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Theater Review: MRS. KRISHNAN’S PARTY (Marin Theatre)
FEEL-GOOD SHOW SPICES UP MARIN THEATRE Marin Theatre takes a flying leap into immersive culture with Mrs. Krishnan’s Party—which opened tonight in the intimate Boyer Main Stage. The interactive comedy is a short, frenetic and very funny helping of what goes on in back-of-the-store India, transported to Mill Valley. The audience slowly enters a backstage…
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Theater Review: WHAT THE CONSTITUTION MEANS TO ME (North Coast Rep)
WE, THE THEATRE, IN ORDER TO FORM A MORE PERFECT UNION Heidi Schreck wrote this mostly-autobiographical play and starred in it when it played on Broadway, where it was Tony-nominated for Best Play in 2017. So when Heidi broke the fourth wall at the beginning by saying, “Hi everyone! I’m Heidi!” she meant it. So when…
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Theater Review: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (Revolution Stage Company in Palm Springs)
HOW TO SUCCEED SUCCEEDS AND HOW! Reams can and have been written about the glories of How to Succeed in Business Without Really Trying. With music and lyrics by Frank Loesser, and book by Abe Burrows, Jack Weinstock & Willie Gilbert, the 1961 musical satire that landed virtually unanimous raves would go on to run…
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Theater Review: CURTAINS (Coronado Playhouse, San Diego)
Coronado Playhouse is reviving the 2007 musical comedy/murder mystery Curtains through March 30. The show is the final collaboration of the great music theater team of composer John Kander and lyricist Fred Ebb (the team was working on The Visit when Ebb died in 2004). After original book author Peter Stone died in 2003, Rupert…
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Theater Review: VICTOR/VICTORIA (Palm Canyon Theatre)
VA-VA-VOOM TO VICTOR/VICTORIA The story of Victoria who becomes Victor impersonating Victoria has been around for a while. It started as a 1933 German film. Then writer/director Blake Edwards (Pink Panther) made a hit movie of it in 1982 starring his wife, Julie Andrews. It featured several songs by Henry Mancini and Leslie Bricusse. It…
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Theater Review: ONE FOR MY BABY (Broadway-Bound World-Premiere Musical at El Portal in North Hollywood)
SWINGS BIG, SHINES BRIGHT All Roads Theatre Company just set the bar sky-high with One for My Baby, a slick, jazz-soaked tribute to the music of Harold Arlen. This is old-school showbiz at its best—big voices, big orchestrations, and enough high-voltage talent to power a city block. With a Broadway-caliber cast and an 11-piece band…
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Film Review: YOUNG HEARTS (written and directed by Anthony Schatterman)
At this point, the success of a gay coming-of-age story can be measured most acutely by its tendency to fall into tropes, or its ability to transcend them. In the canon of gay films, the coming out tale has been told ad nauseam. Some of the most trite, straight-palatable representation has come in this form,…
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Theater Interview: JASON TAM (currently performing in “The Jonathan Larson Project” at NYC’s The Orpheum Theatre)
EMBRACIN’ JASON For many, Jason Tam first made a lasting impression with his unforgettable audition for Paul in the Broadway revival of A Chorus Line, as seen in the documentary Every Little Step. (If you haven’t seen it, I urge you to do so — it’s an example of a perfect audition.) But believe it…
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Theater Review: ART (Shotgun Players, Ashby Stage in Berkeley)
THE ART OF MAKING ART An extravagant art purchase causes a major upheaval among three old friends in Yasmina Reza’s Art, at Berkeley’s Ashby Stage through April 9. David Sinaiko and Benoît Monin The setup: former college buddies Serge, Marc, and Yvan meet regularly for dinner, drinks, and discussion. One day Serge (Benoît Monin) announces…
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Off-Broadway Review: GRANGEVILLE (Samuel D. Hunter World Premiere by Signature Theatre)
LOOK HOMEWARD, ANGEL In what may be the slowest lights-up in New York theater, the first cue of Grangeville takes several minutes to complete—perhaps a 400 count. But lighting designer Stacey Derosier isn’t being indulgent. Instead, she masterfully isolates the estranged voices of two half-brothers speaking on the phone. Caught in a void of blackness,…
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Concert Review: 100 YEARS OF EPIC FILM SCORES (The New York Pops at Carnegie Hall)
NOW HEAR THIS! Film may be first and foremost a visual medium, but where would it be without music to bring out the emotions, heighten the drama, quicken the heart, create tension, and tie things together? At the cinema, while our brains are taking in the plot, and our sense of sight is absorbing all…
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GAMBLING MUSEUMS IN THE U.S. — WHERE CASINO HISTORY COMES TO LIFE
Casinos are built on illusions. They dazzle with neon lights, hypnotic sounds, and the ever-present possibility of an impossible win. But beneath the surface, there’s a deeper story—one of high-stakes risks, fortunes made and lost, and a history that stretches back long before Las Vegas ever lit up the desert. Gambling has shaped American culture…
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HISTORY OF THE BEEP BEEP CASINO GAMING PLATFORM IN GERMANY
The development of BeepBeep Casino in Germany traces back to the rapid digitalization of the iGaming industry in the early 2010s, when it first entered the market as a localized platform tailored to German players. Leveraging strict regulatory compliance and a diverse portfolio of games from renowned providers, it gained momentum by 2015, attracting users…
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HOW TO SAFELY GIVE CBD DOSE TO YOUR DOG
Introducing CBD to a pet’s routine can offer numerous benefits, but it’s important to do so responsibly. Knowing how to administer this option properly ensures pets receive the care they need while avoiding potential mistakes. This article provides a clear and simple guide to safely providing CBD to dogs while ensuring their comfort and well-being….
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Dance Review: DIABELLI & SLACKTIDE (Twyla Tharp Diamond Jubilee at New York City Center)
THARP LOOKING SHARP AT NY CITY CENTER Ten polished, pseudo-suited dancers graced New York City Center with playful panache in Twyla Tharp’s Diabelli (1998)– one of two pieces in the Diamond Jubilee program, running through March 16. Their polite yet zingy attitudes, melding with Anton Diabelli and Ludwig van Beethoven’s Opus 120, imbued the theater…
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Restaurant Review: ELEMENTA (The Gallery in DTLA)
A FANCY DINNER THAT’S ACTUALLY FUN Let’s be honest—multi-sensory dining experiences can sometimes feel like a high-concept science experiment where you’re not sure if you’re supposed to eat the food or just appreciate its existence. But Elementa at The Gallery in DTLA at Olive and Olympic? This is one of those rare dinners where the…
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Special Event Coverage: VAPE! (The Town Hall in Manhattan; A Benefit for the Entertainment Community Fund)
A GRANDLY GREASE-Y SPOOF! Poking fun, flinging a pun, prizing satirizing — that’s the paradise that is parody and Vape!, blatantly billing itself as “The Grease Parody,” aims its playfully poisoned arrows at that popular pop musical about high school, with high spirits. It was presented as a one-night-only concert event at The Town Hall…
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Theater Review: GUYS AND DOLLS (Music Theater Works)
JOYOUSLY, GUYS & DOLLS HAS IT ALL Still touted as one of the greatest Broadway musicals of all time, Guys and Dolls turns 75 in November. You’d never know it based on Music Theater Works feisty little production of this all-American classic playing now in Skokie’s North Shore Center. Frisky as a rambunctious puppy, this…
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Theater Review: NOBODY LOVES YOU (A.C.T.’s Toni Rembe Theater)
AUDACIOUS AND FUN MUSICAL TAKES ON REALITY TV Last Wednesday, A.C.T. opened an extremely likeable, engaging and entertaining musical telling one of the tried-and-true stories of the 21st century. It’s boy meets girl. Boy loses girl. Boy goes on girl’s favorite reality dating show to win girl back! In an era where technology dominates communication…
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Theater Recommendation: AIN’T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS (National Tour in San Diego)
AIN’T TOO PROUD TO PUT ON A GOOD SHOW From 1964 to 1969, there was hardly a time when there wasn’t a hit on the Top 40 by The Temptations. A staple of ‘60s Motown music, the five men of The Temptations seemed able to do no wrong, with hits like “My Girl,” “The Way…
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