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Joan Alperin
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Los Angeles Theater Review: OLIVER! (Musical Theatre West in Long Beach)
YOU WILL BUY During a two hour car trip with my future husband, he — being from New York and loving Broadway musicals as much as I — decided to sing every song from Oliver!, his favorite show at that time. After about an hour, he began to sing “Where Is Love?,” which is one…
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Los Angeles Theater Review: FOREVER BROOKLYN! (Whitefire Theatre)
NOTHING TRAFE HERE What I found most amazing about Forever Brooklyn! A Kosher Musical Comedy is that the writer/director Mark Wesley Curran is not from Brooklyn nor is he Jewish or even a comedian. Yet he totally captures what it is to be Jewish and what it was like growing up in Brooklyn. I should know since…
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Film Review: ROMA (directed by Alfonso Cuarón )
Y TU ROMA TAMBIEN Written, directed, photographed, and edited by Alfonso Cuarón (Y Tu Mamá También, Gravity) Roma is not only one of the best films of the year but the decade. There are so many things that I want to say about it, but I won’t hesitate to call it an artistic masterpiece. You…
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Film Review: MARY POPPINS RETURNS (directed by Rob Marshall)
NOT SUCH A JOLLY HOLIDAY It may be sacrilege to slam an American classic — or rather, a made-to-be-foolproof sequel based on a classic film — but I’ll take my chances. While watching Mary Poppins Returns I found myself fidgety — which I knew could mean only one thing: I was bored. Very, very bored. This isn’t…
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Film Review: VICE (directed by Adam McKay)
VICE FRAUD Watching the biopic Vice — written and directed by Adam McKay (The Big Short) — I found myself getting more and more irritated. Not because the film isn’t a brilliant exposé on one Dick Cheney but because Cheney is, in one simple word, a monster, one who got away with every single monstrous deed he…
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Film Review: DESTROYER (directed by Karyn Kusama)
SHE AIN’T KIDMAN From the opening scene of Destroyer there is a keen sense that something very different and extremely artistic is upon us. Karyn Kusama’s modern noir, aided by the sharp eye of her cinematographer Julie Kirkwood, paints amazing pictures by using a multitude of long shots capturing a sun-drenched, gritty Los Angeles in…
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Theater Review: A VERY MERRY MAGIC MANIA (Santa Monica Playhouse)
THIS REALLY IS HOLIDAY MAGIC I can’t think of more entertaining way to spend the holidays then to see A Very Merry Magic Mania at the Santa Monica Playhouse. This intimate showcase of the best magicians around was created by Albie Selznick, creator of the theatrical smash hit, Smoke and Mirrors. Albie, who hosts as well,…
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Film Review: BIRD BOX (directed by Susanne Bier)
BOXED IN Written by Eric Heisserer (adapting Josh Malerman’s novel), the plot of Bird Box may be reminiscent of A Quiet Place, but instead of one sound being your death warrant, it’s another sense here that will get you killed — the sense of sight. If you see creatures, who for some unknown reason have invaded the…
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Theatre Preview: CAL IN CAMO (VS. Theatre and Red Dog Squadron)
CAL IN CAMO EXTENDS ITS RUN AT VS. THEATRE William Francis Hoffman’s multilayered play attempts to lay bare, (literally in the case of the character “Cal”) the issues surrounding postpartum depression, and people’s abilities to connect with one another. The production of this powerful work at VS. Theatre, directed by Amy K. Harmon, has just…
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Los Angeles Theater Review: BRIGHT STAR (Musical Theatre West in Long Beach)
SHINING BRIGHT Bright Star is a bittersweet bluegrass musical with music, book and lyrics by Steve Martin and Edie Brickell. It was nominated for five Tony awards when it ran on Broadway and it’s easy to see why. The story takes place in two time periods, 1923 and 1946. When the play opens we meet…
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Film Review: BOHEMIAN RHAPSODY (directed by Bryan Singer)
BOHEMIAN RHAPSODY WILL MORE THAN ROCK YOU Even before production began, this film has had controversy attached to it: Sacha Baron Cohen was originally attached to play Freddie Mercury, but dropped out when he realized the producers were aiming for a PG rating, skimming around Mercury’s hedonistic lifestyle. Since 2010, actor changes, story changes, and…
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Los Angeles Theater Review: SHREK (5-Star Theatricals in Thousand Oaks)
SHREK TO THE RESCUE The first time I saw Shrek The Musical was on Broadway in 2008. I loved it then but 5-Star Theatricals’ production has me really loving it now. With book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori, Shrek is set in a mythical once-upon-a-time sort of land, where a…
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Theater Review: UK UNDERDOG (Zephyr Theater)
HE’S NOT GOING TO THE DOGS, BUT THE PROCEEDS ARE There are many reasons to see writer/performer Steve Spiro’s entertaining and touching one man show, a powerful and emotional true story now playing at the Zephyr Theatre. Nicely shaped by director Ann Bronston, Spiro brings his childhood and subsequent years to life in a palpable way…
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Film Review: A STAR IS BORN (directed by Bradley Cooper)
BRADLEY COOPER — A STAR REBORN The first A Star Is Born (1937) tells of aspiring actress Esther Blodgett (played by Janet Gaynor) who impresses an alcoholic matinee idol Norman Maine (Fredric March). Esther gets her first big break in Norman’s next picture (and a marriage proposal from the smitten Mr. Maine). The movie’s a…
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Film Review: LIFE ITSELF (directed by Dan Fogelman)
A CELEBRATION OF LIFE ITSELF Writer/director Dan Fogelman is currently represented on TV with his creation This Is Us, which follows two parents and their three children, born on the same day as their father. Now entering its third season, the NBC show takes place in the present but also utilizes flashbacks so we see…
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Theater Review: FAIRY TALE THEATRE 18 & OVER: THE MUSICAL (Ammunition Theatre at Pico Playhouse)
18 & OVER THE MOON You gotta love a revue that starts with a song, “Turn off Your Fucking Phone.” Even better is that Ammunition Theatre Company — which gave us the astounding Giant Void in My Soul this summer — ups the ante with this modern olio for grown-ups. Creative dude par excellence Michael…
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Film Review: WHITE BOY RICK (directed by Yann Demange)
A FILM ABOUT A BOY WHO LOSES HIS WAY LOSES ITS WAY White Boy Rick — written by Andy Weiss along with Logan and Noah Miller — is based on true events. It’s set in the 1980s in Detroit when the city, rife with corruption on every level, is at the height of a crack…
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Theater Review: SWANSONG (Skylight Theatre)
AN EXTRAORDINARY PERFORMER IN A POWERFUL PLAY Produced by the Australian Theatre Company along with Skylight Theatre, Conor McDermottroe’s one-man play Swansong and André de Vanny’s pile-driving performance will stay with you long after the 65-minute one-act ends. Meet Austin ‘Occi’ Byrne, the abused illegitimate child of a single mother growing up in the 1960s on the…
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Film Review PEPPERMINT (directed by Pierre Morel)
JENNIFER GARNER KICKS SERIOUS BUTT — UNFORTUNATELY, THE MOVIE DOES NOT I have nothing against escapist entertainment. Every film I see does not have to be deep or meaningful in order for me to enjoy it. However it does have to be interesting with well-developed characters and a somewhat believable plot; Peppermint has none of…
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Theater Review: (RE)DRESSING MISS HAVISHAM (Boston Playwrights’ Theatre)
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