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Theater Review: SCHMIGADOON! (Broadway Center Stage, Eisenhower Theatre at Kennedy Center)
IT’S A SCHMIGAHIT! Adapting from his Apple TV+ series that satirized and saluted the glories of old timey musicals like Oklahoma! and Carousel, co-creator and writer Cinco Paul brings his stage version of Schmigadoon! to Kennedy Center. The fun angle here is that NY doctors Josh (Alex Brightman) and Melissa (Sara Chase) are hoping to…
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Theater Review: JANE AUSTEN IN 89 MINUTES (Theatre 40 at Greystone Mansion)
WHAT FUN GETTING LOST IN AUSTEN Fresh from its smash hit engagement at Theatre 40, Jane Austen in 89 Minutes has moved into the artistically appropriate Greystone Mansion in Beverly Hills for a limited 10-performance run. Performed by a cast of seven madcap ladies and gents who bring all six of Jane Austen’s beloved novels…
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Theater Review: THE WOLVES (Morgan-Wixson Theatre)
JOIN THE PACK In one of The Wolves’ final moments, one character’s mom explains that she has a swear jar at home that her daughter must put a quarter in every time she says “like.” If that jar was onstage for the duration of the play, with its characters bound to the same contract of…
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Theater Review: APPROPRIATE (Old Globe, San Diego)
Isn’t it amazing the way the future succeeds in creating an appropriate past? — John Leonard, American critic Appropriate won Branden Jacobs-Jenkins the 2024 Tony Award for Best Revival of a Play on Broadway. The Tony committee chose well. The American dramatist has composed a scorcher, a ferocious dysfunctional family saga that will stagger…
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Theater Review: THE SPITFIRE GRILL (Ross Valley Players)
THERE’S A HOT HIT COOKING IN ROSS In ancient biblical texts, Gilead is not only a place of final peace, but also invokes healing and hope. How appropriate that playwrights James Valcq and Fred Alley chose this name as the location of The Spitfire Grill, a café in a down-on-its-luck small town, grown smaller by…
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Theater Review: LIFE & TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at Emerson in Boston)
A SEARCH FOR MEANING BROUGHT TO GLORIOUS LIFE BY A PUPPET Based on the Booker-prize winning novel by Nobel-laureate South African J.M. Coetzee and adapted and directed by Lara Foot in collaboration with Handspring Puppet Company, Life and Times of Michael K tells a simple story: a man born with a cleft lip who was…
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Theater Review: SIX DEGREES OF SEPARATION (Sonoma Arts)
SIX DEGREES SPOOFS UPPER-CLASS PRETENTIONS Sonoma Arts Live (SAL) has launched an ambitious production of Six Degrees of Separation, John Guare’s now-classic tale of belief and deception among New York City socialites. Purportedly based on a real story, Six Degrees played on Broadway before becoming a 1993 film starring Donald Sutherland and, from the Lincoln…
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Theater Review: GUAC (Woolly Mammoth, DC)
USING ART TO COMBAT GUN VIOLENCE GUAC at Woolly Mammoth is not traditional theater—it’s a powerful act of performance art that explores life and tragic loss in the wake of a mass school shooting. Manuel Oliver‘s deeply personal one-man piece concerns his son, Joaquin—nicknamed “Guac”—who was one of 17 students massacred at Marjory Stoneman Douglas…
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Theater Review: SLEEPING GIANT (Road Theatre Company)
SLEEPING GIANT THINKS TOO BIG FOR ITS BRITCHES To live is to be in a constant state of suspension. One must cling to whatever helps establish a sense of permanence. A lover that won’t leave. A favorite keepsake. A belief system that promises purpose. When fear floods our homes through TV news (or its 21st-century-sibling,…
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Theater Review: SOME LIKE IT HOT (National Tour)
EVERYONE WILL LIKE IT HOT It wouldn’t be a valid review to simply write, “I loved it!” a hundred times and ship it off to my editor. However, if you’re looking for a bottom line or a simple recommendation, that’s exactly what this review will come down to. Leandra Ellis-Gaston and the company Evoking the…
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Theater Review: THE GLASS MENAGERIE (Los Altos Stage Company at Bus Barn Theater)
NOSTALGIA NEVER GETS OLD When The Glass Menagerie by Tennessee Williams premiered on Broadway in 1945, it became his first major success. Nearly 80 years later, the play remains relevant, touching on themes of family conflict, personal failure, and the power of memory. At the heart of the story is a fractured family: an angry…
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Theater Review: ONCE (Lamb’s Players / Coronado)
ONCE UPON AN AMAZING TIME Once is back at the Lamb’s Players Theatre for an extended run through March 30, glorious news for area playgoers. This is one of the must-see musicals of the early 21st century, a rare production that finds power in simplicity and emotion in restraint. As an additional bonus, local audiences…
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Theater Review: TRU (Desert Ensemble Theatre in Palm Springs)
CHUCK YATES IS A TOUR DE FORCE AS TRUMAN CAPOTE Based on photos and video clips I’ve seen of Truman Capote, Chuck Yates has truly captured the successful-but-troubled author in Desert Ensemble Theatre’s production of Tru, a two-act monologue which proves that the proudly gay author was even more interesting than the characters he created for…
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Theater Review: & JULIET (Broadway National Tour)
STYLE OVER SUBSTANCE SET TO A POP BEAT After a few weather-related delays, Houston was introduced to the toe-tapping fun that is the national tour of & Juliet at The Hobby Center. Blending fireworks, both literal and metaphorical, & Juliet is a girls’ trip of self-discovery set to a jukebox score provided by powerhouse, Grammy-winning,…
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Theater Review: THE PLAY THAT GOES WRONG (La Mirada Theatre for the Performing Arts)
IN A YEAR WHERE EVERYTHING HAS GONE WRONG, THIS WRONG MAKES EVERYTHING RIGHT The Tony Award-winning The Play That Goes Wrong, also crowned Best New Comedy at the 2015 Olivier Awards, is a sidesplitting Broadway hit written by Mischief Theatre’s Henry Lewis, Jonathan Sayer, and Henry Shields. At La Mirada Theatre in Hackensack (kidding…it’s in…
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Theater Review: EVANSTON SALT COSTS CLIMBING (Rogue Machine at the Matrix Theatre in Los Angeles)
THE END OF THE WORLD COMES WITH A COFFEE BREAK There’s something eerily familiar about the way Michael Redfield and Hugo Armstrong zip and unzip their parkas in Will Arbery’s haunting new play Evanston Salt Costs Climbing by Rogue Machine Theatre. Like characters in a Samuel Beckett fever dream reimagined for our climate-addled era, these…
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Theater Review: A SLOW AIR (Steep Theatre Company)
Steep Theatre Company’s A Slow Air: An Astonishing Journey Into Forbidden Territory “Estrangement” is an unfriendly word that carries with it all kinds of negative connotations–hostility, alienation, distrust, anger and, somewhat paradoxically, very often confusion. It’s also a word that many people are ashamed of or are uncomfortable talking about; especially when it’s a part…
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Theater Review: THE PIANO LESSON (Actors’ Shakespeare Project at Hibernian Hall, Boston)
A HIGHLY RECOMMENDED LESSON ON FAMILY LEGACY Actors’ Shakespeare Project continues its exploration of August Wilson’s Century Cycle with an absolutely superb production of the 1987 Pulitzer-winning masterpiece The Piano Lesson. In a Pittsburgh home in 1936, two siblings of the Charles family debate whether to sell or keep an heirloom–the family piano, which is…
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Theater Review: DAISY (Hillbarn Theatre in Foster City)
THE MINUTE THAT CHANGED POLITICAL CAMPAIGNING FOREVER On September 7, 1964, a 60-second TV ad transformed American politics. Known as “Daisy Girl,” it featured a young girl counting daisy petals, followed by a countdown and a nuclear explosion. The ad became iconic for its emotional, innovative approach to negative political advertising. It’s even better known…
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Theater Review: THE LIGHT IN THE PIAZZA (CV Rep)
A LUSH, ROMANTIC JOURNEY THROUGH LOVE AND TRANSFORMATION Since Adam Karsten‘s arrival as Artistic Director at CV Rep, the quality and consistency of the theater’s productions have improved exponentially. The current production of The Light in the Piazza, directed by Karsten, takes this progress to the stratosphere. Mollie Vogt-Welch, Daniel Lopez, Logan Graye This 2005…
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