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Jeanne Hartman
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Theater Review: I LOVE LUCY®: LIVE ON STAGE (Greenway Court Theatre in Los Angeles)
BLACK-AND-WHITE MEMORIES IN LIVING COLOR Whether you had viewed the original airings of I Love Lucy or discovered the show during the thousands of reruns, it is undeniable that the breakthrough comedy has a multi-generational appeal. Not only is it fun to watch Lucy, Ricky, Ethel, and Fred in that familiar apartment every week, but…
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Los Angeles Theater Review: SEVEN BRIDES FOR SEVEN BROTHERS (Glendale Centre Theatre)
GOIN’ A’COURTIN’ IN THE BACKWOODS OF GLENDALE Glendale Centre Theatre continues its 64th season with a rambunctious production of Seven Brides for Seven Brothers, the highly successful MGM musical from 1954. Although the stage version was a flop on Broadway, it has nonetheless become a popular staple for musical theatre companies. Written in a sexist…
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Theater Review: TO CARRY THE CHILD (Collaborative Artists Ensemble at the Raven Playhouse)
TOUCHING MOMENTS DO NOT SUSTAIN FAMILY DRAMA In Collaborative Artists Ensemble’s production of Jon Courie’s new play, To Carry the Child, the oldest daughter, Ashley (Meg Wallace), her life in shreds, is facing a serious disease and finds her lover, Diane (Justine Woodford) running from the crisis. She returns to her family home in Caraprice…
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Theater Review: BEAU JEST (Glendale Centre Theatre)
THIS BEAU IS JEST FINE Do you ever just want to go home, eat your mother’s comforting chicken soup, put on your oldest fuzzy slippers and find some old-fashioned comedy on AMC? Well, you’ll get no soup or slippers at Beau Jest, but you will be glad you got away from home for this old-fashioned,…
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Theater Review: MOBY DICK REHEARSED (Lyric Theatre in Los Angeles)
A SHOWCASE FOR ORSON WELLES PROVES DIFFICULT TO REVIVE Whitmore Eclectic, a non-profit theatre company now in its second season, brings us a presentation of the tricky Moby Dick Rehearsed, Orson Welles’ 1955 theatrical adaptation of Herman Melville’s famous story. In this version, a Nineteenth Century theatre company must adjust to the fact that they…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater




