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Linda Taylor
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San Francisco Opera Review: SUSANNAH (SF Opera)
SUSANNAH SOARS IN SAN FRANCISCO Susannah may be a tragedy, but the San Francisco Opera production is worthy of a hoedown celebration. This near-perfect production is one of the best operas I’ve seen in the past decade. 88-year-old composer and librettist Carlisle Floyd was in attendance on opening night, so it was an emotional experience…
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Bay Area Theater Review: SHIPWRECK (Shotgun Players at the Ashby Stage in Berkeley)
SHIPSHAPE Imagine a boat named “Utopia” launched in the 1830s, floating towards Moscow. As the boat sails onward, it becomes heavier, taking on cargo, passengers, and the weight of the future. As it nears Moscow, the name changes, and we are now watching the approach of “Socialism.” You’ve officially, if metaphorically, boarded Tom Stoppard’s trilogy…
Theatre Review: HYMN (Odyssey Theatre Ensemble)
by Ernest Kearney | May 3, 2026
in Los Angeles, TheaterDance Review: GISELLE (Los Angeles Ballet)
by Shari Barrett | May 3, 2026
in Dance, Los AngelesOff-Broadway Review: KENREX (Lucille Lortel)
by Carol Rocamora | May 1, 2026
in New York, TheaterDance Review: MERE MORTALS (SF Ballet)
by Chuck Louden | April 30, 2026
in Dance, San Francisco
(Bay Area)Theater Review: BLUE KISS (Ruskin Group Theatre)
by Ernest Kearney | April 30, 2026
in Los Angeles, TheaterMusic Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New York

