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Maurice Kelly
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San Francisco Music Review: SNOW WHITE & HER MERRY MEN (Davies Symphony Hall)
A VERY MERRY MATCH Once upon a time in San Francisco there were two beloved icons of the city’s music scene. They were practically the same age, enormously talented, and lionized by legions of fans who adored them both; but by some trick of fate their paths had never crossed. The slightly older but very…
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Bay Area Theater Review: TROUBLEMAKER, OR THE FREAKIN KICK-A ADVENTURES OF BRADLEY BOATRIGHT (Berkeley Rep)
STURM AND SLANG Every generation writes its own playbook for tackling the game of life. These new rules are encoded in language that the previous generation (parents, Old School, The Establishment) usually finds baffling. Flummoxing grown-ups with newfangled lingo (think: fresh, dope, rad and bitchin’) helps young people find a voice, establish an identity and…
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San Francisco Theater Review: A CHRISTMAS CAROL (A.C.T.)
ROLL OUT THE CAROL For two generations, a yearly outing to see A Christmas Carol has been a feel-good tradition for San Francisco families. American Conservatory Theater (A.C.T.) has staged adaptations of this famous Dickens story continuously since 1976, with few gaps, changing up the production on a regular basis to keep it from getting…
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San Francisco Cabaret Review: MARY WILSON (Fairmont Venetian Room)
THE STUFF THAT DREAMGIRLS ARE MADE OF Bay Area Cabaret launched its 2012-13 season this week with a headliner sure to pull in baby-boomers by the busload: Mary Wilson, one of the three women (along with Florence Ballard and Diana Ross) who would form the legendary 60s girl group, The Supremes. The setting is the…
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San Francisco Theater Review: BLOODY BLOODY ANDREW JACKSON (SF Playhouse)
SHOOTING HISTORY IN THE NECK With the exception of Hedwig and the Angry Inch and its fierce gender-bending genius, and Rocky Horror Picture Show (sublime sexy silliness that nudged a million budding transvestites into their corsets and fishnets just that much sooner), the genre of rock musicals, in general, is an overrated bore. My verité-besotted…
Dance Review: MERE MORTALS (SF Ballet)
by Chuck Louden | April 30, 2026
in Dance, San Francisco
(Bay Area)Theater Review: BLUE KISS (Ruskin Group Theatre)
by Ernest Kearney | April 30, 2026
in Los Angeles, TheaterMusic Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, Theater




