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Gregory Bernard
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Dance Preview: MOVES AFTER DARK (Disney Hall)
GET YOUR MOVES ON It had to happen one day: L.A. is truly becoming a metropolis, with incredible events difficult to find anywhere else. To wit, the dance world is springing to new heights, and while site-specific dance has been going on for years, The Music Center goes a step further by selecting three L.A.-based…
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Los Angeles Dance Preview: STARDUST (Complexions Contemporary Ballet at The Music Center)
BOWIE’S BACK … AND FORTH Founded in 1994 by a pair of former Alvin Ailey dancers and frequent contributors to the hit TV show So You Think You Can Dance, New York-based Complexions Contemporary Ballet has wowed critics and audiences alike with their boundary-breaking style of ballet. Now Desmond Richardson and Dwight Rhoden bring their acclaimed…
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CD Review: IVAN THE TERRIBLE (Prokofiev’s Original Motion Picture Score, Reconstructed)
IVAN THE TERRIFIC Ivan the Terrible, the second joint project of Sergei Eisenstein and Sergei Prokofiev, is a two-part historical epic film, portraying the rise and fall of the autocratic ruler Ivan IV in the 16th century. Prokofiev’s musical portrayal is unique in film history, for the score conceives both parts of the film on…
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Off-Broadway Interview: TOM WOJTUNIK, director of IT IS DONE
TOM WOJTUNIK IS FAR FROM DONE You’re in Times Square for a night of theater. You turn down 47th Street and pass the Ethel Barrymore Theatre where An Evening With Patti Lupone and Mandy Patinkin is playing. Then you pass the old Biltmore Theatre, now owned and operated by Manhattan Theatre Club, where Venus In…
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Off Broadway Interview: SINAN ÜNEL – writer and director of A MAD PERSON’S CHRONICLE OF A MISERABLE MARRIAGE
THE LONG TERM RELATIONSHIPS OF SINAN ÜNEL AND LEO TOLSTOY Cheryl King’s intimate Stage Left Studio on Manhattan’s West 30th Street specializes in showcasing one-to-two-person plays. Through November 22, Sinan Ünel’s A Mad Person’s Chronicle of a Miserable Marriage joins the eclectic repertoire of solo gems. Embodying both Leo Tolstoy and his wife, Sonya, John…
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Interview: SANTINO FONTANA (Starring in “Sons of the Prophet” at Roundabout’s Laura Pels Theatre)
HIS BRILLIANT CAREER (SO FAR) Still in his twenties, Santino Fontana has performed in quite a respectable number of productions that many actors would hope to accomplish in a life time: most recently The Importance of Being Earnest (Clarence Derwent Award), the short lived Brighton Beach Memoirs (Drama Desk Award for Best Featured Actor), Billy…
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Off-Broadway Theater Interview: CARLO ALBAN (writer and performer of INTRINGULIS)
THE UNDOCUMENTED Intringulis, an autobiographical play written and performed by Carlo Alban, is now in production at Off Broadway’s INTAR. Stage and Cinema caught up with Carlo recently to discuss the evolution of the project and the plight of undocumented workers in the United States. * * * * * * * * * *…
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Off Broadway Theater Review: CRANE STORY (The Cherry Lane Theatre)
ARCANE CRANE Jen Silverman’s Crane Story borrows storytelling stage conventions from both east and west. A raised empty platform acts as the main acting area surrounded by wooden paneling. There are drums, puppets, small musical instruments, and an ensemble of seven performers who act as characters, puppeteers, musicians, and stage crew. Such eastern stage traditions…
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Off Broadway Theater Review: HERO – THE MUSICAL (David H. Koch Theater at Lincoln Center)
KOREAN BROADWAY (SORT OF) Hero: The Musical starts off with a bang. Literally. Several loud gunshots tear holes into the front curtain, which cinematically transforms into a stellar Big Dipper that emblazons a rich blue sky. The constellation rises and the astonishingly exquisite beauty of a forest in 1909 appears. A soaring, powerful male ensemble…
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Off-Broadway Theater Review: OLIVE AND THE BITTER HERBS (Primary Stages)
THE BITTERER, THE BETTER There are two brands of Charles Busch plays: the ones he stars in, which are filled with campy homoeroticism and often performed in downtown theatre dives, and the ones he does not star in, which are safe, commercial and mainstream, and usually performed uptown. As a performer, Mr. Busch is a…
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Theater Review: DEAD GIRL’S QUINCEAÑERA (Goodman Theatre / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterBroadway Review: 860 (Billy Crystal / Imperial Theatre)
by Paola Bellu | October 22, 2026
in New York, TheaterTheater Review: A STRANGE LOOP (Raven and About Face / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterTheater Review: THE CURIOUS CASE OF BENJAMIN BUTTON (The Public Theater / New York)
by Gregory Bernard | October 21, 2026
in New York, TheaterOff-Broadway Review: MACHINE LEARNING (Little Engine Theater)
by Alex Simmons | October 21, 2026
in New York, TheaterOff-Broadway Review: COPPERFIELD! (The Duke on 42nd Street)
by Rob Lester | October 20, 2026
in New York, TheaterOpera Review: CARMEN (LA Opera)
by Michael Landman-Karney | October 20, 2026
in Los Angeles, Music, TheaterTheater Review: CONVENTION (The Industry Loft / Los Angeles)
by Ernest Kearney | October 20, 2026
in Los Angeles, TheaterDance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
by Chuck Louden | October 19, 2026
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