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Jeanne Hartman
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Theater Review: I LOVE LUCY®: LIVE ON STAGE (Greenway Court Theatre in Los Angeles)
BLACK-AND-WHITE MEMORIES IN LIVING COLOR Whether you had viewed the original airings of I Love Lucy or discovered the show during the thousands of reruns, it is undeniable that the breakthrough comedy has a multi-generational appeal. Not only is it fun to watch Lucy, Ricky, Ethel, and Fred in that familiar apartment every week, but…
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Los Angeles Theater Review: SEVEN BRIDES FOR SEVEN BROTHERS (Glendale Centre Theatre)
GOIN’ A’COURTIN’ IN THE BACKWOODS OF GLENDALE Glendale Centre Theatre continues its 64th season with a rambunctious production of Seven Brides for Seven Brothers, the highly successful MGM musical from 1954. Although the stage version was a flop on Broadway, it has nonetheless become a popular staple for musical theatre companies. Written in a sexist…
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Theater Review: TO CARRY THE CHILD (Collaborative Artists Ensemble at the Raven Playhouse)
TOUCHING MOMENTS DO NOT SUSTAIN FAMILY DRAMA In Collaborative Artists Ensemble’s production of Jon Courie’s new play, To Carry the Child, the oldest daughter, Ashley (Meg Wallace), her life in shreds, is facing a serious disease and finds her lover, Diane (Justine Woodford) running from the crisis. She returns to her family home in Caraprice…
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Theater Review: BEAU JEST (Glendale Centre Theatre)
THIS BEAU IS JEST FINE Do you ever just want to go home, eat your mother’s comforting chicken soup, put on your oldest fuzzy slippers and find some old-fashioned comedy on AMC? Well, you’ll get no soup or slippers at Beau Jest, but you will be glad you got away from home for this old-fashioned,…
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Theater Review: MOBY DICK REHEARSED (Lyric Theatre in Los Angeles)
A SHOWCASE FOR ORSON WELLES PROVES DIFFICULT TO REVIVE Whitmore Eclectic, a non-profit theatre company now in its second season, brings us a presentation of the tricky Moby Dick Rehearsed, Orson Welles’ 1955 theatrical adaptation of Herman Melville’s famous story. In this version, a Nineteenth Century theatre company must adjust to the fact that they…
Theater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, TheaterTheater Review: THE VISIT (Pasadena Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: THE BIRTH OF THE PILL (TimeLine Theatre / Chicago)
by Croydon Fernandes | September 17, 2026
in Chicago, TheaterCabaret Review: JEFF HARNAR – THE 1959 BROADWAY SONGBOOK (Birdland / New York)
by Rob Lester | September 17, 2026
in Cabaret, New YorkTheater Review: A CASE FOR THE EXISTENCE OF GOD (Rogue Machine / Los Angeles)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: DEAR EVAN HANSEN (Cygnet / San Diego)
by Milo Shapiro | September 17, 2026
in San Diego, Theater




