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Movie Review: THE GREEN LANTERN (directed by Martin Campbell)
MEDIOCRE HERO Have you ever gotten into a conversation – and for the life of me, I hope you haven’t – about the supposed fascist underpinnings of comic book superheros? A film that accepts and teases this fascist nature is The Green Lantern. Test pilot Hal Jordan joins an interplanetary army built on the idea…
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Theater Review: SUPERIOR DONUTS (L.A. – Geffen Theater)
TOO MUCH SUGAR ON THE DONUTS If Superior Donuts had come to us as a new American play by an unknown writer, we might have said that, despite a certain soft-headedness and the feeling that it was the pilot for a socially-conscious situation comedy, it was the work of a promising young writer who has…
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Theater Review: MARGO VEIL (L.A. – Odyssey)
THE SCHEHERAZADE OF POP CULTURE There are a thousand and one ways to tell a story. In Margo Veil, Len Jenkin, one of our most intriguing and often exasperating playwrights, becomes a modern Scheherazade, weaving elements of contemporary pop culture into the ancient art of fable-making. And, in one of those rare moments when a…
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Theater Reviews: RADAR L.A. FESTIVAL: DAY TWO
FLEUR ELISE NOBLE: 2 DIMENSIONAL LIFE OF HER This is to installation art what NEVA is to theater: a sublime illustration of the form. Noble’s collage (of projected images, cut-outs, drawings, puppets, paper, and Ms. Elise herself in constant movement somewhere in the space) creates a crisp black-and-white world, with more shades of grey in…
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Theater Review: FROM THE RADAR L.A. FESTIVAL: Teatro en El Blanco’s NEVA
When a festival opens on as brilliantly shattering a note as the RADAR L.A. FESTIVAL did on Tuesday night with Neva, expectations for the rest of the festival run very high indeed. From Chile’s Teatro en El Blanco, vividly written and directed by Guillermo Calderón, who is the company’s leader, Neva brings a jolt of…
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Theater Review: reprint of BREWSIE AND WILLIE (now at RADAR L.A.)
Editor’s note: Brewsie and Willie is currently running as part of the Radar L.A. Theater Festival. This review is reprinted from an earlier production of the show in July 2010. We are printing the text only. To see the review as it originally appeared, visit http://old.stageandcinema.com/brewsie_and_willie.html The current production ends June 26, 2011. For tickets,…
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Theater Review: BLACKBIRD (Rogue Machine in L.A.)
LEARNING TO FLY WITH BROKEN WINGS “Blackbird singing in the dead of night/Take these broken wings and learn to fly/All your life/You were only waiting for this moment to arise.” Â Would it have been too obvious to play the haunting Beatles song either before the start of David Harrower’s unsettling Blackbird (which is receiving a…
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Theater Reviews: SOTTO VOCE, ANTIMAN, VOICE LESSONS (Los Angeles)
GOING, GOING…GONE BUT NOT FORGOTTEN One of the pitfalls of being a theater reviewer in Los Angeles is that it is impossible to see more than the smallest amount of the cascade of plays that open here in a single week; it is probably a source of great frustration as well to the many performers…
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Theater Review: 100 SAINTS YOU SHOULD KNOW (L.A. – Hollywood)
WE OF LITTLE FAITH Kate Fodor’s 100 Saints You Should Know is a mildly interesting play, given heft by its author’s obviously sincere attempt to deal seriously with the nature of faith, but, despite its basic decency, it doesn’t really provide one with particularly fresh insights, nor does it probe with great depth its central…
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Film / Theater Review: THE IMPORTANCE OF BEING EARNEST: LIVE IN HD (Screening of the Broadway production)
THE IMPORTANCE OF BEING BRIAN BEDFORD Lady Bracknell (arguably the greatest creation of Oscar Wilde’s surpassingly fertile comic imagination) is the aristocratic and imperious dowager who could make single words like “Found!” and simple questions like “In a handbag?” sound like the essence of wit – received its juiciest interpreter in Dame Edith Evans in…
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Theater Review: ARMISTEAD MAUPIN’S TALES OF THE CITY: A NEW MUSICAL (ACT in San Francisco)
PLENTY OF TALE – VERY LITTLE CITY The much-anticipated Tales of the City just opened at American Conservatory Theater in San Francisco. Although the libretto (by Avenue Q’s Jeff Whitty) splices together the first two of Armistead Maupin’s famous books about a mélange of San Francisco denizens in the anything-goes sexual revolution of 1976, the…
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Movie Review: THE TREE OF LIFE directed by Terence Malick
ABSENCE GROWS MYSTERY If Terrence Malick is a saint of cinema, then this is his holy lesson. Over a four-decade career, the mercurial American visionary has mastered absence and flowered a daunting mystery. After making one of the most impressive debuts in American film history, 1973’s Badlands, he quit talking to the press. After the…
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Movie Review: MIDNIGHT IN PARIS directed by Woody Allen
WOODY AS WILSON, OWEN AS ALLEN Yes, you can believe what you’ve been reading – Midnight in Paris really is the best Woody Allen film in a long time. It’s a love letter to Paris, an ode to the Jazz age and the writers of the Lost Generation, and a romance with the past. It’s…
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Movie Review: KUNG FU PANDA 2 directed by Jennifer Yuh
PACKED WITH ACTION, BEREFT OF LAUGHS Kung Fu Panda 2 breaks new ground in the history of cinema.  Everyone knows you can’t use 3-D in the second movie in a series. You have to wait until the third one. Breaking the 3-D sequel custom appears to be Panda’s lone innovation. Otherwise, this is one of…
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Theater Review: KRUNK FU BATTLE BATTLE (L.A. – Downtown)
WHAT THE FUNK? When giving feedback at High School theatre competitions, adjudicators are reminded to encourage, not discourage young performers: negative criticism, however accurate, may dampen the spirit of gung-ho newcomers to the theatre. It is the judge’s task to support thespian tenderfoots by accentuating the positive, lest they become dismayed and give up on…
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Theater Review: LET ME DOWN EASY (Tour)
SHE MAKES IT LOOK EASY With Let Me Down Easy, Anna Deavere Smith’s powerful, engrossing and resonant solo outing, you may feel inspired to have a meaningful conversation with friends and family, as Ms. Smith has crafted a series of portrayals based on her own interviews that is at once scary, funny and life-affirming. On…
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53 Years Ago in Stage and Cinema…
Our July 18, 1958 issue, from back before we existed.
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Theater Review: JUAN AND JOHN (L.A. – Culver City)
THE EPIPHANIES THAT COME TO US AFTER BEING HIT IN THE HEAD BY A BASEBALL BAT Among the happiest of theatergoing experiences is entering the theater, without any expectations whatsoever, and, upon exiting, feeling that your life has been upended to a degree, perhaps even altered.  Roger Guenveur Smith’s soul-stirring Juan and John provides just…
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Movie Review: PIRATES OF THE CARIBBEAN: ON STRANGER TIDES (nationwide)
WHO PIRATES OF THE CARES? The thing about Pirates of the Caribbean: On Stranger Tides – if anyone still cares – is that it’s an improvement for the series. But that’s just it…no one still cares. Of course, the box office will argue with me. A disturbing number of dollars will pile into the bank…
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Movie Review: INCENDIES (in limited release)
AND THE NOMINEE WAS… The thriller Incendies, a 2010 Oscar nominee for Best Foreign Film, is a Canadian product spoken in French about events that took place, fictionally speaking, in Lebanon during its infamous civil war. The death of a Canadian immigrant with a secret past, Nawal Marwan (Lubna Azabal), places the burden of discovery…
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