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Broadway Review: ONCE UPON A ONE MORE TIME (Marquis Theatre)
YES, ONE MORE TIME IS ONE MORE TIME ONE MORE TIME, BUT YOU’LL HAVE A GREAT TIME It well may be that there are no new plots left in the world of theater. But does that mean we have to keep seeing playwrights rewriting and directors reworking what other minds have created? In the past…
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Theater Review: THE LEHMAN TRILOGY (Huntington Theatre, Boston MA)
AMAZING THEATER? BANK ON IT Steven Skybell (Henry Lehman), Joshua David Robinson (Emanuel Lehman), and Firdous Bamji (Mayer Lehman) absolutely stunned in the the first American-made production of The Lehman Trilogy, which opened at The Huntington last week. They slipped in and out of multiple roles, including babies, toddlers, men of diverse ethnic and regional…
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Theater Review: A CHORUS LINE (SF Playhouse)
THE MUSICAL WITH LEGS San Francisco Playhouse‘s exuberant, high-kicking production of A Chorus Line proves that the musical is as fresh as the day it appeared almost fifty years ago, when the standard Broadway musical was already fading away, making room for the jukebox musicals and mostly hollow spectacles we are still forced to endure….
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Opera Review: MADAME BUTTERFLY (SF Opera)
THIS BUTTERFLY FINDS ITS WINGS It’s 1904. US naval officer Lt. Pinkerton (Moisés Salazar) is seeing the world in the name of war and pleasure. When ashore in Nagasaki, Japan, he seeks the best and fairest woman and is offered Cio-Cio-San (Karah Son). Transfixed by her exotic beauty, Pinkerton marries her on sight. She is…
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Extras: HOW TO USE INSTAGRAM AS AN ACTOR
In today’s digital age, harnessing the power of social media is not only crucial for businesses and marketers but also for individuals in the creative field, including actors. Social media platforms like Instagram have emerged as invaluable tools for actors to build their brands, connect with fans, and even catch the eye of casting directors….
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Extras: ONLINE BINGO FOR FUNDRAISING: A FUN AND EFFECTIVE WAY TO RAISE MONEY
Fundraising plays a vital role in supporting charitable organizations and their noble causes. In recent years, the world of fundraising has embraced the power of technology, paving the way for innovative approaches to generate funds. One such approach that has gained significant momentum is online bingo for fundraising. Online bingo combines the thrill of the…
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Music Review: SAMUEL MARIÑO (Camerata Pacifica)
SAMUEL MARIÑO MAKES U.S. DEBUT WITH CAMERATA PACIFICA As many more SoCal music lovers are discovering, Camerata Pacifica is a chamber music ensemble based in Santa Barbara that performs a monthly series of concerts in Santa Barbara, Ventura, San Marino (at the Huntington), and DTLA’s Zipper Hall (at Colburn School). Founded by Adrian Spence in…
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Concert Review: UNAMERICANS: TALENTED AND TARGETED (MUSE/IQUE at Huntington and Skirball)
TESTIFY This past weekend, the patrons at MUSE/IQUE were told some hard truths about what America was like during the mid-20th century as the powers that be feared far-left movements and those who embraced, or were suspected to embrace, ideologies like communism and socialism. The concert, UNAMERICANS: Talented and Targeted, chronicles the Hollywood Red Scare…
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Concert Review: DIVAS THROUGH THE DECADES (Pasadena POPS with Michael Feinstein)
DIVAS IN FULL BLOOM Guests took advantage of the beautiful backdrop of the LA Arboretum & Botanic Garden with picnics and wine last Saturday, June 24, when Pasadena POPS presented Divas Through the Decades, conducted by Michael Feinstein, as their second show in their Summer Concert Series Walter Murphy’s “A Fifth of Beethoven” set the…
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Broadway Review: SWEENEY TODD (Lunt-Fontanne)
A NOT-SO-DEMON BARBER ON INCOHESIVE STREET Annaleigh Ashford’s thoroughly delightful and sympathetic portrayal of Mrs. Lovett, the good-humored but sinister piemaker is, unfortunately, one of the few compelling elements in Thomas Kail’s lackluster revival of Sweeney Todd: The Demon Barber of Fleet Street, the 1979 Stephen Sondheim musical, with book by Hugh Wheeler based on…
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Interview: DAKIN MATTHEWS (currently performing in Lincoln Center Theater’s CAMELOT)
ON THE EVE OF ENLIGHTENMENT Melvin Richard “Dakin” Matthews has had a major theatrical presence on the west coast, the east coast, and at many regional theaters inbetween. He’s also made a multitude of appearances on TV and film — the list is over 250 credits. He’s currently performing at Lincoln Center Theater’s Vivian Beaumont Theater in…
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Extras / Film: FROM CLASSICS TO MODERN MASTERPIECES: A JOURNEY THROUGH THE TOP AWARD-WINNING FILMS
Embark on a cinematic adventure as we take you on a journey through the mesmerizing world of award-winning films. From the timeless classics that have shaped the industry to the modern masterpieces that continue to captivate audiences today, this exploration promises to be nothing short of extraordinary. With each film carefully selected for its artistic…
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Off-Broadway Review: TRIPLE THREAT (Theatre Row)
LIFE IN THE FAST LANE In the vernacular of showbiz, the appellation “triple threat” refers to a performer who equally excels at acting, singing and dancing. That Broadway veteran James T. Lane, currently starring in his aptly named solo show Triple Threat, is deserving of this moniker is certainly not news. Mr. Lane has performed…
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Extras / TV: TOP 5 TOOLS FOR DOWNLOADING STREAMING FROM ANY WEBSITE IN AUSTRALIA
Do you love streaming in Australia but struggle with data caps from your internet service provider? Or perhaps you’ve grown tired of being unable to re-watch content without using up precious data? If so, you’re not alone. We will guide you on top download tools. But what if you get a geoblock error? There’s a…
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Film Review: INVISIBLE BEAUTY (directed by Frédéric Tcheng | World Premiere at Tribeca)
TRUTH IS INVISIBLE BEAUTY Bethann Hardison is a trailblazer. And a mother. And ambitious. And a visionary. And a major success in the fashion world. And Black. And a Woman. Now in her seventies, she is still setting goals, reflecting on herself and finding new mountains to climb. Frédéric Tcheng’s beautiful new documentary Invisible Beauty,…
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Film Review: OUR SON (directed by Bill Oliver)
EQUAL OF THE SON In the new film Our Son, Gabriel (Billy Porter) and Nicky (Luke Evans) have been together for thirteen years. Married once gay marriage was legalized in the U.S., they also share an eight-year old son born via surrogate. Nicky is the biological father and the egg donor is his good friend…
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Dance Preview: GISELLE (The United Ukrainian Ballet at Segerstrom Hall in Costa Mesa)
DANCING THROUGH WAR Costa Mesa’s Segerstrom Center, which has presented world premieres by Alexei Ratmansky for more than a decade — including American Ballet Theatre’s Of Love and Rage (2022), Whipped Cream (2017), The Sleeping Beauty (2015), and Firebird (2012) — once again proves itself as one of the country’s most exciting dance centers by presenting Ratmansky’s all-new full-length production of Giselle, appearing June…
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Highly Recommended Jazz Album: EXACTLY RIGHT! (Louis Hayes)
EXACTLY RIGHT! IS, WELL, EXACTLY RIGHT What swinging, unpretentious, accessible fun! Louis Hayes‘s music is full of life and humanity. It is sometimes refreshingly simple and sometimes intricately complex, sometimes light, sometimes dark, but it is always interesting and consistently engaging. Through it all, Louis Hayes has always remained indefatigably optimistic and his latest Savant release, Exactly Right!, is…
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Interview: CHRISTIANE NOLL (Now Appearing in “Old Friends” at CVREP in Palm Springs)
Christiane Noll is captivating, extraordinarily talented and in demand on Broadway, by concert orchestras and for up-close and personal cabaret performances – and she will be at Coachella Valley Repertory on Thursday, June 22 at 7pm as part of its 2023 Summer Cabaret Series. Her special program is titled Old Friends, and, as she explains,…
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Theater Review: NOW OR LATER (Matrix Theatre)
BETTER MAKE THAT LATER Christopher Shinn clearly understands the American consciousness. In Now or Later, a 2008 one-act which opened at the Royal Court Theatre with a fresh-faced Eddie Redmayne, he offers an engaging discussion in lieu of a play. There’s no dramatic action — characters stand around and present their point-of-view. Shinn’s play is…
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