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Ernest Kearney
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Theater Review: CHARMIN THE MUSICAL (Stephanie Feury Studio Theatre; Hollywood Fringe Festival)
SQUEEZABLE THEATER Those dark days all seem so long ago. The face masks, drive-thru testing, fear of crowded indoor spaces, and some idiot assuring us, “It’s going to disappear. One day — it’s like a miracle — it will disappear.” Yes, I’m talking COVID-19, which in 2020 spread worldwide, causing global shortages in ventilators, vaccines,…
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Theater Review: MIKE BLAHA: INTERNATIONAL JOKE (Broadwater Studio, Hollywood Fringe Festival)
Unlike his previous shows at The Hollywood Fringe — Spank the Monkey and Shagadelic: The Origins of Slang Words for Doing It — Michael Blaha has shed his stage persona of Professor Richard Fondler and presents himself in the aptly named Mike Blaha: International Joke. In taking this step, Blaha has proven what was already obvious:…
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Theater Review: HOLY, HOLY: THE BIRTH OF DISCO (The Broadwater; Part of The Hollywood Fringe Festival)
FEMINIST CLOWNS COLLIDE WITH CAPITOLISM Clownish perfection poses a unique problem for reviewers in that the blend of Da-Da slapstick and rib-tickling existentialism tends to defy easy description, in that they tell stories that go beyond language. I’ve always suspected the reason for this is that in our evolution, “clowning†preceded language. Holy, Holy: The…
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Theater Review: OH, FUCK! AN ICEBERG! ONE WOMAN TITANIC (Part of the Hollywood Fringe Festival atActors Space
TITANIC SINKS AGAIN Mallie McCown‘s madcap reimagining of Titanic, James Cameron’s $220 million epic, is ambitious beyond words, which is the source for most of the problems that plague this production. Issues aside, however, Oh, Fuck! An Iceberg remains staggeringly clever and more fun than a barrel of monkeys in a lifeboat. I am in…
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Recommended Theater: FRINGE BLAST! (42 Offerings from the Hollywood Fringe Festival, 2025)
THEATRE ISN’T DEAD: HOLLYWOOD FRINGE 2025, JUNE 5-29 For those under the impression that creativity begins and ends in LA on the multi-screens of the AMC and IMAX theatres in every mall scattered about this town, the 2025 Hollywood Fringe has arrived to disabuse you of this false dichotomy. For the past 14 years, come…
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Theater Review: LEAR REDUX: A QUANTUM FANTASIA (Odyssey Theatre Ensemble)
GRINNING FROM LEAR TO LEAR Redux, adjective From the Latin, returning, from reducere to lead back To be brought back or returned, especially in a new way. When it comes to repackaging Shakespeare, nothing’s off-limits. Indian director Vishal Bhardwaj’s noir-flavored trilogy (Maqbool, Omkara, Haidar [or Macbeth, Othello, and Hamlet]) turned the plays into modern crime sagas. for…
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Theater Review: THE WINTER’S TALE (Play On Shakespeare at Skylight Theatre)
EXIT, PURSUED BY A PRODUCTION In taking on a production of William Shakespeare’s The Winter’s Tale, Play On Shakespeare at Skylight Theatre is to be commended. The last of the Bard’s plays-–Cymbeline, The Winter’s Tale, portions of Pericles, and The Tempest—present substantial difficulties in staging. But, for my money, The Winter’s Tale sits at the…
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Theater Review: WHITE RABBIT RED RABBIT (Fountain)
HARE FORCE ONE With White Rabbit Red Rabbit by Iranian playwright Nassim Soleimanpour currently at the Fountain Theatre, what you encounter is an interesting and provocative theatrical game, a hybrid of “Story Theatre” and immersive Role Playing Game (RPG). On stage is a sparse set that displays the sharp divisions of red and white conveying…
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Theater Review: STUPID FUCKING BIRD (Blue Pen Theatre)
THIS BIRD AIN’T SO STUPID There is a strange little niche tucked away in the theatre world which, for lack of a better term, could be called “Travesty Theatrics.” It’s when a classic drama is taken and reworked as a caricature, parody, or mockery of itself. (More on that later.) A new, actor driven company,…
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Theater Review: THE GLASS MENAGERIE (Antaeus Theatre)
A STRIKINGLY RESPECTFUL TAKE WORTHY FOR A MUSEUM The Antaeus Theatre Company first began offering audiences superbly mounted productions over a quarter of a century ago, and for their continued success in doing so, they are recognized as one of the true jewels in the crown of the Los Angeles theatre community. An actor-driven company,…
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Theater Review: HOW TO FAIL (Actors’ Gang Theater)
ONE MAN. 60 MINUTES OF DISASTER. EVERYTHING FAILS MAGNIFICENTLY! Ron Campbell is a clown all right. This is apparent from his first pratfall, which occurs about eleven seconds into his show, How to Fail. In this day and age of radical, assaultive clowns who prey on their audiences’ psychological foibles and are more comfortable staring…
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Theater Review: IN THE BAR OF A TOKYO HOTEL (Tennessee Williams at the Hudson Backstage Theatre in Hollywood)
TENNESSEE WILLIAMS’ SELDOM SEEN PLAY SHOWS WHY IT’S SO SELDOM SEEN It can be a curse to start one’s literary or dramatic career with a masterpiece. Doing so serves to intensify the expectations of one’s readership or audience while inflating the artist’s creative anxieties. Towards the end of his life, author of the classic antiwar…
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Theater Review: SHOWSTOPPER (Gary Stockdale at Whitefire Theatre in Sherman Oaks)
HIGH NOTES AND HARD KNOCKS: SHOWSTOPPER CHARTS THE SONGBOOK OF SURVIVAL Singer songwriter Gary Stockdale has a loyal but eclectic fan base. His long-term devotees date back to legendary TV producer Steven Bochco’s cutting-edge and sadly short-lived musical police drama Cop Rock, in which he played a drug dealer who stood before the bench and…
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Theater Review: KING HEDLEY II (City Lit Theater / Chicago)
by Croydon Fernandes | November 2, 2026
in Chicago, TheaterTheater Review: BETRAYAL (Marin Theatre / Mill Valley)
by Chuck Louden | November 2, 2026
in Theater, Theater-San Francisco / Bay AreaOff-Broadway Review: WAITING FOR LEFTY (Classic Stage Company)
by Alex Simmons | November 2, 2026
in New York, TheaterTheater Review: CARMELA FULL OF WISHES (Chicago Children’s Theatre)
by Croydon Fernandes | November 2, 2026
in Chicago, TheaterDance Preview: DANCE ME — THE MUSIC OF LEONARD COHEN (Ballets Jazz Montréal / Chicago)
by Croydon Fernandes | November 1, 2026
in Chicago, Dance, ToursDance Review: PAS DE DEUX (American Contemporary Ballet / Los Angeles)
by Nick McCall | October 31, 2026
in Dance, Los AngelesBroadway Review: THE IMAGINARY INVALID (Roundabout Theatre Company / Todd Haimes Theatre)
by Paola Bellu | October 30, 2026
in New York, Theater












