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Los Angeles Dance Review: THE GROUNDSKEEPERS (Heidi Duckler Dance Theatre)
A DANCE PIECE THAT’S A KEEPER The frequency of site-specific events continues to grow exponentially in the City of Angels, but Heidi Duckler has been doing it for many years, creating unique dance performances in spaces as disparate as Laundromats, museums, churches, civic buildings and even a vintage 1961 Oasis trailer. Now she takes us…
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Chicago Theater Review: THE NORMAL HEART (TimeLine Theatre at Stage 773)
COMPASSION PLAY Forgetting the ineptitude of Larry Kramer’s 1988 farce Just Say No, it’s ripe to revive his 1985 masterwork about how a health crisis defined the gay community–as much by what it didn’t do as how it rose to the occasion. Unlike Just Say No ‘s driven attack on Nancy Reagan and the abstinence…
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Los Angeles Theater Opening: WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS (Beverly Hills)
HIT THE WALLIS A brand new theater has opened its doors in Beverly Hills, but nothing could have prepared me for its magnificence in contemporary construction and design. The 500-seat Bram Goldsmith Theater opens to the public this week with the Martha Graham Dance Company, but the state-of-the-art theater is just one part of The…
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Theater Review: SHE-RANTULAS FROM OUTER SPACE-IN 3D! (Diversionary Theatre)
CAMPY SHE-RANTULAS HAS QUITE A BITE Dictionary.com defines “camp” as “something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered or stylized, self-consciously artificial and extravagant.” Perhaps more to the point, though, is the quote found in the margin; author Curtis F. Brown quips, “In short, camp mocks bad taste; kitsch…
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Los Angeles Music Review: 200 MOTELS (LA Phil at Walt Disney Concert Hall)
ZAPPED ZAPPA Any live performance of 200 Motels is bound to bear a degree of disappointment since its mastermind, Frank Zappa, is not alive to conduct the evening’s program, shred on guitar, or entertain audiences with his fiery passion. Musically more challenging, and arguably more ambitious than the Beatles’ Sgt. Pepper or the Who’s Tommy…
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Los Angeles Theater Review: THE MYSTERY OF IRMA VEP (Falcon Theatre in Burbank)
DREADFUL AT ANY PRICE Back in the1800s, the Industrial revolution was in full swing in merry ole England. The working class was becoming more educated and printing was becoming more affordable. To quench the thirst of the masses for every day diversions, “penny dreadfuls” hit the scene. These serialized fictional publications, sold for a penny,…
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Los Angeles/Regional Dance Preview: DIANA VISHNEVA: ON THE EDGE (Segerstrom Hall)
BALLET SUPERSTAR RETURNS TO SEGERSTROM The title of two world premiere dance pieces at Segerstrom Hall this week could not be more apt: Diana Vishneva of the Mariinsky Ballet and American Ballet Theatre will have you on the edge of your seats. Commissions by Segerstrom Center and Ardani Artists for this unrivalled artist of the…
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Tour Review: BUILT TO AMAZE! (Ringling Brothers and Barnum & Bailey Circus)
A TITLE THAT LIVES UP TO ITS NAME The circus has rolled into Rosemont again, and the fall classic is worth running off to join (it moves to the United Center after Allstate Arena). This 143rd edition, Built to Amaze!, revels in its “construction zone” ambiance: An “engineering” ensemble parade as blue-collar workers erecting an edifice…
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Chicago Theater Review: BEST MUSICAL! (Porchlight Music Theatre at Up Comedy Club)
FORMULAIC IN A GOOD WAY In The Book of Mormon, Trey Parker and Matt Stone proved that subject matter in musical theatre is a lot less important than sticking to the structural formula. There’s the ensemble intro that sets the scene, the romantic duet, the protagonist’s transformative moment and the final song that ties everything…
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Los Angeles Music Preview: ITZHAK PERLMAN, VIOLIN/CONDUCTOR (LA Phil at Disney Hall)
ITZHAK PERLMAN PLAYS DUAL ROLE OF CONDUCTOR AND SOLOIST AT DISNEY HALL Surely it’s no mere coincidence: On a recent road trip, I played over and over the 1979 recording of Itzhak Perlman playing Tchaikovsky’s Violin Concerto. I own several recordings of the piece, but this is my favorite. The Israeli-born violinist not only brings…
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Los Angeles Music/Film Preview: THE PHANTOM OF THE OPERA: HALLOWEEN ORGAN AND FILM (Walt Disney Concert Hall)
THE PHANTOM OF DISNEY HALL It’s positively spooky looking for something to do on Halloween. Are you tired of coming home from that noisy Halloween party with smeared make-up? Are you weary of competing with the crowds on Santa Monica Boulevard? Are the high-heel pumps you only wear once a year causing Godzilla-sized blisters? Are…
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Off-Broadway Theater Review: GOOD PERSON OF SZECHWAN (The Public Theater)
MUCH BETTER THAN GOOD The last thing that Brecht would have wanted is the audience to identify with his characters. But that’s where the Foundry Theatre’s production of Good Person of Szechwan so brilliantly succeeds. Rather than distancing the audience with didactic Marxism and dubious Orientalia, the play dives headlong into the despair of a…
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Los Angeles Music Preview: DANNY ELFMAN’S MUSIC FROM THE FILMS OF TIM BURTON (Nokia Theatre)
CELEBRATING MUSIC AND THE MACABRE This may well be one of those concerts that you will kick yourself for not having known about ahead of time. John Mauceri, known locally as the founding director and principal conductor of the Hollywood Bowl Orchestra from 1991 to 2006, will lead the 87-piece Hollywood Symphony Orchestra and 45-member…
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Film Review: 12 YEARS A SLAVE (directed by Steve McQueen)
SLAVES TO HISTORY Among movies about race in America, how many great films have been made about slavery? We’ve seen pizza places going up in smoke for our sins (Do the Right Thing), gentle drivers (Driving Miss Daisy), and sisterhoods of maids (The Help). Most of these films focus on the sixties or modern day occurrences….
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Off-Broadway Theater Review: THE NORWEGIANS (The Drilling Company)
OOFTA, INDEED The premise of C. Denby Swanson’s black comedy The Norwegians is that two Minnesotan women, Texas transplant Olive (Veronica Cruz) and Kentucky transplant Betty (Karla Hendrick) hire two very nice gangsters of Norwegian descent – Tor (Hamilton Clancy) and Gus (Dan Teachout) – to murder their ex-boyfriends. The bulk of the play is…
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Los Angeles Theater Review: THE HOMOSEXUALS (Celebration Theatre at Atwater Village Theatre)
ROLE REVERSAL For its inaugural production at its new temporary home in Atwater Village, the Celebration Theatre has mounted The Homosexuals (pun intended). As one might glean from the title, Philip Dawkins’ play deals with the trials and tribulations of a group of gay friends and, of course, their self-proclaimed requisite “fag-hag.” In essence it’s…
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Los Angeles Theater Review: DR. JEKYLL AND MR. HYDE (Actors Co-op in Hollywood)
HYDE IN PLAIN SIGHT Actors Co-op does it again! Last year’s re-imagining of The World Goes ‘Round was musical perfection and this year’s Ah, Wilderness! was a sentimental delight. Now Dr. Jekyll & Mr. Hyde crosses genres mastering the macabre and mysterious in an equally mesmerizing manner. Adapted by Jeffrey Hatcher from the Robert Louis Stevenson novella Strange…
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Theater Review: EVITA (National Tour in Hollywood)
A HIGH FLYING, ADORED REVIVAL Composer Sir Andrew Lloyd Webber and lyricist Tim Rice released the Evita “rock opera concept album” in 1976, a few years before the first theatrical production came to life on the West End and ultimately Broadway, a production that I vividly remember. It was truly exhilarating to witness Patti LuPone…
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Los Angeles Theater Review: SHOTSPEARE PRESENTS MACBETH (Fake Gallery)
IS THIS A KEGGER I SEE BEFORE ME? The morning after the Thane has killed his king, and one of those epic, omen-riddled Shakespearean storms has ravaged the countryside, Macbeth snaps out my candidate for all-time champion literary understatement: “’Twas a rough night.” But in a one-hour burlesque of Macbeth that brusquely acknowledges Shakespeare’s contribution,…
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Chicago Dance Review: GIORDANO DANCE CHICAGO (Fall Program at the Harris Theater)
FAST, FURIOUS AND FUNKY Ending tonight at the Harris Theatre, the latest balletic blast from the newly renamed Giordano Dance Chicago delivers six hyper-kinetic pieces. This generous outpouring fully showcase the young ensemble’s dexterity, volatitility and, well, flash-dancing. Including world premieres by an Israeli-born and Philadelphia-based choreographer and an in-house artist, the recital offers a…
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