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Theater Review: DID YOU SEE WHAT WALTER PAISLEY DID TODAY? (La Mirada Theatre)
DROP-DEAD FUNNY What happens when you take Little Shop of Horrors and mix it with The Pink Panther cartoons, and throw in a little dash of Urinetown? You get this fantastic dark musical comedy Did You See What Walter Paisley Did Today? Based on Roger Corman’s 1959 horror-tinged beatnik satire A Bucket of Blood, the…
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Theater Review: PACIFIC OVERTURES (Signature Theatre in Arlington, VA)
PLEASE HELLO! How’s this for an overture: Go see it. Signature Theatre has mounted a very good production of an experimental, rarely performed musical by the late composer Stephen Sondheim. It is both spotty and highly recommended. Pacific Overtures tells the story of the Westernization of Japan through the lens of Commodore Perry’s 1853 forcible…
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Theater Review: THE CHERRY ORCHARD (North Coast Rep in Solana Beach/San Diego)
THE BLOSSOMS DO EVENTUALLY BLOOM IN THIS ORCHARD Russian playwright Anton Chekhov believed his classic 1904 drama The Cherry Orchard was a comedy bordering on farce, but generations of audiences, scholars, and reviewers have leaned toward the play (as well Chekhov’s other major works for the stage) as melancholy pieces filled with frustrated characters enduring…
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Theater Review: INTO THE WOODS (National Tour at the Emerson Colonial Theater in Boston)
NO FAIRY TALE ENDINGS Last night, Boston became the third stop in the 2023 National Tour of the 2022 Broadway Revival of Stephen Sondheim and James Lapine’s much-Tony’d and much-loved mash-up of some of the world’s most familiar fairy tales, ingeniously linked through plot and music. The touring company includes many cast members from the…
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Theater Review: THE LONELY FEW (World Premiere Musical at the Geffen Playhouse in L.A.)
COME FOR THE SCORE, LEAVE FOR THE BOOK Prior to Geffen Playhouse’s world premiere musical The Lonely Few, a pair of orange ear-plugs in ironically loud cellophane is offered to patrons, indicating a loud show will soon be upon us. We enter the amazingly transformed Audrey Skirball Kennis black-box theater, which now has patrons seated…
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Theater Review: THE CHERRY ORCHARD (North Coast Rep in Solana Beach/San Diego)
LIFE AIN’T JUST A BOWL OF CHERRIES IN 1903 RUSSIA Written and set in 1903 Russia, Anton Chekhov’s The Cherry Orchard would be the master playwright’s final creation. Unless one already has knowledge of that time and place, the play — even with North Coast Rep‘s superlative production — becomes much easier to understand and…
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Theater Review: BEAUTY AND THE BEAST (Desert Theatricals in Rancho Mirage)
A REAL BEAUTY Desert Theatricals’ line-up for next season is exciting, but there was nothing more thrilling than being in an audience filled with awe-struck children to witness this magical production of Disney’s Beauty and the Beast. It was a smash on Broadway in 1994 and it remains a smash in 2023, as corroborated by…
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Theater Review: K-I-S-S-I-N-G (Huntington Theatre Company in Boston)
A-M-A-Z-I-N-G Poet, screenwriter, and performer Lenelle Moïse (pronounced Len-EL Moy-EEZ) is a playwright for this co-production from The Front Porch Arts Collective and The Huntington, the latter of which is staging the charming and engaging K-I-S-S-I-N-G, a romantic comedy chockablock with originality. Drawing on Moïse’s experiences of growing up in Cambridge, the play opens with…
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Theater Review: ONCE (Laguna Playhouse)
ONCE UPON AN AMAZING TIME Good theater allows audiences to see the world from the eyes of the creators. In this triumphant production of Once, which opened last night March 12 at Laguna Playhouse, we are invited into the world of a downtrodden buttery-voiced Irish man and a struggling single immigrant mother. A whirlwind of…
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Theater Review: UNDER A BASEBALL SKY (Old Globe)
¡JUGAR A LA PELOTA! Under A Baseball Sky is a likable new play by José Cruz González now nearing the end of a five-week run at the Old Globe Theatre. It’s tight work, running about 90 minutes without an intermission. The comparative brevity still allows the playwright to touch a number of themes, several of them of the…
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Theater Review: LOVE AND INFORMATION (Antaeus Theatre Company in Glendale)
LOVELESS DISINFORMATION As I’m ushered into Antaeus Theatre Company’s mainstage theater at Kiki & David Gindler Performing Arts Center in Glendale to see Love and Information, I’m invited (as evidenced by a freshly painted sign) to “embark on an exploration of meaning.” In the 90 painful minutes that follow, however, this promised “meaning”’”like Godot’”never shows….
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Theater Review: BOULEVARD OF BOLD DREAMS (Greater Boston Stage Company in Stoneham, MA)
HATTIE, MAMMY AND OSCAR Playwright LaDarrion Williams has mined a moment in history to explore the human cost of being the first to achieve a milestone in this moving and ultimately affirming exploration of the ambivalence surrounding the first Black person to receive an Academy Award. As many know, Hattie McDaniel, who played Scarlett O’Hara’s…
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Theater Review: FOR THE LOVE OF A GLOVE (Carl Sagan & Ann Druyan Theater, Center For Inquiry West)
OFF TO NEVERLAND! It is common knowledge in the theater world that the most difficult show to create is a musical. The second is a parody. But both together?And yet, success has arrived in Los Angeles with For the Love of a Glove: An Unauthorized Musical Fable About Michael Jackson’s Life As Told By His…
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Theater Review: CAMBODIAN ROCK BAND (Berkeley Repertory Theatre)
BAND ON THE RUN Berkeley Rep is debuting The Bay Area premiere of Chinese-American Playwright Lauren Yee’s acclaimed Cambodian Rock Band. The story follows a survivor of the Khmer Rouge regime who returns to his country decades later. Marxist Dictator Pol Pol ruled Cambodia from 1975-79; a radical communist, he forced an evacuation of the…
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Theater Review: CARDENIO (City Garage, Santa Monica)
HERE’S ANOTHER PLAY THAT SHOULD BE LOST A muddled, misjudged attempt to resurrect “Shakespeare’s lost play” that collapses under amateur acting, confused direction, and a baffling lack of theatrical intent. In Cardenio, now playing at City Garage, a character states in Latin, “De gustibus non disputandum est,” which means “There’s no accounting for taste.” Well,…
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Theater Review: THE SECRET GARDEN (Revival Production at the Ahmanson Theatre)
THE SECRET’S OUT: THIS GARDEN’S IN BLOOM It’s been almost a year since Ahmanson Theatre ushered in spring with the national tour of Hadestown. This season (thank ye, Fates!), spring has come again with a lush new production of the 1991 Broadway musical The Secret Garden. Based on Frances Hodgson Burnett’s 1911 English children’s novel…
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Theater Review: THE GREAT LEAP (Lyric Stage Company of Boston)
A SLAM DUNK! The Great Leap opens with hearty humor and carries its audience along in an absorbing story until a profound poignancy begins to permeate the senses. Tyler Simahk plays Manford “the most feared [basketball] player in Chinatown” as a brash and determined 17 year old who opens the action by trying to talk…
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Theater Review: PICASSO AT THE LAPIN AGILE (Ruskin Group Theatre in Santa Monica)
HELP WANTED AT THE LAPIN AGILE As I wrote last Sunday in my review of Sunday in the Park with George: “art isn’t easy.” Having just now seen Picasso at the Lapin Agile, I’ll add to that Sondheim quote: “’”especially comedy.” Opening last night at The Ruskin Group Theatre in Santa Monica, this 1993 comedy…
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Theater Review: HAROLD AND MAUDE (Group Rep at the Lonny Chapman Theatre in North Hollywood)
HAROLD AND MAUDE ARE BACK AND BETTER THAN EVER It has been decades since I saw, or even thought about, the classic 1971 movie Harold and Maude starring Bud Cort and Ruth Gordon. Do you remember it? It’s the black comedy directed by Hal Ashby about a deadpanned death-obsessed 20-year-old who has an emotional and…
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Theater Review: SUNDAY IN THE PARK WITH GEORGE (Pasadena Playhouse)
SUNDAY IN THE PARK WITH GEORGE JUST GETS BETTER WITH TIME “Art isn’t easy,” sing the cast of players in Sunday in the Park with George; the words are most notably sung by the artist-protagonist himself — or perhaps, his creator. With music and lyrics by Stephen Sondheim, Sunday won the Pulitzer Prize for Drama…

















