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Ernest Kearney
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Recommended Theater: FRINGE BLAST! (42 Offerings from the Hollywood Fringe Festival, 2025)
THEATRE ISN’T DEAD: HOLLYWOOD FRINGE 2025, JUNE 5-29 For those under the impression that creativity begins and ends in LA on the multi-screens of the AMC and IMAX theatres in every mall scattered about this town, the 2025 Hollywood Fringe has arrived to disabuse you of this false dichotomy. For the past 14 years, come…
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Theater Review: LEAR REDUX: A QUANTUM FANTASIA (Odyssey Theatre Ensemble)
GRINNING FROM LEAR TO LEAR Redux, adjective From the Latin, returning, from reducere to lead back To be brought back or returned, especially in a new way. When it comes to repackaging Shakespeare, nothing’s off-limits. Indian director Vishal Bhardwaj’s noir-flavored trilogy (Maqbool, Omkara, Haidar [or Macbeth, Othello, and Hamlet]) turned the plays into modern crime sagas. for…
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Theater Review: THE WINTER’S TALE (Play On Shakespeare at Skylight Theatre)
EXIT, PURSUED BY A PRODUCTION In taking on a production of William Shakespeare’s The Winter’s Tale, Play On Shakespeare at Skylight Theatre is to be commended. The last of the Bard’s plays-–Cymbeline, The Winter’s Tale, portions of Pericles, and The Tempest—present substantial difficulties in staging. But, for my money, The Winter’s Tale sits at the…
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Theater Review: WHITE RABBIT RED RABBIT (Fountain)
HARE FORCE ONE With White Rabbit Red Rabbit by Iranian playwright Nassim Soleimanpour currently at the Fountain Theatre, what you encounter is an interesting and provocative theatrical game, a hybrid of “Story Theatre” and immersive Role Playing Game (RPG). On stage is a sparse set that displays the sharp divisions of red and white conveying…
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Theater Review: STUPID FUCKING BIRD (Blue Pen Theatre)
THIS BIRD AIN’T SO STUPID There is a strange little niche tucked away in the theatre world which, for lack of a better term, could be called “Travesty Theatrics.” It’s when a classic drama is taken and reworked as a caricature, parody, or mockery of itself. (More on that later.) A new, actor driven company,…
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Theater Review: THE GLASS MENAGERIE (Antaeus Theatre)
A STRIKINGLY RESPECTFUL TAKE WORTHY FOR A MUSEUM The Antaeus Theatre Company first began offering audiences superbly mounted productions over a quarter of a century ago, and for their continued success in doing so, they are recognized as one of the true jewels in the crown of the Los Angeles theatre community. An actor-driven company,…
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Theater Review: HOW TO FAIL (Actors’ Gang Theater)
ONE MAN. 60 MINUTES OF DISASTER. EVERYTHING FAILS MAGNIFICENTLY! Ron Campbell is a clown all right. This is apparent from his first pratfall, which occurs about eleven seconds into his show, How to Fail. In this day and age of radical, assaultive clowns who prey on their audiences’ psychological foibles and are more comfortable staring…
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Theater Review: IN THE BAR OF A TOKYO HOTEL (Tennessee Williams at the Hudson Backstage Theatre in Hollywood)
TENNESSEE WILLIAMS’ SELDOM SEEN PLAY SHOWS WHY IT’S SO SELDOM SEEN It can be a curse to start one’s literary or dramatic career with a masterpiece. Doing so serves to intensify the expectations of one’s readership or audience while inflating the artist’s creative anxieties. Towards the end of his life, author of the classic antiwar…
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Theater Review: SHOWSTOPPER (Gary Stockdale at Whitefire Theatre in Sherman Oaks)
HIGH NOTES AND HARD KNOCKS: SHOWSTOPPER CHARTS THE SONGBOOK OF SURVIVAL Singer songwriter Gary Stockdale has a loyal but eclectic fan base. His long-term devotees date back to legendary TV producer Steven Bochco’s cutting-edge and sadly short-lived musical police drama Cop Rock, in which he played a drug dealer who stood before the bench and…
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Theater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, TheaterTheater Review: THE VISIT (Pasadena Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: THE BIRTH OF THE PILL (TimeLine Theatre / Chicago)
by Croydon Fernandes | September 17, 2026
in Chicago, TheaterCabaret Review: JEFF HARNAR – THE 1959 BROADWAY SONGBOOK (Birdland / New York)
by Rob Lester | September 17, 2026
in Cabaret, New YorkTheater Review: A CASE FOR THE EXISTENCE OF GOD (Rogue Machine / Los Angeles)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: DEAR EVAN HANSEN (Cygnet / San Diego)
by Milo Shapiro | September 17, 2026
in San Diego, TheaterTheater Review: WILD CHILD (Laguna Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: THE MAN WHO FELL WITH THE RAIN (Trap Door / Chicago)
by Croydon Fernandes | September 16, 2026
in Chicago, Los AngelesTheater Review: WITCH (Idle Muse / Chicago)
by Croydon Fernandes | September 15, 2026
in Chicago, Theater








