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Theater Review: TO KILL A MOCKINGBIRD (North American Tour)
THIS MOCKINGBIRD SOARS To Kill a Mockingbird is an American masterpiece that has transcended time and medium, and which will continue to impact our cultural zeitgeist, reflected by the opening night sold-out crowd for this 2018 theatrical wonder, a sell-out for its Broadway run and now on tour at Segerstrom Hall. Patrons responded audibly and…
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Theater Review: MIDWINTER REVELS: A SOLSTICE CELEBRATION – TALES FROM ELLIS ISLAND (Sanders Theater at Harvard and Online)
LET THE REVELS’ SUN SHINE IN TO YOUR HOME Like the waning of the old year and the arrival of the new that it celebrates, The Revels organization has returned to the stage in 2022 with a new name and new elements that express the organization’s commitment to Diversity, Equity, and Inclusion while retaining the…
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Theater Review: LIFE OF PI (American Repertory Theater in Cambridge)
COME FOR A THEATRICAL EVENT; STAY FOR THE STORY The eye-popping special effects of Life of Pi are reason enough to see this show. When video, lighting, and sound designers Andrzej Goulding, Tim Lutkin, and Carolyn Downing transform the solid stage of at A.R.T. not into dew, but a liquid — a spontaneous gasp and…
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Theater Review: 2 PIANOS, 4 HANDS (North Coast Rep in Solano Beach)
2 PIANOS + 4 HANDS = 194 HAPPY ATTENDEES Around twenty years ago, piano bars started featuring “dueling pianists,” who would go back and forth, taking turns playing pop songs and, occasionally, interacting. It was all the rave for a little while, so it wouldn’t be surprising if theatergoers thought that’s what this show (written by Ted…
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Theater Review: A CHRISTMAS CAROL (A.C.T.)
CAROLING THROUGH THE AGES For two generations, a yearly outing to see A Christmas Carol has been a feel-good tradition for San Francisco families. American Conservatory Theater (A.C.T.) has staged adaptations of this famous Dickens story continuously since 1976, with few gaps until COVID, changing up the production on a regular basis to keep it…
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Theater Review: LITTLE WOMEN, THE BROADWAY MUSICAL (Chance Theater in Anaheim)
LITTLE WOMEN IS A BIG TRIUMPH FOR CHANCE The four March sisters come alive on the stage of Bette Aitken theater arts Center in Anaheim. The Chance Theater’s returning production of Little Women, The Broadway Musical — book by Allan Knee, lyrics by Mindi Dickstein, music by Jason Howland — is a triumph, as well…
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Theater Review: THE BROTHERS PARANORMAL (East West Players)
WHO IS HAUNTING WHOM? Ghosts, paranormal investigators, and a loving couple that just moved to their new home — it sounds like a reality TV series for binge watching. The Brothers Paranormal at East West Players turns out to be anything but. Instead, audiences are treated to a wonderful, heartfelt, humorous and gut wrenching drama…
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Theater Review: CHARLES DICKENS’ A CHRISTMAS CAROL (A Noise Within in Pasadena)
A HOLIDAY GREETING CARD COME TO LIFE The story that encapsulates the spirit of Christmas perfectly has had countless adaptations, from The Muppets to Disney. This beloved novella, originally published in 1843, has stood the test of time and continues to be celebrated today. The film Spirited starring Ryan Reynolds and Will Ferrell adds to…
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Theater Review: Big Fish (Coronado Playhouse in San Diego)
REELING IN A SWEETLY SUNG FAIRY TALE Some theater should cause you to think deeply, stir your motivations, and cause you to be a better person for the ride you were on. And some theater is just to make you smile. Big Fish is a smiler : and there’s nothing wrong with that. Will Bloom…
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Theater Review: THE EMPIRE STRIPS BACK (Montalbán Theatre in Hollywood)
MAY THE TORSO BE WITH YOU Forget about Broadway or the latest Marvel Comic movie. The fun, hip and cool burlesque Star Wars parody ’” which isn’t just for fans of the franchise ’” is the show to see this winter live onstage in Hollywood. No stranger to L.A., Burlesque started in the nineteenth century…
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Theater Review: CLYDE’S (Mark Taper Forum)
A TURKEY SANDWICH We are at a greasy spoon sandwich shop whose patrons are truckers making the long haul across Pennsylvania. The owner, Clyde, and her four sandwich makers are all ex-cons. But she’s the boss. While she enters and exits with orders and pick-ups, she humiliates her workers, who put up with her browbeating…
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Theater Review: MINDPLAY (World Premiere at The Geffen Playhouse)
MIND FOR ALL ITS WORTH No one can deny that Brooklyn-based mentalist Vinny DePonto is a master showman. As with all magicians, the true context of any one-man show is not the tricks (and there are some beauties here) but the patter with audience members. At Geffen Playhouse’s smaller theater, the patrons barely have time…
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Theater Review: MATILDA THE MUSICAL (Berkeley Playhouse)
A VAULTING MATILDA The holidays are here. It’s the perfect time of year to get into the spirit by seeing a big production musical. Instead of the usual Nutcracker or Christmas Carol holiday fare, consider heading over to The Berkeley Playhouse to check out Matilda: The Musical, the Broadway hit by Dennis Kelly (book) and…
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Theater Review: THE CHINESE LADY (Central Square Theater in Cambridge)
BONE-DEEP CHINA Afong Moy was brought to the United States by Boston-born traders known as the Carnes Brothers, merchants who exhibited Moy in a room filled with “Chinese curiosities” including money, musical instruments, and a bell, along with vases, rugs, and other decorative objects that were available for purchase. Moy, believed to be the first…
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Theater Review: RENT (Couerage Ensemble)
A YEAR IN THE LIFE Jonathan Larson’s Rent is in a musical theater empyrean; indeed, productions are as ubiquitous as the stars in the firmament. The show is about a year in the life of bohemian artists struggling to survive, and if that sounds familiar, Larson based his 1997 work on Puccini’s opera La Bohème,…
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Theater Review: THE CHILDREN (Moxie Theatre in San Diego)
THE CHILDREN IS NOT CHILD’S PLAY One of the challenges of reviewing theater is figuring out how much to divulge without giving away what the playwright wants to let unfold. The Children is one of those plays where it’s almost impossible to say what it is about in any sort of cohesive way because twists…
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Theater Review: MAN’S FAVOR DEVIL’S PLAN (Robey Theatre Company at Los Angeles Theatre Center)
MAN’S FAVORITE CAST On Nathan Stuffel’s terrific set of a loading dock behind a hotel, it is 1938 Los Angeles. These are tough times for everyone, but especially the Black employees who must belittle themselves to keep their jobs as cooks, maids, etc. The unscrupulous white boss Avery (Darrell Phillip) is part overseer and carpetbagger…
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Theater Review: URINETOWN THE MUSICAL (Long Beach Playhouse)
MIND YOUR PEES AND QUEUES People start revolutions because they want something that authorities are controlling. Jefferson wanted to declare independence. Norma Rae wanted to improve factories. Katniss wanted to feed masses. Bobby Strong in the musical Urinetown — now in a truly smashing production at Long Beach Playhouse — wants to pee for free….
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Theater Review: 2:22: A GHOST STORY (Ahmanson Theatre)
CHEAP THRILLS WON’T LIFT YOUR SPIRIT You never forget your first. Mine happened in the West End of London in the year 2000. The Woman in Black (Stephen Mallatratt’s adaptation of Susan Hill’s gothic horror novel) marked the first time I was ever scared shitless in a theater. Not a movie theater, mind you: the…
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Theater Review: MOULIN ROUGE! (North American Tour at SCFTA)
A GOOD TIME WITHOUT MUCH TO SAY In 2001, Baz Luhrmann co-wrote and directed the jukebox musical movie, Moulin Rouge! The film was especially praised for its highly stylized costumes and production values. In 2019, retaining much of the flamboyance and style, the Broadway production adapted by John Logan and directed by Alex Timbers opened,…
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