH ANNIVERSARY TOUR (Wallis)
TWYLA’S TWILIGHT While most American dance companies go on tour with a “best of” program, Twyla Tharp has refreshingly opted to offer two world premieres for her 50th Anniversary Tour, seen at the Wallis last night (the tour continues through November, 2015). Similar in structure but different in feel, both “Preludes and Fugues” and “Yowzie”…
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National Tour Theater Review: THE SOUND OF MUSIC (Ahmanson Theatre)
VON TOURIST TRAPP The original stage version of Rodgers and Hammerstein’s The Sound of Music was such a crowd pleaser that many are surprised to learn the 1959 Mary Martin vehicle received very mixed reviews. The umpteenth revival which opened last night as the onset of a national tour not only illuminates why this is…
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National Tour Theater Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER (Bank of America)
KILLING COUSINS Serial killers can be fun. In the film Theatre of Blood Vincent Price sardonically played a Shakespearean actor, a hate-filled ham who doggedly “offs” the critics who panned him. (He snuffs out each scribe in endgames inspired by the Bard.) Who’s Killing the Great Chefs of Europe? was a less important question than…
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San Diego Theater Review: LA CAGE AUX FOLLES (San Diego Musical Theatre)
OOH LA LA FOR LA CAGE AUX FOLLES If any gay activist ever derides this delightful musical, they would do well to remember just how radical La Cage aux Folles was when it hit Broadway in 1983 (the original play [1973] and film [1978] even more so). A third of a century later, it’s still…
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San Diego Theater Review: MASTER CLASS (ion theatre)
SCHOOLED BY CALLAS If you’ve ever been to a master class, then Terrence McNally’s Master Class (1995) will seem very familiar. If you haven’t, then you’re in for a real eye-opener. A master class, as its name suggests, is a class given by an expert (or master) to students in a particular discipline, typically music,…
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Opera Preview: IL TROVATORE (The Metropolitan Opera and Fathom Events)
A TREASURE TROVATORE There’s nothing subtle about Verdi’s ambitiously conceived Il Trovatore (The Troubadour). And David McVicar’s grandly realized, dark and hellish version will be shown in select U.S. screens on October 3, 2015, as The Met: Live in HD begins another season of live transmissions. The opera is one of the three triumphs of…
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Regional Theater Review: ONE MAN, TWO GUVNORS (South Coast Rep in Costa Mesa)
ONE SKETCH, TWO STYLES When the National Theatre of Great Britain produced One Man, Two Guvnors, playwright Richard Bean’s 2011 update of Carlo Goldoni’s 18th Century comedy, The Servant of Two Masters, the razor-sharp ensemble under Nicholas Hytner’s direction paved the way for a star turn by James Cordon, who played Francis, a daft dolt…
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Los Angeles Dance Preview: MARIINSKY BALLET (Raymonda at SCFTA; Cinderella at Dorothy Chandler)
MARIINSKY BALLET & ORCHESTRA DOUBLE DOSE Russia’s Mariinsky Ballet, one of the world’s most influential and historically rich dance companies, returns to Segerstrom Center for the Arts September 24 – 27, 2015 opening the Center’s 30th Season with Raymonda. Performing with the Mariinsky Orchestra, conducted by Gavriel Heine, this will be the company’s eighth visit to…
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Regional Theatre Preview: CHARLES PHOENIX: RETRO DISNEYLAND SLIDE SHOW AT DAPPER DAY (AMC Theaters in Downtown Disney in Anaheim)
SLIDE INTO THE OLD DISNEYLAND My first visit to Disneyland was 1964, and I still remember many attractions from that day which will be covered when pop culture humorist and author Charles Phoenix sweeps us away on a fun-filled adventure to the early days of Disneyland when every visit was a day worth dressing for!…
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Theater Review: UP HERE (La Jolla Playhouse)
THERE’S NOTHING GOING ON UP HERE It’s an idea whose time has already come this summer, and with far superior results. In fact, the character of Lindsay, a t-shirt designer who has fallen for the analytical nerdy computer whiz Dan, mentions on their first date the enormously successful Disney’¢Pixar film Inside Out, which chronicles the…
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San Diego Theater Review: BASKERVILLE: A SHERLOCK HOLMES MYSTERY (The Old Globe)
YOU CAN GO HOLMES AGAIN It turns out that you can teach an old dog new tricks, proven by The Old Globe’s contemporary stage-spoof treatment of the classic 1901 Sherlock Holmes novel The Hound of the Baskervilles. Longtime fans of Sir Arthur Conan Doyle’s literature need not be skeptical: While Ken Ludwig’s adaptation’”in which three…
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Tour Theater Review: KURIOS (Cirque du Soleil)
CIRQUE DU FIN DE SIÈCLE This is a snazzy and pizzazz-packed blast from the past: Kurios: Cabinet of Curiosities draws its whimsical magic from the “steampunk” style that melds Victorian design with intricately elaborate (and often useless) industrial gadgetry of the Rube Goldberg persuasion. To this all-morphing mindset, everything can become a machine–the pulleys and fly…


















