Areas We Cover
Categories
New York
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Off-Off-Broadway Review: SULFUR BOTTOM (Theater Center)
POLLUTION ISN’T THE ONLY PROBLEM IN SULFUR BOTTOM Playwright Rishi Varma sets out with noble intentions in Sulfur Bottom—to shine a light on environmental racism and the communities whose lives have been devastated by pollution and industrial encroachment. Yet despite its ambitious scope, the play’s non-linear family saga, spanning thirty years and three generations, offers…
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Off-Broadway Review: AMAZE (Jamie Allan at New World Stages)
AMAZE TURNS SLEIGHT OF HAND INTO SLEIGHT OF HEART; THE MOST DAZZLING TRICK IS MAKING YOU CARE Jamie Allan, the UK’s original technology magician, brings his new work Amaze to New York’s New World Stages after a successful run in London. Co-created with Tommy Bond and cleverly directed by Jonathan Goodwin, it is a personal…
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Off-Broadway Review: THE ANIMALS SPEAK: WALT DISNEY IN SOUTH AMERICA (Thirdwing at The Wild Project)
ANIMATION, POLITICS, AND THE ART OF BEING HUMAN Cameron Darwin Bossert’s The Animals Speak closes his Disney-centered trilogy A Venomous Color (produced by Thirdwing) which began with The Fairest in 2021 and continued with Burbank in 2022. This final installment, now playing at The Wild Project, ventures far beyond the animation desks, landing on a…
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Jazz Music: SARAH VAUGHAN INTERNATIONAL JAZZ VOCAL COMPETITION (Registration Closes September 2, 2025)
The New Jersey Performing Arts Center (NJPAC) continues to accept applicants for the 14th annual Sarah Vaughan International Jazz Vocal Competition. The search is on for the next great jazz singer! Solo vocalists from around the world are encouraged to submit their entries before September 2, 2025, by visiting Sarah Vaughan Competition. In the Fall, the Top Five…
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Off-Broadway Review: TA-DA! (Josh Sharp at Greenwich House)
TA-DA! AND OTHER QUEER MAGIC TRICKS For Josh Sharp, “ta-da!” is code for gay. As a twelve-year-old magician, it was his entrance line: “ta-da!” Yeah, totally gay. But growing up in the South, Sharp knew an even bigger magic trick—keeping that part of himself hidden until much later. Now, in his solo show ta-da!, he…
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Off-Broadway Review: WELL, I’LL LET YOU GO (The Space at Irondale in Fort Greene, Brooklyn)
THE WEIGHT OF WHAT REMAINS In Brooklyn’s charming Fort Greene, Bubba Weiler makes his playwriting debut with Well, I’ll Let You Go, a lightly funny meditation on grief and healing, brought to the stage at The Space at Irondale under the direction of Jack Serio (Grangeville). It’s a nonlinear domestic drama that recounts the unraveling…
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Concert Review: ORRIN EVANS & THE CAPTAIN BLACK BIG BAND (Bryant Park Picnic Performances)
Big band music met experimental jazz when the Grammy Award-nominated Orrin Evans and the Captain Black Big Band took the stage at Bryant Park on Aug. 1. The event was part of Bryant Park Picnic Performances, which brings free music to New York City every summer. The band, which composer, pianist Evans named after his…
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Off-Off-Broadway Review: LILI / DARWIN (The Tank)
DARWIN DEL FABRO STUNS IN A PERFORMANCE OF BECOMING One reason the queer community has found broader acceptance in America — generally speaking — is that most people today know someone who identifies as lesbian, gay, or bisexual: a family member, friend, or colleague. They’ve heard stories and recognize the humanity of the community. Sadly,…
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Off-Broadway Review: CAN I BE FRANK? (Soho Playhouse)
FRANK MORGAN Not too long ago in Sag Harbor, Morgan Bassichis spent time at an artist residency. For those unfamiliar with such places, Morgan wryly explained that “an art residency is when you go somewhere else to have sex with people.” During open visiting hours, a man stopped by the studio and asked about Morgan’s…
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Off-Broadway Review: LORD NIL: 7 DEADLY SINS (Stage 42)
SINSATIONAL SENSATIONALISM OR, WHAT HAPPENS IN TIMES SQUARE, STAYS IN TIMES SQUARE Escape artistry emerged as a formal performance art in the 1860s, when the Davenport Brothers popularized their rope-escape act—paving the way for Harry Houdini, whose name became nearly synonymous with the craft by the 1890s. Carrying on this proud, magic-adjacent tradition is Lord…
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ALL IN: HOW CASINO CULTURE IS INFLUENCING SET DESIGN, SOUNDTRACKS, AND STAGECRAFT
When audiences settle into their seats and the curtain rises, they’re transported into worlds built not just with story and performance, but with texture, music, color, and symbolism. One unexpected aesthetic influence that’s been making its mark on stage and screen design in recent years? Casino culture. From glittering Vegas showgirl-inspired productions to psychological thrillers…
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Off-Broadway Review: ROLLING THUNDER (New World Stages)
PATCHWORK PATRIOTISM, POWERED BY A KILLER SETLIST With a book credited to Bryce Hallett, one may expect Rolling Thunder to be a new Off-Broadway musical. Despite the presence of a librettist, however, the show—now playing at New World Stages—functions far more as a rock concert than a traditional book musical. Of its 2-hour runtime, only…
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Off-Broadway Review: GENE & GILDA (Penguin Rep at 59E59)
Hollywood is full of iconic love stories but none is quite as brilliantly weird and tragically sweet as the romance between Gene Wilder and Gilda Radner, two comedy legends who fell madly in love somewhere between a silly goof and a punch line. And it is hard to think of somebody wanting to put their…



















