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Harvey Perr
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Film: I WISH directed by Hirokazu Kore-Eda
THE UNEXPECTED JOYS OF CHILDREN AT PLAY It would be easy to say, given his new film, I Wish, and his other classic film about children, Nobody Knows, that Hirokazu Kore-Eda has a way with children; but given the small body of authentic masterpieces he has directed – Maborosi, After Life, Still Walking – it…
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New York Theater Reviews: RECENT SPRING OPENINGS ON AND OFF BROADWAY
Stage and Cinema sent Harvey Perr back to the east coast to catch up on this very busy time of the season in New York City theater, when new shows open one right after the other and Tony fever is in the air. Here’s a hearty and tasty stew of what he saw go down….
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Broadway Theater Review: PETER AND THE STARCATCHER (Brooks Atkinson Theatre)
THEATER OF THE ADVENTUROUS I hadn’t realized how deeply entrenched in my unconsciousness the Peter Pan legend was; that is, until I found myself, in the last minutes of the rousing and miraculously innovative Peter and the Starcatcher, gently weeping. Not that the show in any way jerked tears out of me – make no…
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Off Broadway Theater Review: NINTH AND JOANIE (Labyrinth Theater Company)
BEYOND REALISM The living room and foyer of the modest house on 9th Street in the South Philadelphia of 1986, created by David Meyer, is as dank and dreary as social realism will allow. And when the door to the kitchen opens, we may not see the kitchen sink, but we can readily imagine exactly…
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Off-Off-Broadway Theater Review: YOU BETTER SIT DOWN: TALES FROM MY PARENTS’ DIVORCE (The Civilians at The Flea Theater)
YOU’RE GONNA STAND UP: Sometimes in the theater, all you need are four chairs and four actors and a director who knows how to move them around so that everything they do is as natural as breathing. Welcome to You Better Sit Down: Tales From My Parents’ Divorce, the newest project of the innovative and…
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Off Broadway Theater Review: MASSACRE (SING TO YOUR CHILDREN) (Rattlestick Playwrights Theater)
BLOODY MASSACRE, DULL SONG As they march through (or are flung through) the doors of an abandoned slaughterhouse, their bodies bloodied, one wonders what battle zone of what war they have come from. But it turns out that this group of survivors have merely killed a mean neighbor. Who would have thought there’d be so…
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Broadway Theater Review: THE BEST MAN by Gore Vidal (Schoenfeld Theatre)
POLITICS AS USUAL Given the nastiness of the recent Republican primary debates and a sense of even worse nastiness to come with the next election, it is no surprise that thoughts of reviving Gore Vidal’s The Best Man would be imminent. Vidal’s gimlet-eyed insight into the peculiarities of the Washington political scene and his trenchant…
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Broadway Review: END OF THE RAINBOW (Belasco Theatre)
A TRIUMPHANT TRAINWRECK If you’ve never applauded a trainwreck, be prepared to do so when you see Peter Quilter’s End of the Rainbow. I am not talking about the gossip-driven, hardly revelatory play about Judy Garland’s last days; I am talking about Tracie Bennett’s devastating portrait of a Ritalin-addled, vodka-soaked, emotionally greedy and equally needy,…
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Los Angeles Theater Review: AMERICAN IDIOT (National Tour at the Ahmanson Theatre)
WHICH AMERICAN IDIOT ARE YOU? If you know and love Green Day’s studio concept album on which it is based, American Idiot is the show for you. If, like me, you are a stranger to the original material and like to savor the lyrics in a theater and not have them turn to slush amidst the…
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Los Angeles Theater Review: THE SEAGULL (Antaeus Theatre Company in North Hollywood)
MEMORIES OF SEAGULLS PAST If you have never seen The Seagull – though I can’t imagine a seasoned theatergoer who hasn’t, can you? – you just might possibly get an inkling of what Anton Chekhov’s masterpiece should be in the Antaeus Company’s otherwise listless and tone-deaf production, which stubbornly refuses to illuminate the quirkiness of human…
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Los Angeles Theater Review: WAITING FOR GODOT (Mark Taper Forum)
THE GODOT WE’VE BEEN WAITING FOR Samuel Beckett is a great comic playwright. You don’t believe me? Then run, don’t walk, to the Mark Taper Forum and see the blissfully funny and yet profoundly melancholy revival of Waiting For Godot. You will finally see what so many productions fail to get: that Estragon and Vladimir…
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Film Review: THE KID WITH A BIKE directed by Jean-Pierre and Luc Dardenne
LOSING A BIKE AND A FATHER AT THE SAME TIME Jean-Pierre and Luc Dardenne are always burrowing deep into the dirty soil from which we all presumably come. Life, to these extraordinary Belgian filmmakers, is hard and mean and filled with consequences that are not merely challenging but driven through with pain and despair. And,…
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Los Angeles Theater Reviews: THE YELLOW HOUSE and SPECIAL DELIVERY (Katselas Theatre Company at the Skylight Theatre)
TWO MORE ONE-PERSON PLAYS AT THE SKYLIGHT Burke Byrnes’s The Yellow House (Fridays) and Harry Hart-Browne’s Special Delivery (Saturdays) both possess the virtues and weaknesses of one-person shows. Both have the bracing intelligence of their creators. Both are very well performed. Both are highly personal and yet avoid the narcissism that personal works are often guilty of….
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Los Angeles Theater Reviews: CLYBOURNE PARK (Mark Taper Forum) A RAISIN IN THE SUN (Kirk Douglas)
THE CLYBOURNE CONNECTION There are two reasons to revive a play. One: to see if the play has retained its power over the years. And two: to look at the play afresh, with eyes that see now what we may not have seen when the play in question was first produced. The beauty of Phylicia…
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Los Angeles Theater Review: RED HOT PATRIOT: THE KICK-ASS WIT OF MOLLY IVINS (Geffen Playhouse)
WILL THE REAL MOLLY IVINS PLEASE STAND UP? Molly Ivins was a ballsy Texas-based reporter who became a legend in her own time by calling a spade a spade (or, more succinctly, calling George W. Bush a moron – even before he was President – and who added glorious insult to magnificent injury by saying…
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THEATER IN LOS ANGELES: THE BEST OF 2011
THE SUPERBOWL OF LOS ANGELES THEATER FOR 2011 2011 ENDED NOT WITH THE PROVERBIAL WHIMPER BUT WITH A RESOUNDING BANG: Fela! was not merely the best new musical of the year, it was one of its most vivid theatrical experiences as well. Most of the credit goes to Bill T. Jones, who conceived, directed, and…
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Theater Review: FELA! (National Tour kick-off at the Ahmanson Theatre in Los Angeles)
SING A SONG OF AFRICA Fela! is a scorcher. On these chilly nights in December and January, everyone (with a vested interest in the continuing power of musical theater) should retreat to the Ahmanson Theatre, where the heat is on. Warning: Do not try to put the fire out. Let the blaze burn bright. There…
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Los Angeles Theater Review: THE NIGHT WATCHER (Kirk Douglas Theatre)
TELL US A STORY, AUNTIE CHARLAYNE If I were a child, I would want Auntie Charlayne to tuck me in and tell me a story. Why? Because Auntie Charlayne – that’s Charlayne Woodard – just happens to be a great storyteller. She can get right in there, keeping you interested every step of the way,…
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Los Angeles Theater Review: DESIRE UNDER THE ELMS (A Noise Within)
TWISTED LITTLE PASSIONS IN THE SUBURBS Now that A Noise Within – the Southern California repertory theater company dedicated to the classics – has gotten a snazzy new suburban theater in Pasadena, guess what? They are doing the same fair-to-middling work on their new stage as they did in their old space in Glendale. I…
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Los Angeles Theater Review: HOSEA NOVA: A JEALOUS AND VIOLENT MAN (Zombie Joe’s Underground)
THE BLIND LEADING THE HALF BLIND “It’s The Devils meets Marat/Sade.” someone said to me. “Yes,” I responded. “As performed by the Marx Brothers!” We were talking about the new Zombie Joe’s Underground show, Hosea Nova: A Jealous and Violent Man, Robert Riemer’s wacky baroque take on Hosea, the Biblical prophet of doom (where there’s…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater


















