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Dan Zeff
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Chicago Theater Review: LITTLE SHOP OF HORRORS (Theatre at the Center)
A SHOW WHICH PLANTS ITSELF IN YOUR MEMORY Back in 1985, Bill Pullinsi staged a satirical musical called Little Shop of Horrors at his Candlelight Dinner Playhouse in Summit that was one of the joyous entertainments of the decade. Pullinsi is now the artistic director of Theatre at the Center, which is reviving the musical…
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Chicago Theater Review: THE 39 STEPS (Drury Lane Theatre in Oakbrook Terrace)
THE STEPS TO SUCCESS They say that timing is everything. Timing certainly is everything in The 39 Steps, the English spy spoof that occupies a delightful, often amazing, and even suspenseful two hours at the Drury Lane Theatre. The antecedents of The 39 Steps go back almost 100 years to John Buchan’s 1915 thriller novel…
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Chicago Theater Review: BEAUTY AND THE BEAST (Chicago Shakespeare)
NOTHING BEASTLY ABOUT IT The Chicago Shakespeare Theater is presenting the best musical production of the summer, but audiences will have to see it in the daytime. The production is Disney’s Beauty and the Beast, and while it’s billed as a family musical (a code phrase for children’s show), this show distributes its pleasures equally…
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Chicago Theater Review: OEDIPUS EL REY (Victory Gardens Theater)
OEDIPUS REX POTENTLY UPDATED TO THE BARRIO Oedipus El Rey is Luis Alfaro’s vision of Sophocles’ Oedipus Rex seen through the prism of modern Latino life, specifically gang culture as it melds with the traditions and values of the barrio in east Los Angeles. The drama at Victory Gardens is powerful and riveting, which proves that a…
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Theater Review: THREE SISTERS (Steppenwolf Theatre)
TRACY LETTS ADAPTS THREE SISTERS FOR STEPPENWOLF Tracy Letts calls his version of Anton Chekhov’s Three Sisters an adaptation, but other than some changes in language it’s still the great Russian dramatist’s play, a human and humane account of characters mired in boredom, disappointment, failure, loneliness, and frustration. The Steppenwolf is premiering Letts’ revision in…
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Theater Review: DEATH AND HARRY HOUDINI (House Theatre of Chicago)
MAGIC ALL AROUND Death and Harry Houdini was the House Theatre’s first production back in 2001 and it’s been something of a meal ticket for the company over the years. The production played in Chicago earlier this year, transferred to Miami for a successful run, and is now back at the Chopin Theatre, selling out…
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Chicago Theater Review: WE’RE ALL IN THIS ROOM TOGETHER (Second City’s 46th Revue in Chicago)
FRESH NEW REVUE AT SECOND CITY Four of the six performers in the new Second City e.t.c. revue We’re All in This Room Together never appeared on a Second City mainstage before. And this is only the second show for the other two players. But youth and inexperience were not a factor on the opening…
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Chicago Theater Review: HERO (Marriott Theatre)
HERO NEEDS TO ZERO IN ON THE BOOK Hero, a brand new musical at the Marriott Theatre, has enough warmth and humor to provide a pleasant evening of light summer entertainment, but the work of composer/lyricist Michael Mahler outshines that of the problematic book by Aaron Thielen, so whether or not the show has the…
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Chicago Theater Review: RAIN: A TRIBUTE TO THE BEATLES (Oriental Theater in Chicago)
YOU REALLY GOT A HOLD ON ME The baby boomers were out in force at the Oriental Theatre Tuesday night, reveling in a Beatles nostalgia fest called Rain: A Tribute to the Beatles. The show is a note-for-note replication of about 30 of Beatles’ greatest, and not so greatest, songs, as performed by four young…
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Tour Review: DRALION (Cirque du Soleil)
TO SEASONED VIEWERS, THE FACE OF CIRQUE DU SOLEIL COULD USE A LIFT The Cirque du Soleil production of Dralion should be the most fun for audiences unfamiliar with the Cirque’s unique blend of spectacle and variety acts. For veteran observers, the law of diminishing returns may be setting in. During the late 1980’s and…
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Chicago Theater Review: EASTLAND: A NEW MUSICAL (Lookingglass Theatre)
LITTLE-KNOWN CHICAGO DISASTER BECOMES TOWERING MUSICAL Eastland: A New Musical is the Lookingglass Theatre’s stunning meditation on one of the most terrible disasters in Chicago history: On the morning of July 25, 1915, an excursion boat overloaded with 2,500 people tipped over while docked along the Chicago River in downtown Chicago. The death toll was…
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Chicago Theater Review: DANCING QUEEN (Riverfront Theater in Chicago)
ABBA-DABBA-DO Delivered by an exuberant and attractive cast of young singers and dancers, Dancing Queen is an all-singing-all-dancing, high-energy nostalgia show that tries to churn its audience with happy memories of the songs of ABBA and other disco flag-wavers of the 1970’s. Even with no story and no dialogue, the hits, as they say, just…
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Chicago Theater Review: STUFFED AND UNSTRUNG (Bank of America Theater)
THESE MUPPETS ARE NOT FOR PUBLIC TELEVISION There is something disconcerting about watching an R-rated Muppets show. After all, for decades the Muppets television shows and movies have been the gold standard for family entertainment, funny and endearing for children and droll and hip for adults. Now comes a 75-minute live show called Stuffed and…
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Chicago Theater Review: IMMEDIATE FAMILY (Goodman Theatre)
GUESS WHO’S COMING TO THE WEDDING DINNER? Immediate Family, written by Chicago actor and playwright Paul Oakley Stovall, is part sitcom and part dysfunctional family drama, garnished with racial and gay humor that flows into racial and gay tensions. As directed by Phylicia Rashad, it’s a pretty good play right now, but needs some tweaking…
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Chicago Theater Review: CAMELOT (Light Opera Works in Evanston)
THE LIBRETTO NEVER REALLY WORKS, BUT THIS PRODUCTION SURE DOES Camelot is a good musical that should be better. After all, it was composed by the team of Lerner and Loewe, of My Fair Lady immortality. And it takes as its subject one of the great romantic legends in Western culture, the reign of King Arthur…
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Chicago Theater Review: THE BLOND, THE BRUNETTE, AND THE VENGEFUL REDHEAD (Writers’ Theater in Glencoe)
GO FOR THE PERFORMANCE, NOT THE SCRIPT Like most one-actor plays, the new show at Writers Theatre is more satisfying as a performing showcase than as a drama. The play carries the tantalizing title of The Blonde, the Brunette, and the Vengeful Redhead, identifying three of the seven characters impersonated by an exceptionally versatile actress…
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Chicago Theater Review: MY KIND OF TOWN (TimeLine Theatre in Chicago)
BAD COP GOOD COP The cynical title My Kind of Town acknowledges the pop song that celebrates Chicago but also a likely culture of police brutality. This is the work of investigative journalist John Conroy, who wrote 22 articles on police torture in Chicago from 1990 to 2007. Conroy may not be an experienced professional…
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Chicago Theater Review: THE MARVIN GAYE STORY (Black Ensemble Theater)
WHAT’S GOING ON WITH THE STORY? The tortured elements in the life of the great rhythm and blues artist Marvin Gaye would be fascinating fodder for a powerfully tragic stage play. Either that, or bypass his story, concentrating instead on the ample material Gaye left behind for a terrific musical revue. The Black Ensemble Theater premiere of The Marvin…
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Chicago Theater Review: THE LIGHT IN THE PIAZZA (Theo Ubique in Chicago)
AN INCREDIBLY BRIGHT LIGHT The Light in the Piazza opened on March 12 at Theo Ubique and has now been extended into midsummer, and counting. It’s gathered a sheaf of rave reviews and the tiny theater is sold out by the week, possibly the most improbable local hit in recent memory. It’s not that we…
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Chicago Theater Review: A LITTLE NIGHT MUSIC (Writers Theater in Glencoe)
A SMALL LITTLE CREATES HUGE RESULTS For its scintillating revival of A Little Night Music, Writers Theatre has condensed the Stephen Sondheim classic into a chamber musical. The action is played out on a small thrust stage enclosed by lacy floor-to-ceiling curtains. The only set is a raised two-step platform in the middle of the…
Theater Review: SANCTUARY CITY (Chance Theater / Anaheim)
by Michael Landman-Karney | May 11, 2026
in Los Angeles, Regional, TheaterTheater Review: SWEPT AWAY (SpeakEasy Stage at Boston Center for the Arts)
by Lynne Weiss | May 10, 2026
in Boston, TheaterTheater Review: ‘NIGHT, MOTHER (Redtwist Theatre / Chicago)
by Croydon Fernandes | May 9, 2026
in Chicago, TheaterOff-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City)
by Rob Lester | May 7, 2026
in New York, TheaterTheater Review: SOMETHING ROTTEN! (Lyric Stage Company of Boston)
by Emily Brenner | May 7, 2026
in Boston, TheaterTheater Review: MJ THE MUSICAL (National Tour / San Diego)
by Dan Zeff | May 7, 2026
in Dance, Theater, Theater-San Diego, ToursTheater Review: FAULT (Chicago Shakespeare)
by Croydon Fernandes | May 7, 2026
in Chicago, TheaterTheater Review: I HATE HAMLET (Saint Sebastian Players / Chicago)
by Mitchell Oldham | May 6, 2026
in Chicago, Theater



















