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Kat Michels
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Theater Review: RICHARD O’BRIEN’S THE ROCKY HORROR SHOW (The Old Globe in San Diego)
BEING A VIRGIN CAN BE ROCKY Best known for raucous audience participation at midnight screenings, Richard O’Brien’s cult movie classic, The Rocky Horror Picture Show began life on the London stage in 1973. It enjoyed instant success by effectively melding the campy goodness of late night monster movies with ostentatious in-your-face glam rock. British audiences and critics…
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Regional Theater Review: PRIDE AND PREJUDICE (South Coast Rep in Orange County)
NOT YOUR MOTHER’S DARCY AND ELIZABETH South Coast Repertory’s Pride and Prejudice, written for the stage by Joseph Hanreddy and J.R. Sullivan from Jane Austen’s masterpiece, brings out a side of this classic story that this reviewer has never seen (but always wanted to). It seems that a Mr. Bingley (Brian Hostenske) lets a manor…
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Los Angeles Theater Review: A WIDOW OF NO IMPORTANCE (East West Players)
IDENTITY CRISIS In a Mumbai flat, Deepa Kirpalani (Lina Patel), who lost her husband two years earlier, lives under the strict Hindu rules of widowhood. She never leaves her home, wears all white, goes without jewelry or make-up, and spends her days praying for moksha – liberation from the endless cycle of death and rebirth….
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Los Angeles Theater Review: SEASCAPE (Theatre West)
AMPHIBIANS MORE EVOLVED THAN HUMANS Theatre West’s production of Edward Albee’s Seascape is a study in contrasts. Things either work, and work beautifully, or are muddled and miss the mark, creating an enjoyable but not completely satisfying evening. Nancy and Charlie are on the verge of retirement. Their kids are grown and independent, and it…
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Theater Review: STRANGER THINGS (The Ghost Road Company in Los Angeles)
A PUZZLE TO RELISH SOLVING As both theatergoer and theater writer, this reviewer is decidedly unenthusiastic about absurdist, avant-garde, or post-modern theatre. It’s not so much the concept or ideas behind these movements as it is the execution. Playwrights and theatre companies get so caught up in approaching the presentation of their story – vignettes,…
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LA Theater Review: WONDERLUST (Theatre of Note)
SCIENCE, GOD, AND LOVE: BEGIN ARGUING Buried somewhere in the convoluted twists, turns and ramblings of playwright Cody Henderson’s Wonderlust lives a great story waiting to be told. Actually, you could say it has been told: think Mamet’s Oleanna slammed together with Lawrence and Lee’s Inherit the Wind – except instead of a college professor,…
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LA Theater Review: STONES IN HIS POCKETS (The Zephyr Theatre)
TOO MANY STONES, NOT ENOUGH POCKETS Marie Jones’s Stones In His Pockets is one of those plays that separate the boys from the men. Fifteen characters that range in age, gender, accent, and change with rapid-fire succession, played by two actors. It is a surefire gauge to differentiate between the good and the great. And…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater






