Areas We Cover
Categories
Chuck Louden
-
Concert Review: DANNY ELFMAN’S MUSIC FROM THE FILMS OF TIM BURTON (San Francisco Symphony)
A SYMPHONIC CELEBRATION OF ELFMAN AND BURTON A visually and musically immersive concert that brings beloved scores thrillingly to life Music always enhances the moviegoing experience. It sets the tone, creates mood, and heightens the action and drama of a story. Long after a film has left theaters, its music often lingers in popular memory….
-
Theater Review: SALLY & TOM (Marin Theatre Company)
BREAKING THE FOURTH WALL INTO THE WHITE HOUSE This play-within-a-play probes power, mythology, and who gets to tell the story Making its West Coast premiere at Marin Theatre Company is Sally & Tom — a return to material the same company explored in 2017 with the earlier, more controversial Thomas & Sally by Thomas Bradshaw….
-
Theater Review: THE HILLS OF CALIFORNIA (Berkeley Repertory Theatre)
A FAMILY EPIC THAT EARNS ITS MILEAGE, SPRAWL AND ALL Family dynamics are always great fodder for drama. And when there are several children coming of age together in a household, it’s hard not to grow up with unspoken competitions for approval, success and love. More often than not at least one family member has…
-
Theater Review: HARD TIMES (Appalachian Stories by Ron Rash | Word for Word & Z Space)
FAITH, FLIGHT, AND THE FIGHT TO ENDURE In our current state of political unrest — with government shutdowns and widespread uncertainty about how to make ends meet — stories about the power of the human spirit feel especially vital. Z Space and Word for Word Theatre Company present Hard Times: Appalachian Stories by Ron Rash,…
-
Theater Review: THE HOT WING KING (New Conservatory Theatre Center)
JUST HOW I LIKE MY THEATER — HOT, SWEET, AND SAUCY Now playing at New Conservatory Theatre Center, The Hot Wing King is a spicy tale of love, friendship, and a cooking contest gone gloriously overboard. Katori Hall’s Pulitzer Prize-winning play, directed here by ShawnJ, brings its Memphis heat to San Francisco in a production…
-
Event Review: HEXED (Terror Vault at The San Francisco Mint)
GHOULS JUST WANNA HAVE FUN A San Francisco Halloween favorite is back for its 7th annual show. Bay Area Drag Legend and performer extraordinaire Peaches Christ (Joshua Grannell) is back with his talented and scary cast of ghouls, zombies, witches and goblins. This year’s show at the Old Mint on 5th and Mission Streets (known…
-
Theater Review: THE RESERVOIR (Berkeley Repertory Theatre)
AN AUTHENTIC, FUNNY ACCOUNT OF SOBRIETY, STUMBLES, AND SURVIVAL Recovery from substance abuse isn’t just about putting down the drug of choice and living happily ever after. The “recovery” part then starts. It involves dealing with who you are in the world without being drunk, stoned or high. It becomes a lifelong process of self-examination….
-
Theater Review: THE DAY THE SKY TURNED ORANGE (World Premiere, SFBATCO and Z Space)
HOPE IN THE GLOW OF DISASTER Five years ago this month, Sept. 9, 2020, was the infamous day when the Bay Area sky literally did turn orange. Smoke from multiple wildfires blocked the sun, casting an eerie glow across the region. In the middle of the COVID pandemic with no end in sight, the visual…
-
Theater Review: THE ADDAMS FAMILY (Berkeley Playhouse)
A DROP-DEAD DELIGHT Fall is officially here. Kids are back in school and Halloween is just around the corner. Thus it feels like the perfect time for Berkeley Playhouse to open their new season with the hilarious hit musical The Addams Family, appropriate for all the ghouls in your family. Post-pandemic, Berkeley Playhouse has become…
-
Theater Review: 9 TO 5: THE MUSICAL (Ray of Light Theatre)
MORE LIKE 9 TO 9, THIS MUSICAL IS AN OVERSTUFFED BUT FUN DOLLYFEST Ray of Light Theater is known for putting a spin on musicals that are big in popular culture. Hedwig and the Angry Inch, The Rocky Horror Show and Legally Blonde are some of their memorable hits. Now they’ve taken on 9 to…
-
Theater Review: EUREKA DAY (Marin Theatre Company)
EUREKA! Private school children often grow up in a carefully protected bubble. Their privilege shields them from many of life’s cruelties, creating a world of like-minded students, parents, and teachers. The adults strive to give their children better opportunities for the future, building a space meant to foster creativity in a safe and nurturing environment….
-
Theater Review: SCAT-TER BRAIN: THE MUSIC OF ADHD (Candace Johnson at The Marsh Berkeley)
CANDACE JOHNSON IS AN ADHDIVA! ATTENTION MUST BE PAID (EVEN IF IT WANDERS) Now playing at The Marsh Berkeley is Scat-ter Brain: The Music of ADHD, written and performed by Candace Johnson. This semi-autobiographical piece traces her journey of self-discovery before and after being diagnosed with inattentive-type ADHD (attention deficit hyperactivity disorder) at age 40….
-
Opera Review: MEROLA GRAND FINALE (Merola Opera Program 2025 Summer Festival, War Memorial Opera House)
OPERA’S FUTURE UNVEILED: A DAZZLING GRAND FINALE The San Francisco Opera capped its summer season with the annual Merola Grand Finale, a glittering showcase of the next generation of opera stars. Since 1957, the Merola Opera Program has provided intensive training to gifted young artists from around the world, with alumni such as Joyce DiDonato,…
-
Theater Review: LUIGI: THE MUSICAL (The Independent Theatre in San Francisco and the Edinburgh Fringe)
SHANKS FOR THE MEMORIES Currently packing in audiences—and now extended—at The Independent Theater, Luigi: The Musical is a sharp, clever, and gloriously irreverent parody of pop culture and current events. Directed by Nova Bradford, it’s equal parts timely and absurd, lampooning some of today’s most notorious criminals while delivering a steady stream of laughs. Before…
-
Theater Review: MAGNOLIA BALLET (Shotgun Players, Berkeley)
SOUTHERN DISCOMFORT UNDER A WEEPING MAGNOLIA: SHOTGUN’S HAUNTINGLY BEAUTIFUL STUNNER Now playing with an extended run in Berkeley, Shotgun Players’ Magnolia Ballet by Terry Best is the best thing I’ve seen all summer. A Southern gothic tale infused with poetry, music, and dance, this rich, genre-blending story speaks urgently to our divided political climate—offering a…
-
Theater Review: JURASSIQ PARQ: A MUSIQAL PARODY (Oasis)
I HAVEN’T BEEN THIS GAGGED AND CLAWED SINCE STEAMWORKS ON A SATURDAY NIGHT Summer is the perfect time to flock to theaters for campy escapist joy, and Oasis SF and producer D’Arcy Drollinger are delivering exactly that with Jurassiq Parq—a hilariously silly and campy “musiqal parody” of the blockbuster 1993 film. Created by the multi-talented…
-
Theater Review: THE LARAMIE PROJECT (Theatre Rhinoceros)
It’s been 25 years since the debut of the tour de force play known as The Laramie Project. It’s based on the 1998 brutal murder of Matthew Shepard, a 21 year old student at the University of Laramie Wyoming. The entire nation was shocked to hear how this young gay man was brutally beaten, tied…
-
Theater Review: ANNUNCIATION (Word for Word & Z Space)
FROM CUBICLES TO CLARITY: A THEATRICAL GEM IN FOG CITY San Francisco’s Word for Word Theatre Company, known for its singular mission of staging short stories word-for-word—narration and all—returns with Annunciation, a semi-autobiographical tale by Lauren Groff. Presented in collaboration with Z Space, the story is a slow-burning meditation on reinvention, loneliness, and quiet transformation,…
-
Theater Review: DO YOU FEEL ANGER? (Marin Theatre)
I DON’T FEEL YOUR PAIN Corporate life—or working in an office—has a very specific subculture that goes along with it. Sharing confined spaces with others in a 9-to-5 structure can be chaotic, or at least confusing, especially now, post-COVID. People are having to readjust to “playing well with others” all over again. The Bay Area’s tech culture in…
-
Opera Review: LA BOHÈME (San Francisco Opera)
LOVE, LOSS, AND THE PULSE OF PARIS San Francisco Opera’s most beloved production is back, and it’s as heartbreakingly beautiful as ever. La Bohème, Puccini’s timeless tale of love, art, and inevitable loss, holds a special place in the city’s heart—it’s the company’s most performed opera, first staged here in 1923, just one year after…
Theater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | July 17, 2026
in Los Angeles, TheaterTheater Review: TREASURE ISLAND (Will Geer Theatricum Botanicum / Topanga)
by Judson Feder | July 16, 2026
in Los Angeles, TheaterGAME OF THRONES PREPARES TO CONQUER THE GLOBAL BOX OFFICE
by Michele Miloradovich | July 14, 2026
in ExtrasTheater Review: THE GREAT GATSBY (National Tour)
by Lynne Weiss | July 12, 2026
in Boston, Theater



















