Areas We Cover
Categories
Theater
-
Theater Review: THE BEST MAN SHOW (Hollywood and Edinburgh Fringe Festivals)
THE WORST BEST MAN MAKES THE BEST MAN SHOW A GUARANTEED WINNER We’re attending a wedding. Every viewer in the audience is an attendee. The vows have already been exchanged, and now it’s time for the groom’s brother — his best man — to give the customary speech. Charming and truthful but filled with toxicity…
-
Theater Review: DUEL REALITY (Old Globe in San Diego)
MACROBATS The one challenge in writing this review is my atypical, completely-blank notepad taken home from the theatre. But that’s with good reason. Duel Reality — which opened last night — makes it challenging to decide just what to look at on stage at times, let alone dare to look away for something as mundane…
-
Theater Review: THE ANTI YOGI (part of the Hollywood Fringe)
Mayuri Bhandari, an unenthusiastic gorgeous yoga instructor, has something to get off her chest. She’s miffed at how Western folks have commercialized the practice and teaching of yoga, turning an ancient, sacred practice into a commodity. In The Anti Yogi, which I caught at a packed encore performance at The Zephyr Theatre on July 10,…
-
Theater Review: MIDNIGHT IN THE GARDEN OF GOOD AND EVIL (World Premiere Musical at Goodman Theatre in Chicago)
MIDNIGHT IN THE GARDEN OF GOOD AND BAD — GET HIGH FROM A TALL GLASS OF LADY CHABLIS; TAKE A BOTTLE OF BOURBON TO ENDURE THE OTHERS The Goodman Theatre’s premiere production of Midnight in the Garden of Good and Evil brought the beloved non-fiction book by John Berendt to life in a way that…
-
Theater Review: EVITA (San Francisco Playhouse)
MEHVITA Eva Perón is back on stage downtown as San Francisco Playhouse stages the classic Broadway musical Evita. Inspired by a radio documentary about Perón, the first lady of Argentina, Evita began as a 1976 rock opera by Andrew Lloyd Webber and Tim Rice, the authors of Jesus Christ Superstar; it was staged as a musical on…
-
Theater Review: THE COLORED MUSEUM (Studio Theatre, D.C.)
A FANTASIZED LOOK INTO BLACKNESS IN AMERICA The Colored Museum by George C. Wolfe, currently at The Studio Theatre, is a wild, satirical glance into African-American experiences, dating back to slaves in Africa to the present (which was 1986 when Wolfe penned it). The experiences are how Blacks are portrayed to a white public, as…
-
Theater Review: TICK, TICK… BOOM! (Cygnet Theatre)
NOT LARSON’S BIGGIE, BUT IT PAID THE “RENT” One of the great heartbreaks of theater history is that Jonathan Larson, the author and composer of the rock opera Rent, his modern telling of Puccini’s La Bohème, died suddenly at 35 of an aortic aneurysm on Jan. 25, 1996, 10 days before his 36th birthday and…
-
Theater Review: BYE BYE BIRDIE (Palm Canyon Theatre)
HELLO HELLO BIRDIE! Waxing nostalgic about the 1950s is never out of style as Palm Canyon Theatre ably proves with their current production of Bye Bye Birdie running through July 14. Bye Bye Birdie is a classic musical, famous for its satirical take on rock ‘n’ roll and its takeover of pop culture in America…
-
Theater Review: UNBROKEN BLOSSOMS (East West Players)
A TIME-TRAVELING UNBROKEN BLOSSOMS REVEALS BIGOTRY AND MISOGYNY Before seeing the world premiere of Unbroken Blossoms by Philip W. Chung at East West Players, I had never heard of the 1919 American silent film Broken Blossoms, directed by D. W. Griffith starring Lillian Gish and Richard Barthelmess, in which a frail waif is abused by her…
-
Theater Review: FUNNY GIRL (National Tour at Kennedy Center)
KATERINA MCCRIMMON IS INDEED THE GREATEST STAR Funny Girl is a beloved musical that first premiered on Broadway in 1964, with music by Jule Styne, lyrics by Bob Merrill, and a book by Isobel Lennart. The original production starred Barbra Streisand as Fanny Brice, a role that catapulted her to stardom and earned her critical…
-
Theater Review: ZAC EFRON (Token Theatre at A Red Orchid)
ZAC IS ON THE INSIDE TRACK Token Theatre’s world premiere production of Zac Efron by David Rhee — co-written by Wai Yim and directed by Alan Muraoka — is not about Zac Efron at all, beyond recognizing that he’s a cookie-cutter hot white man. The play spotlights a gay Asian-American love story and the pair’s rise to…
-
Theater Review: DESIGN FOR LIVING (Odyssey Theatre)
MEET NOËL COWARD’S THROUPLE OF ARTISTS IN THE 1930s Design For Living is one of Noël Coward’s less performed plays but it fair crackles with bons mots — you know you’re in good hands when delightfully old-fashioned words like “horrid,” “bloody,” “cheap,” and “vulgar” are tossed around with, well, gay abandon. Odyssey Theatre Ensemble is…
-
Theater Review: MRS. DOUBTFIRE THE MUSICAL (National Tour at the Orpheum Theatre in San Francisco)
MRS. DOUBTFIRE IN GOOD HANDS WITH ROB McCLURE In Mrs. Doubtfire The Musical, a familiar San Francisco-based plot meets with the Tony-nominated actor Rob McClure, who makes Robin Williams’ classic ‘drag’ character come to life in an entirely new way. But the road from the 1987 Anne Fine novel that inspired the franchise on its…
-
Theater Review: EXPATRIATED (The Broadwater Second Stage as Part of the Hollywood Fringe Festival)
A NICE EXPAT ON THE HEAD Now, here’s a fascinating show. Two former lawyers (the best kind I say) and whip-smart writers, Dominique Roberts and Candace Leung, wrote and starred in Expatriated at the Hollywood Fringe Festival. In a dizzying series of vignettes, we meet a white lawyer sent to Hong Kong and a Hong…
-
Theater Review: THERE’S SOMETHING SERIOUSLY WRONG WITH CYRUS: HOW I WENT FROM A HOT MESS TO A HOT BITCH (Zephyr Theatre as part of the Hollywood Fringe Festival)
THERE MAY BE SOMETHING WRONG WITH CYRUS, BUT NOT SO MUCH HIS SHOW Meet Cyrus Deboo. An adult actor who, against all the odds and ends of a traditional Persian upbringing, blossomed into an out gay man in a loving relationship, and with the eventual acceptance from his dad. In There’s Something Seriously Wrong with…
-
Theater Review: CHESS (Jaxx Theatricals)
ALL THE RIGHT MOVES I’m rather certain that most folks in the U.S.A. have no idea that Chicago is one of the best theater towns in the world. The reason for this is storefront theaters, which have given birth to amazing companies such as Steppenwolf. Los Angeles used to have these but, especially with Equity…
-
Theater Review: THE ADDAMS FAMILY (Long Beach Playhouse)
IT’S SILLY BUT NOT KOOKY (SNAP, SNAP) Every generation, there is an iconic TV family that defines the era. From the perfect clan of The Donna Reed Show to the trashy hellscape of Keeping Up with the Kardashians, American audiences have always been enamored by family drama. After all, is anything more universal than having…
-
Theater Review: MOTHER ROAD (Berkeley Rep)
ROUTE 66 WAS ONE MOTHER OF A ROAD Now playing at the Berkeley Repertory Theater, Mother Road is an epic journey of self-discovery and family — a sequel to the famous 1939 John Steinbeck novel The Grapes of Wrath in which we follow the sad travels of Tom Joad and his family, who flee the…
-
Theater Review: BEAUTY QUEEN OF LEENANE (Backyard Renaissance at Tenth Avenue Arts Center in San Diego)
MOMMIE McDEAREST Irish playwright Martin McDonagh quickly makes it abundantly clear that dysfunctional mother/daughter relationships are not just the stuff of Hollywood. In the tiny town of Leenane in Western Ireland in the 1990s, Maureen is in a situation many families can relate to: she is the only daughter out of three willing to be…
-
Theater Review: NINE (Coronado Playhouse in San Diego)
IN THIS CASE, NINE IS A PERFECT SCORE In Nine, the musical adaptation of Federico Fellini’s 1963 film 8 ½ now playing at Coronado Playhouse, Guido Contini (William Henry Schneider), an internationally famous film director of the 1960s, is turning forty and is at an impasse in several ways. After three critically and financially successful films, his…
Search Articles
Please help keep
Stage and Cinema going!
