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New York
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Off-Broadway Review: THE SINGING WINDMILLS (Theater 71)
A WIND BLOWS THROUGH IT In 1949, after the Moscow State Jewish Theater was closed, members of Stalin’s secret police were busy burning down stage sets, props, costumes and books. The head of the theater, Solomon Mikhoels, did not live to see that day. His life was extinguished a year earlier. He didn’t witness the…
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Off-Broadway Review: …WHAT THE END WILL BE (Roundabout)
QUE SERí, SERí Those of us of a certain age may remember the now classic opening credits of the popular, seventies, television sitcom The Odd Couple. Right before the catchy theme music would commence, a deep voiced announcer would state the show’s simple premise, “Can two divorced men share an apartment – without driving each other…
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Broadway Opening: INTO THE WOODS (Encores! Limited Engagement at the St. James Theatre)
SARA BAREILLES, BRIAN D’ARCY JAMES, PATINA MILLER, PHILLIPA SOO, GAVIN CREEL, JOSHUA HENRY TO STAR The critically acclaimed New York City Center Encores! production of Stephen Sondheim and James Lapine’s Into the Woods will transfer to Broadway this summer, for a strictly limited eight-week engagement at the St. James Theatre beginning Tuesday, June 28. Tickets now…
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Off-Broadway Review FAT HAM (The Public Theater)
WHAT A PIECE OF WORK IS FAT HAM The Father/Son relationship can often be difficult. It can be hard even when the father and son like, let alone love, each other. In Shakespeare’s Hamlet, the young prince is so enamored of his recently deceased father, King Hamlet, he refers to him as a “Hyperion.” In…
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Off-Broadway Live & Streaming: CIRCLE JERK (Connelly Theater)
IT’S A LOT TO TAKE IN, BUT TAKE IT IN YOU MUST Fake Friends, which co-created the zany streaming event This American Wife (review), are very very bright and insightful, au courant about the internet-age zeitgeist, and as queer as a clockwork orange. This tribe is a lot to take in, but take it in…
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Broadway Review: HOW I LEARNED TO DRIVE (Manhattan Theatre Club at Samuel J. Friedman Theatre)
HOW I LEARNED TO LOVE THEATER Some plays take time to come into their own but they’re well worth a wait. Twenty-five years after its Off-Broadway debut, Paula Vogel’s seminal wonder How I Learned to Drive is only now reaching full impact. That’s thanks, of course, to the consciousness-raising of #MeToo, among other seismic changes…
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Off-Broadway Review: A CASE FOR THE EXISTENCE OF GOD (Signature Theatre)
DOES GOD MAKE A CASE? I liked Samuel D. Hunter‘s A Case for the Existence of God. I didn’t love it, just liked it. Admittedly, I’m in the minority opinion on this one, as many people unabashedly love this well-executed production, currently performing at Signature Theater. Of course, what I like or love is immaterial…
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Broadway: PREDICT THE TONYS (Show-Score and TodayTix)
SHOW-SCORE & TODAYTIX TO PARTNER WITH THE ENTERTAINMENT COMMUNITY FUND ON ‘PREDICT THE TONYS’ The Entertainment Community Fund (formerly The Actors Fund), alongside Show-Score and TodayTix, announced today that they have partnered to celebrate theater’s biggest night and benefit the programs and services of the Fund. TodayTix and Show-Score’s newly launched “Predict the Tonys” experience invites theater lovers to cast votes for…
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New York Theater: 2022 DRAMA DESK NOMINATIONS:
Follow the Drama Desk Awards at Drama Desk and @DramaDeskAwards on Twitter, Instagram, and Facebook for updates 2022 DRAMA DESK NOMINATIONS: (click links for Stage and Cinema reviews) Outstanding Play Cullud Wattah, by Erika Dickerson-Despenza, The Public Theater English, by Sanaz Toossi, Atlantic Theater Company Prayer for the French Republic, by Joshua Harmon, Manhattan Theatre…
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Off-Broadway Review: THE VAGRANT TRILOGY (The Public)
LIKE A ROLLING STONE I imagine that some time back, the Theater Gods were sitting around talking. They had the idea to collaborate on a stupendous theatrical event. They thought to combine the best of film, stage and television production techniques with flawless acting, inspired direction, artful lighting and brilliant sound — all in support…
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Theater Interview: NIKKI MASSOUD (Starring in “Wish You Were Here” Off-Broadway at Playwrights Horizons)
YOU’LL WISH YOU WERE NIKKI Wish You Were Here begins in 1978 when protests are breaking out across Iran, encroaching on a suburb where a tight-knit circle of girlfriends is getting ready for a wedding. As the revolution escalates, and the years pass, the five women try to hang onto a sense of normalcy and…
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Off-Broadway Review: WHICH WAY TO THE STAGE (MCC)
ANY WAY IS THE BEST WAY: JUST FIND YOUR WAY TO WHICH WAY TO THE STAGE Lick this play, lick its playwright Ana Nogueira, its director Mike Donahue, its cast and designers, and while you’re at it, lick MCC for this first-rate production. Ignore the Idina Menzel pre-show showtunes blasted so loudly that conversations were…
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Broadway Review: FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (Booth)
PLENTY OF RAINBOW BUT LITTLE COLOR In feminist Ntozake Shange‘s 1976 “choreopoem” (a term coined by the late playwright), the experiences of Black women in America are transformed into poetry, music, and choreography. Seven ladies in rainbow colors (Lady in Blue, Lady in Green, etc.) tell stories about joyful sexual awakening, but also about rape;…
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Theater Interview: SARAH B. DENISON (Director and Writer of “The Trojan Women: A Native American Adaptation”)
INTERCONNECTEDNESS: A WAY OF SURVIVAL Recently, at Theater for the New City on the lower eastside of Manhattan, Executive Artistic Director Crystal Field and AMERINDA (American Indian Artists, Inc.) produced a Native American adaptation of the Greek tragedy The Trojan Women by Euripides. Since its inception in 1987, the mission statement of AMERINDA, as stated…
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New York Theater: 75TH ANNUAL TONY AWARD NOMINATIONS
75TH ANNUAL TONY AWARD NOMINATIONS This year’s Tony nominees were announced this morning. I must say, it’s difficult to argue with the majority of the noms. As usual, it seems that some of the very best performances and a few designers were egregiously omitted, and that a few shows got the lion’s share of nom-nods,…
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Off-Broadway Review: TWO BY SYNGE (Irish Rep)
NOT ONLY SHOULD THESE ACTORS BE ON BROADWAY, THEY CAN BE HEARD ON BROADWAY The faces of the actors featured in J.M. Synge’s two one-act plays at the reputable Irish Repertory Theatre are a delight to watch. With Artistic Director Charlotte Moore at the helm, her cast brings to life the rarely seen The Tinker’s…
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Off-Broadway Review: ¡AMERICANO! (New World Stages)
AS ¡AMERICANO! AS APPLE PIE The Merriam-Webster dictionary (remember dictionaries?) lists two definitions for the word dreamer. The first is simply “one that dreams.” The second definition is “a person living in the United States without legal status who arrived as the child of someone who did not have the documentation required for legal entry…
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TV: KEEPING COMPANY WITH SONDHEIM (Part of the Great Performances Spring Lineup on PBS, May 13 -27, 2022)
MAKE ROOM FOR COMPANY As part of the series’ fifth Broadway’s Best lineup, Great Performances presents a new documentary exploring the legacy of Stephen Sondheim and George Furth’s musical Company, (see Stage and Cinema‘s review). Filmed over two years, the broadcast takes an inside look at director Marianne Elliott’s creative process of bringing the reimagined gender-swapped production to…
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Broadway Review: A STRANGE LOOP (Lyceum Theatre)
FINALLY IN THE LOOP A Strange Loop, the new Broadway musical that currently towers above the rest, is a Brilliant show. With book, music and lyrics by Michael R. Jackson, this Brilliant show is also a Personal show. And a Troubling show. And a Pulitzer Prize-winning show. And a Thoughtful show. And a Silly show….
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Off-Off-Broadway Review: AUNT SUSAN AND HER TENNESSEE WALTZ (Theater for the New City)
WALTZING AROUND AUNT SUSAN Aunt Susan & Her Tennessee Waltz by Toby Armour is one play in two acts that feels more like two, one-act plays on the same bill. The acts have little in common, other than being dramatizations of two early champions of Women’s Suffrage – Susan B. Anthony and Carrie Chapman Catt….



















